Life

October 18, 2017 Leave a comment

When we say ‘life’ we conflate two different phenomena. The meaningful phenomenon is the experience of mortality – feeling contrasting qualities of experience such as thriving and struggling, desperation and mastery related to being invested in a physical form that grows, reproduces, and dies.

The other phenomenon is biology, which is simply the tendency for material substances to accumulate in ways which metabolize as growing, reproducing objects (molecules, cells, bodies).

The first phenomenon is an elaboration of consciousness. Mortality enriches the qualities of experience tremendously, allowing for much more intensity of sensation and immersion. When you think that any moment could be your last, you are very motivated to pay attention.

In my view, the second phenomenon is basically a reflection of pre-biotic (immortal) consciousness which has been truncated into tactile-visible object sensations for the purpose of creating a stage upon which the drama of mortality can be acted out. Matter is life before biology, operating at perceptual sampling rates much faster and much slower than animal consciousness.

Advertisements

Let’s Make This Really Simple

August 31, 2017 Leave a comment

MSReclipse

Proof Against Materialism

August 13, 2017 Leave a comment

modus-tollens

1. Modus Ponens: The brain generates consciousness and the brain is physical, so consciousness must be physical.

2. Modus Tollens: Consciousness transcends what can be explained by physical interaction, and the brain is only physical, therefore consciousness must not be only physical.

A scientific approach must explain why one is more sensible than the other.  Here is one such explanation:

Hypothesis: If the Modus Tollens case is true, then consciousness may generate matter.

Experiment: Can consciousness generate matter?

Go to sleep. Dream. If you can dream of a physical world without realizing that you’re dreaming, then we know that either consciousness can and does produce all perceptions of ‘matter’, or, consciousness is the sole epistemological source to discern the difference between ‘real matter’ and a hallucination. Either way it is the same conclusion:

Consciousness can produce the experience we know as physical matter, but physical matter has no plausible mechanism or justification for producing phenomenal qualities.

Aesthetic Universe

August 12, 2017 1 comment

I use the word ‘aesthetic‘ in a universal way. Local anesthetic numbs sensation and general anesthetic suspends consciousness, so to me, existence itself is an irreducibly aesthetic phenomenon.

The Universe Has No Purpose?

August 11, 2017 Leave a comment

The physical universe appears purposeless because it’s only a stage upon which experiences play out. The rest of the universe is not made of forms and functions and driven by entropy, but rather made of participatory perceptions and driven by the opposite of entropy – significance. The universe is overflowing with significance. From spectacular aesthetics to mind-bogglingly sophisticated mechanisms. Our personal life is filled with purposeful agendas competing for our attention. Some agendas are powerful because they are urgently asserted from our bodies, from society, or from some immediate circumstance that we confront. Others are asserted with subtlety over years…a barely perceptible theme that connects the dots over a lifetime but which shapes our destiny or career.

Computation as Anti-Holos

July 23, 2017 Leave a comment

Here is a technical sketch of how all of nature could arise from a foundation which is ‘aesthetic’ rather than physical or informational. I conceive of the key difference between the aesthetic and the physical or informational (both anesthetic) is that an aesthetic phenomenon is intrinsically and irreducibly experiential. This is a semi-neologistic use of the term aesthetic, used only to designate the presence of phenomena which is not only detected but is identical to detection. A dream is uncontroversially aesthetic in this sense, however, because our waking experience is also predicated entirely upon sensory, perceptual, and cognitive conditioning, we can never personally encounter any phenomenon which is not aesthetic. Aesthetics here is being used in a universal way and should not be conflated with the common usage of the term in philosophy or art, since that usage is specific to human psychology and relates primarily to beauty. There is a connection between the special case of human aesthetic sense and the general sense of aesthetic used here, but that’s a topic for another time. For now, back to the notion of the ground of being as a universal phenomenon which is aesthetic rather than anesthetic-mechanical (physics or computation).

I have described this aesthetic foundation with various names including Primordial Identity Pansensitivity or Pansense. Some conceive of something like it called Nondual Fundamental Awareness. For this post I’ll call it HolosThe absolute totality of all sensation, perception, awareness, and consciousness in which even distinctions such as object and subject are transcended.

I propose that our universe is a product of a method by which Holos (which is sense beneath the emergent dichotomy of sensor-sensed) is perpetually modulating its own sensitivity into novel and contrasting aspects. In this way Holos can be understood as a universal spectrum of perceivability which nests or masks itself into sub-spectra, such as visibility, audibility, tangibility, emotion, cogitation, etc, as well into quantifiable metrics of magnitude.

The masking effect of sense modulation is, in this hypothesis the underlying phenomenon which has been measured as entropy. Thermodynamic entropy and information entropy alike are not possible without a sensory capacity for discernment between qualities of order/certainty/completeness (reflecting holos/wholeness) and the absence of those qualities (reflecting the masking of holos). Entropy can be understood as the masking of perceptual completeness within any given instance of perception (including measurement perceptions). Because entropy is the masking of the completeness of holos, it is a division which masks division. Think of how the borders of our visual field present an evanescent, invisible or contrast-less boundary to visibility of visual boundaries and contrasts. Because holos unites sense, entropy divides sense, including the sense of division, resulting in the stereotypical features of entropy – equilibrium or near equilibrium of insignificant fluctuations, uncertainty, morphological decay to generic forms and recursive functions, etc. Entropy can be understood as the universal sense of insensitivity. The idea of nothingness refers to an impossible state of permanent unperceivability, however just as absolute darkness is not the same as invisibility, even descriptors of perceptual absence such stillness, silence, vacuum are contingent upon a comparison with their opposites. Nothingness is still a concept within consciousness rather than a thing which can actually exist on its own.

Taking this idea further, it is proposed that the division of sense via entropy-insensitivity has a kind of dual effect. Where holos is suppressed, a black-hole like event-horizon of hyper-perceivability is also present. There is a conservation principle by which entropic masking must also residuate a hypertrophied entity-hood of sense experience: A sign, or semaphore, aka unit of information/negentropy.

In dialectic terms, Holos/sense is the universal, absolute thesis of unity, which contains its own antithesis of entropy-negentropy. The absolute essence of the negentropy-entropy dialectic would be expressed in aesthetic duals such as particle-void, foreground-background, signal-noise. The aesthetic-anesthetic dual amplifies the object-like qualities of the foregrounded sensation such that it is supersaturated with temporary super-completeness, making it a potential ‘signal’ or ‘sign’…a surface of condensed-but-collapsed semantics or ‘phoria’ into ‘semaphoria’, aka, syntactic elements. I call the progressive formalizing of unified holos toward graphic units ‘diffractivity’. The result of diffractivity is that the holos implements a graphic-morphic appearance protocol within itself, which we call space-time, and which is used to anchor and guide the interaction of the entropic, exterior of experience. The interior of complex experiences are guided by the opposite, transformal sense of hierarchy-by-significance’. Significance is another common term which I am partially hijacking for use in a more specific way as the saturation of aesthetic qualities, and the persistence of any given experience within a multitude of other experiences.

To recap, the conjecture is that all of nature arises by, through, for, and within an aesthetic foundation named ‘holos’. Through a redistribution of its own sensitivity, holos masks its unity property into self-masking/unmasking ‘units’ which we call ‘experiences’ or ‘events’. The ability recall multiple experiences and to imagine new experiences, and to understand the relation between them is what we call ‘time’.

Within more complex experiences, the entropic property which divides experience into temporal sections can reunite with other, parallel complex experiences in a ‘back to back’ topology. In this mode of tactile disconnection, the potential for re-connection of the disconnected ends of experiences is re-presented what we call ‘objects in space’ or ‘distance between points’, aka geometry. By marrying the graphed, geometric formality of entropy with the algebraic, re-collecting formality of sequence, we arrive at algorithm or computation. Computation is not a ‘real phenomenon’ but a projection of the sense of quantity (an aesthetic sense just like any other) onto a distanced ‘object’ of perception.

Physics in this view is understood to be the inverted reflection and echo of experience which has been ‘spaced and timed’. Computation is the inversion of physics – the anesthetic void as addressable container of anesthetic function-objects. Physics makes holos into a hologram, and computation inverts the natural relation into an artificial, ‘information theoretic’, hypergraphic anti-holos. In the anti-holos perspective, nature is uprooted and decomposed into dustless digital dust. Direct experience is seen as ‘simulation’ or ‘emergent’, non-essential properties which only ‘seem to exist’, while the invisible, intangible world of quantum-theoretical mechanisms and energy rich vacuums are elevated to the status of noumena.

Computationalists Repent! The apocalypse is nigh! 🙂

AI is Still Inside Out

June 29, 2017 Leave a comment

artmonstern

Turn your doodles into madness.

I think this is a good example of how AI is ‘inside out’. It does not produce top-down perception and sensations in its own frame of awareness, but rather it is a blind seeking of our top-down perception from a completely alien, unconscious perspective.

The result is not like an infant’s consciousness learning about the world from the inside out and becoming more intelligent, rather it is the opposite. The product is artificial noise woven together from the outside by brute force computation until we can almost mistake its chaotic, mindless, emotionless products for our own reflected awareness.

This particular program appears designed to make patterns that look like monsters to us, but that isn’t why I’m saying its an example of AI being inside out. The point is that this program exposes image processing as a blind process of arithmetic simulation rather than any kind of seeing. The result is a graphic simulacra…a copy with no original which, if we’re not careful, can eventually tease us into accepting it as a genuine artifact of machine experience.

See also: https://multisenserealism.com/2015/11/18/ai-is-inside-out/

 

LUCID EARTH

☀️ Frequency To Empowerment And Happiness ☀️

I can't believe it!

Problems of today, Ideas for tomorrow

Rationalising The Universe

one post at a time

Conscience and Consciousness

Academic Philosophy for a General Audience

yhousenyc.wordpress.com/

Exploring the Origins and Nature of Awareness

DNA OF GOD

BRAINSTORM- An Evolving and propitious Synergy Mode~!

Musings and Thoughts on the Universe, Personal Development and Current Topics

Copyright © 2016 by JAMES MICHAEL J. LOVELL, MUSINGS AND THOUGHTS ON THE UNIVERSE, PERSONAL DEVELOPMENT AND CURRENT TOPICS. ALL RIGHTS RESERVED. UNAUTHORIZED USE AND/OR DUPLICATION OF THIS MATERIAL WITHOUT EXPRESS AND WRITTEN PERMISSION FROM THIS SITE’S AUTHOR AND/OR OWNER IS STRICTLY PROHIBITED.

Paul's Bench

Ruminations on philosophy, psychology, life

This is not Yet-Another-Paradox, This is just How-Things-Really-Are...

For all dangerous minds, your own, or ours, but not the tv shows'... ... ... ... ... ... ... How to hack human consciousness, How to defend against human-hackers, and anything in between... ... ... ... ... ...this may be regarded as a sort of dialogue for peace and plenty for a hungry planet, with no one left behind, ever... ... ... ... please note: It may behoove you more to try to prove to yourselves how we may really be a time-traveler, than to try to disprove it... ... ... ... ... ... ...Enjoy!

Creativity✒📃😍✌

“Don’t try to be different. Just be Creative. To be creative is different enough.”

Political Joint

A political blog centralized on current events

zumpoems

Zumwalt Poems Online

dhamma footsteps

postcards from the present moment

chandleur

Bagatelle

OthmanMUT

Observational Tranquillity.

Gray Matters

Traversing the blood-brain-barrier.

Writings By Ender

One Hell of an Apprenticeship