The Self-Seduction of Geppetto

Here, the program finds a way to invert my intentions and turn Geppetto into a robot.
My instructions were “Evil robot Pinocchio making marionnette Geppetto dance as a puppet spectacular detail superrealistic”.
Instead, Pinocchio seems to be always rendered with strings (I didn’t ask for that), and only partially a robot. Pinocchio seems to have a non-robot head and a body that ranges from non-robotic to semi-robotic. It seems ambiguous whether it is Geppetto or Pinocchio who is the evil robot puppet. At the end it appears to be a hapless Geppetto who has been taken over by the robot completely (I didn’t ask for that) and (the hallucination of?) Pinocchio is gone.
I am reminded of the Maya Angelou re-quote
“When people show you who they are, believe them the first time:
Sensation, Realism, and Consciousness

The sense of image fits into the larger picture between the Subjectively Objectified and Subjectively Subjectified groupings.
Holos (Transpersonal
(Interpersonal (Personal
(Intrapersonal (Perception
(Subpersonal (Subjectified sensation) | Impersonal (Subjectively objectified sensation)
Graphos)

A Sound by any Other Name
What is the difference between thinking that consciousness requires a living body and thinking that sounds have to be made by acoustic instruments?
It seems like the same common sense intuition, and I think in both cases, it happens to be false. From audio recording we learned that we did not need to have someone play a horn to hear a horn sound. We could actually use the sound that a needle makes when scratching over a grooved surface to make a nearly identical sound, as long as the grooves matched the grooves made when the horn was played in the first place.
As audio technology progressed, people discovered that purely electronic changes in semiconductors could be used to drive speakers to drive eardrums. We didn’t need to begin with a horn being played, or acoustic vibrations to propagate from brass to air to a steel needle to a cooling disc of resin. All we needed was electronic switches to rapidly change the flow of current through a speaker in the same pattern that the needle used to make going up and down in the groove. The up and down analog became digital stop and go, all the way up to the point where you have to jiggle people’s eardrums. That could not be done electronically but required a membrane to mechanically push air into the ears.
It seems now that we are getting closer to cutting out the acoustic middleman entirely with the possibility of Neuralink type technology and broadcast music directly into your brain without any physical sound at all. No speakers, no ears…but you still need something that senses something, and you need something that senses that something as sound. Even if we play music and record our dreams electronically, it still doesn’t solve the Hard Problem of consciousness. There remains an explanatory gap between the silent operation of electrical current and the experience of sounds, sights, feelings, thoughts, and the entire material universe of objects…including brains and electronic instruments.
That last sentence is the tricky part that physicalist thinkers can’t seem to stop overlooking. Yes, the entire physical universe that you know, that you read about, that scientists experiment on, can only exist under physicalism as a ‘model’ or ‘simulation’ that simply, um, ’emerges’ from either electromagnetism itself, or electromagnetism in various brain structures, or from the ‘information’ that we imagine is being communicated by any or all of these processes.
Of course, it’s all circular. To say ‘the brain’ is to say ‘my qualitative and cognitive experiences that I call ‘brain”. To say ‘the world’ is to say ‘my’ or ‘our’ qualitative experiences that seem like a world. There is no getting around this. The last mile of any cosmological theory always has to cash out in some experience-of-a-cosmos, with or without a theory of a cosmos-outside-of-some-experience. Noumena are optional and hypothetical. Experiential phenomena, as Decscartes almost said, cannot be deined.
I argue with a lot of people about information and qualia, because it is glaringly obvious to me that this technology based idea of information conflates the purely intellectual and abstract process of learning or communicating with the concrete aesthetics of what it is being communicated. Information or simulation theory says nothing about what is ultimately doing the communicating and what literally happens when a communication is decoded, from the billions of quantifiable microphysical stop/go events in an engineered device or neurological organ to unquantifiable and irreducibly aesthetic sight/sound/objects/feelings/thoughts.
The idea of simulation only pushes the explanatory gap down further in scale, but it is the same gap. It’s not enough that a change in a computing device or brain coincides with a change in direct experience, we have to ask what is doing the correlation in the first place, and how, and why. It’s not just “what breathes fire into the equations?”, but what the hell is fire doing in equations in the first place? Why wouldn’t it make sense to ask what breathes equations into every form of ‘fire’? What could it be other than conscious experience itself? Anything we try to put in between conscious experience and nature always has that same last-mile problem. In the end, you need something eternal that can make sense – some capacity not only to run programs on hardware to manipulate hardware but for either programs or hardware to exist as something aesthetic rather than just invisible facts in an arithmetic void.
Intellectual Blind Spot and AI
The shocking blind spot that is common to so many highly intellectual thinkers, the failure of AI, and the lack of understanding about what consciousness is are different aspects of the same thing.
The intellectual function succeeds because it inverts the natural relation of what I would call sensory-motive phenomena. Natural phenomena, including physical aspects of nature, are always qualitative, participatory exchanges of experience. Because the intellect has a special purpose to freely hypothesize without being constrained by the rest of nature, intellectual experience lacks direct access to its own dependence on the rest of nature. Thinking feels like it occurs in a void. It feels like it is not feeling.
When we subscribe to a purely intellectual view of life and physics as information processing, we disqualify the aesthetic dimension of nature, which is ultimately the sole irreducible and irreplaceable resource from which all phenomena arise – not as generic recombinations of quantum-mechanical states but as an infinite font of novel aesthetic-participatory diffractions of the eternal totality of experience. This is what cannot be “simulated” or imitated…because it is originality itself.
Numbers and logic can only reflect the creativity of that resource, not generate it. No amount of binary math can replace the colors displayed on a video screen, or a conscious user that can see it. It need not be anything mystical or religious – it’s just parsimony. Information processing doesn’t need any awareness, it just needs isolated steps in a chain reaction on some physical substrate that can approximate the conditions of reliable but semi-mutable solidity. Gears, semiconductors, a pile of rocks…it doesn’t matter what the form is because there is no sense of form going on. All that is going on is low level generic changes that have no capacity to add themselves up. There’s no ’emergent properties’ outside of consciousness. Math and physics can’t ‘seem like’ anything because seeming is not a logical/mathematical or physical function.
Evan Thompson Live! Consciousness Live! S4 E12 CW comments, part 2
At 57:15 Richard is posing the question of why objects in a simulated world aren’t real objects in a real digital world. To this I say what is being overlooked is sense modality. We have to be as literal as we possibly can be when discussing these topics. Objects, in the most literal sense, are not images or numbers, they are tangible shapes. Solid, liquid, and gaseous volumes in public spacetime. Real objects are composed of molecules that are made up of atoms on the periodic table. Sense experience is the only thing that can generate realism. When we think of a simulation, we are thinking of some artificially stimulated sense experience – a GUI image that *we* see (birds don’t see it, hamsters don’t see it) on screen hardware. Without this, there is nothing begin simulated.
The interface hardware cannot be simulated. There is no software that can be written that will generate colors for the color blind in the way that software could be written to solve math problems for people who aren’t able to do math. No amount of computation or complexity will yield a new primary color. Eventually we will likely have hardware that is wired into the visual cortex directly but we still don’t know how or why changes in the states of cells would ‘seem like’ or ‘appear’ as anything other than what they physically are. If any data is being processed, the changes in the cellular states already ARE the data processing events. If an organ evolved to have a higher, meta-level governance of its own processes, then that too would only be and could only be more cells that are performing cellular functions which only happen to mirror a sampling of the lower level processes. There can be a functional link – for every 100 neurons that fire on a lower level, 2 neurons fire on the meta-level, and that would accomplish the result that our experience of ‘modeling’ allows us to accomplish functionally, but without any such thing as modeling. The relation of the “model” plane and the “actual” plane is metaphorical. They are both physical objects of different size and composition. It is only in human perception and association that one could seem to ‘model’ the other. There are no models in physics, chemistry, or biology, unless we understand those domains (as I do) to be scales of conscious interaction.
I very much agree with what Evan is saying around 1:05 about bits not existing apart from our practices of imposing maps and schemes. This gets us close to the big revelation that I’m pushing all of the time – It’s SENSE that matters. Matter doesn’t sense. Or it wouldn’t, if matter were primitive and real, but matter itself is just a lower rung of sense and motive engagement. That’s why QM and relativity describe the scale limits of physicality, rather than Cartesian coordinate objects. That’s why quantum contextuality and entanglement. The common denominator is always ultimately sense. Not even the sense-of-being-a-sensor or using a sensory, but sense experience itself: qualia. Matter can be qualia, information can be qualia, but neither information or matter can turn themselves into qualia materially or logically, nor can they turn themselves into each other. That’s perhaps the more important clue.
Software cannot find hardware and vice versa. When we ‘compile’ ‘code’, we are performing a physical task that just pushes physical changes in physical circuits. There isn’t a literal ‘conversion’ from ideas to physics, it’s just that the way that we set up the machine seems *to us* (and to the sense and sense making modalities we can access) to be isomorphic. There is no ‘code’ in physics – no concepts, only tangible shapes or regions where tangible shapes move in certain ways.
Electromagnetism can be reduced to that – to changes in the motion of particles. We can undo all notion of fields and forces, undo the intuitions of Maxwell and Faraday, and replace them all with sensory-motive engagements. These are the phenomena from which all laws and forces emerge. Something has to sense something before a change – any change – can be present. Present where? How? What is changing is always and only some sensed quality or property, like position of a tangible shape relative to another shape and to a memory or perception of that position quality being altered. We can look at it the other way around also, with stasis in the background and motion in the foreground. We can think of stillness as an artificial appearance that our sense filtering is presenting, and that without that filter, everything is motion on some timescale. Without sense, no present or presences can be accessed.
I don’t have much to add about the rest of the talk. I think it gets close to where my view begins to take shape, as far as Kant, Husserl, and Whitehead questioning the distinction of subjective and objective categories, etc. I agree that is the right direction to go in. Where I end up with it is that objectivity and noumenality are relative rather than absolute, and that existence itself is phenomenological, without being subjective or objective. The appearance of subjective and objective seeming qualities are artifacts of a particular scope of awareness, typically is divided and nested by timescale and distinction of modality. Scope of awareness lens each other to appear in these kinds of aesthetic categories. What we understand as the geological timescale is so slow compared to our own that we can’t empathize with it or directly access its flow. It seems static. The laws of physics, hold forever as far as we are concerned, but in an absolute sense, they may be more of a set of useful habits from which the longest and shortest timescale events are built.
Here’s a terrible hack set of images to try to illustrate what I mean:


Got it? Spacetime scales are nested inward so that astropysical timescales (longest and shortest duration, largest and smallest size) envelope geo-molecular (next longest and next shortest duration and next largest and smallest size), which envelope the most medium scaled durations and size (eco-cellular).
Now think of that in an orthogonal relation to the other half of the universe, which correlates to size and duration, but is defined by intensity of aesthetic-participatory richness, aka Significance.
The main takeaway that I can offer as a response to the video, if nothing else, is the idea that
1. The distinction between anesthetic-participatory and anesthetic-mechanical is more fundamental than phenomenal/noumenal or subjective/objective.
2. Anesthetic mechanisms are either concrete (geometric mass-energetic force-field operations) or abstract (algebraic information-processing functions)3. Anesthetic mechanisms do not exist on their own and are in all cases a reduced, exteriorized reflection between two disparately scaled modes of aesthetic-participation.
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