Multisense Realism

Pansensitivity (P) proposes that sensation is a universal property.

Primordial Pansensitivity (PP) proposes that because sensation is primitive, mechanism is derived from insensitivity. Whether it is mechanism that assumes form without sensibility (materialism) or function without sensation (computationalism), they both can only view feeling as a black box/epiphenomenon/illusion.

Under PP, both materialism and computationalism make sense as partial negative images of P, so that PP is the only continuum or capacity needed to explain feeling and doing (sense-motive), objective forms and functions (mass-energy), and informative positions and dispositions (space-time).

PP says that the appearance of forms and functions are, from an absolute perspective, sensory-motive experiences which have been alienated through time and across space.

Primordial Identity Pansensitivity (PIP) adds to the Ouroboran Monism of PP, (sense twisted within itself = private experience vs public bodies) by suggesting that PP is not only irreducible, but it is irreducibility itself.

PIP suggests that distance is a kind of insensitivity, is so that all other primitive possibilities which are grounded in mechanism, such as information or energy, are reductionist in a way which oversignifies the distanced perspective, while anthropomorphic primitives such as love or divinity are holistic in a way which oversignifies the local perspective. Local and distant are assumed to be Cartesian opposites, but PIP maps locality and distance as the same in terms of being two opposite branches of insensitivity. Both the holistic and reductionist views ignore the production of distance which they both rely on for their perspective, both take perspective itself, perception, and relativity for granted.

MSR (Multisense Realism) tries to rehabilitate reductionism and holism by understanding them as bifocal strategies which arise naturally, each appropriate for a particular context of perceived distance. Both are near-sighted and far-sighted in opposite ways, as the subject seeks to first project anthropomorphism outward onto the world and then, following a crisis of disillusionment, seeks the opposite – to project exterior mechanism into the self. MSR invites us to step outside of the bifocal antagonism and into a balanced appreciation of the totality.