Archive

Posts Tagged ‘cosmos’

Should Quantum and Consciousness be Connected?

October 13, 2015 1 comment

Quora question:

Are there any reasonable reasons to believe that there is a connection between quantum physics and consciousness?

 

I don’t think that we need to believe in such a connection, but there are certainly reasonable justifications for seeking it out.

From the consciousness side, the issue is that sooner or later we have to get around to asking exactly how experiential qualities like flavors and images come into being. There has to be an inflection point or event horizon…some process through which psychological phenomena are transduced or emerge from actual physical substances. For example, we can see exactly where a computer displays graphic phenomena, but that display is

1) not part of any computational process
2) not comparable to any part of the brain
3) dependant on the visual experience of a conscious user to interpret

This would seem to put our direct, ordinary experience outside of a detectable physical location. Since quantum phenomena violate our classical expectations of physical location, it might be a good place to start. Futher, we know that electromagnetic activity in the brain correlates to conscious experience, and that electromagnetism is reducible to QED.

From the quantum side, there are a few different issues. One is that it isn’t classical. It’s not merely the fact that QM is ‘weird’, but that the particular ways in which it is weird suggests more thought-like properties than stuff-like properties. If we are willing to surrender classical realism for an abstract, counter-intuitive universe, then why rule out that this universe is in fact the same as the one in which our interior experience resides?

Another issue that I think qualifies as a reasonable consideration is that we are finding more and more examples of quantum effects which are macroscopic and organic. Rather than quantum theory settling down into a more unified interpretation, it continues to spawn more possibilities and more strangeness. When we consider what is really meant by photons entangled through time rather than space (Weird! Quantum Entanglement Can Reach into the Past) are we really that far from a universal sense of memory?

The idea that consciousness is related to quantum need not be a reason for us to place ourselves, as Homo sapiens, into the fundamental fabric of existence. Instead, it may be that our human awareness and quantum share a common ancestor. Several of the founding fathers of Quantum Physics emphatically supported the idea that QM is grounded in participation and process rather than objective ‘things’.

I have proposed that QM and Relativity share a connection to rudimentary awareness: Frames of reference, worldlines, multiple worlds, holographic simulation, etc all speak to an influence which bridges a gap between a cosmos with no possibility of preference to one which is dominated by localized perspectives and irreversible change. To me, there is an obvious conceptual intersection between quantum uncertainty and special relativity, and that intersection is in the sharability of sensory experience. This seems to be the inflection point. Both spacetime and causality can be seen to be emergent from a foundation which is perceptual-participatory rather than information-theoretic, spatio-temporal, or mass-energetic. It’s a matter of flipping our expectation of inputs and outputs serving to distribute objective “information” units, to seeing information as the the appreciation of common throughput qualities.

The human qualities of consciousness may not have as direct an effect as some supporters of New Age metaphysics may like*, but it may very well have an effect on which aspects of physics we think we can explore and which aspects we are afraid of. Just as particles have biases in terms of spin and charge, human psychology tends to become polarized. We are only beginning to understand the connection between genes, gender, and what has been termed the empathizing-systemizing spectrum. Autism and psychosis have been linked to the extremes of the E-S spectrum, along with ties to gender influence in gene expression.

If we have built a science which concentrates an overwhelmingly ‘S‘ or genetically ‘male’ perspective, and then use academic processes which only serve to amplify that bias, then it should not be a surprise when the great missing links in our cosmology come to us as shadow projections: Despised foes from across a gap of prejudice. If your psychology is highly biased toward the Systemizing side of consciousness, then you will know it because reading these words will cause you unusually vivid anger and outrage. Rather than a calm consideration of these ideas, it seems (and this is borne out in brain lateralization studies also) that your certainty only grows more fanatical and rigid. It’s not your fault. Ironically the mind is controlled by chemical influences and evolutionary defense mechanisms which deny themselves in our awareness.

If your psychology is overwhelmingly ‘E‘, then I would expect that you might feel more hurt and confused when reading this. The feeling is that this information isn’t really ‘for you’, or that I haven’t developed my own consciousness enough to really understand spirituality. Where the S-minded scientist shouts ‘Woo-woo!’ and demands evidence, the E-minded mystic retires to aloofness. One demands submission to the truth, while the other resigns such demands with transcendence and pluralism. Both views dismiss the authority of subjectivity, but in opposite ways.

To resolve this tendency toward psychic extremism, we may need to go much further in our efforts to seek objectivity than we have imagined. We may need to update our understanding of subjectivity to make it more objective, and our understanding of objectivity to make it more subjective. QM makes this especially true, as objectivity itself has proved to be fundamentally elusive.

This is where Gödel comes in. Formal systems may not only not be enough, they may prevent us from grasping the most essential truths of nature…that we are not observers of an illusory world, but participants in a spectrum of world-like experiences ranging from the very real to the very surreal.

*or at least, not in every state of consciousness or in states of consciousness that are accessible to everybody.

Multisense Continuum Still Life

June 5, 2015 Leave a comment

stilllife2

Cone Cosmogony

March 31, 2015 1 comment

headless

cone3

The first image is from https://www.facebook.com/headexchange. The second has been modified to include the Multisense Realism model.

Specifically, “Me” has been removed from the center of the mandala and turned into part of the z axis. The center of the wheel is now Form-Function, and Now, indicating that consciousness is at its most pointillistic and fragmented. This would be the sharpest, most systematizing-autistic quality of consciousness, quantitative and reductionistic.*

The diameter of the circles corresponds to space or distance (really wavelength ratio/scale), so that the wheel represents a flat cross section of eternity. Time is the diagonal axis which is can be thought of as the z axis ‘deferred’. If our experience (feeling, thought, etc) extends from eternity to now as a qualitative spectrum (as symbolized by the chakra graphic), then ‘time’ is the interference pattern between eternal experience and fully public, discrete events.

The top of the cone is labeled eternity, although it is eternity in the sense of the eternal moment rather than a linear history of time. Eternity can also be called the Absolute, or God, Tao, Consciousness, Aesthetic Foundation, and many other names. Identifying with the Absolute while still in our body is the opposte end of the consciousness spectrum – the most colorful, florid, artistic-empathic-psychotic range of awareness.

* See previous posts on Imprinted Brain Theory and the Autistic-Psychotic spectrum.

The Holo-solo-meta-sema-graphic Principle

February 21, 2015 1 comment

holographic

Think of the multisense continuum as a clarification of the holographic principle. What people often mean by holographic when ascribing it to the universe as a whole is something like ‘The Universe is not really real, but is a Matrix-like projection in which the totality is reflected in each part.’ If we ignore that theory for a moment and examine the linguistic origins of the word holographic instead, there are some worthwhile tie-ins to Multisense Realism. MSR is a way of stretching out this concept of holography, so that the extent to which it seems holographic is part of the hologram. Realism is not a fixed, absolute foundation, but an aesthetic quality of orientation. Realism is not a neutral designation of that which is factual versus that which is not, but also has a set of qualities, almost a personality which opposes the fantastic qualities of imagination, dreams, and psychosis. Where the aesthetics of fantasy are typically saturated, vivid, or florid, realism is relatively bland or rigid. Realism supports rigorous logic and causality. A graph can be thought of as the essence of realism in a way – not reality itself, but the mapping of the mappable aspects of reality…a realistic approach to realism.

Notice that holos and graph are polarized. They aren’t simple opposites where graph = parts and holos = whole, although graphing does break wholes into regular parts, but there is also a sense of a graph is of a static mental resource; an object or so called rigid body which we use to index information. A graph is a chart.* By contrast, holos is the uncharted and boundless context which does not respect strict divisions.

Holos means whole, but if you look up the etymology of hologram there is something interesting:

hologram (n.)1949, coined by Hungarian-born British scientist Dennis Gabor (Gábor Dénes), 1971 Nobel prize winner in physics for his work in holography; from Greek holos “whole” (in sense of three-dimensional; see safe (adj.)) + -gram.”

So holos doubles as a term that has something to do with feeling ‘safe’:

safe (adj.) c.1300, “unscathed, unhurt, uninjured; free from danger or molestation, in safety, secure; saved spiritually, redeemed, not damned;” from Old French sauf “protected, watched-over; assured of salvation,” from Latin salvus “uninjured, in good health, safe,” related to salus “good health,” saluber “healthful,” all from PIE *solwos from root *sol- “whole” (cognates: Latin solidus “solid,” Sanskrit sarvah “uninjured, intact, whole,” Avestan haurva- “uninjured, intact,” Old Persian haruva-, Greek holos “whole”). “

This root sense of wholeness as safety, solidity, health, healing, etc is the natural anchor of anchors…the foundational aesthetic (of the aesthetic foundation). All experiences in all possible universes must begin from this un-locused locus. Un-locused because it precedes its own definition or observation. The baby at the boob has no frame of reference, no learning process to understand the importance of nutrition or survival – there is only to appreciate the experience of being re-connected to the womb’s holos in a new and disorienting context…What is this context?

-graph modern word-forming element meaning “instrument for recording; that which marks or describes; something written,” from Greek -graphos “-writing, -writer” (as in autographos “written with one’s own hand”), from graphe “writing, the art of writing, a writing,” from graphein “to write, express by written characters,” earlier “to draw, represent by lines drawn” (see -graphy). Adopted widely (Dutch -graaf, German -graph, French -graphe, Spanish -grafo). Related: -grapher; -graphic; -graphical.”

Compared with holos, -graph is a very different kind of term. Where holos is a rich and profound metaphor, -graph is a relatively prosaic and literal term about something in the real world…writing or recording. Holos is an appreciation of primordial safety; an orientation to a frame of reference which is absolute and beyond thought. Once someone is born into a human life or an animal’s life, this holos is buried in a cocoon of defenses which face the anti-holos of spacetime and physics and the sense that was formerly whole is averaged out as

“sole (adj.) “single, alone, having no husband or wife; one and only, singular, unique,” late 14c., from Old French soul “only, alone, just,” from Latin solus “alone, only, single, sole; forsaken; extraordinary,” of unknown origin, perhaps related to se “oneself,” from PIE reflexive root *swo- (see so).”

As a sole individual in a physical world, we have developed ways to re-connect with each other. Some of them are ways of reconnecting to our shared history as mammals and primates, and some, like writing are more recent human inventions. The idea of writing is to inscribe a thin stream of thought into physics, into spacetime so that others can recreate it in their local experience. It’s a bridge, a trans-fer or meta-phor, which means carrying over of feeling or meanings. What is the carrier?

semaphore (n.)”apparatus for signaling,” 1816, probably via French sémaphore, literally “a bearer of signals,” ultimately from Greek sema “sign, signal” (see semantic) + phoros “bearer,” from pherein “to carry” (see infer). Related: Semaphoric (1808).”

The sema- or sign is a recontextualized piece of the world. We use it to passively bear our sharing of communication, as an insulator would bear a conducting wire, or a conducting wire would bear an electromagnetic flux. There are layers of nesting which span the continuum from holos to solus to meta to sema to graph.

Wholeness to self to likeness to sign to signed. The distance between our human self and the ‘signed’ or ‘graphed’ physical world is what gives that physical world its gravitas…its grave realism. Mortality adds a layer of biological gravity…the signs which threaten the self of the experience of life. The closer that a given phenomenon is to the whole, the more it is metaphorical and self-referential.

Once we grasp this continuum, we can see how subjective and objective phenomena are an elaboration of a theme of awareness and degrees of alienation from the whole. We can go into more advanced areas of understanding the continuum and see that while the graph end of sense reflects in micro the holos itself, it is only a reflection and has no generative power of its own. Even though we locally experience a tension between the holos and graph which seem equal, or even overpowered by physics, that is only because of how deeply our human experience is nested within billions of sensations, feelings, and thoughts since the beginning of spacetime.

In the absolute frame of reference, all is consumed by, with, and for holos. The graph appearance, and even the holographic principle is the local view of the self’s experience of being alienated. It’s a compromise between Descartes’ substance dualism and Eastern/perennial philosophy’s holism, but it is still fixed in the Cartesian graph of spacetime and Newton’s mechanics of mass and energy. We imagine that each physical particle is a packet containing a ghost of the whole, but I think that it now makes more sense to say that it is the particle itself which is, in the absolute frame or reference, more like the ghost. It’s relativistic, but all relation traces back to the orientation of the absolute. There is no orientation derived purely from disorientation, which is why we cannot build a sign or a self or a holos from a machine (graph).

*Descartes, whose family name means ‘of the charts’, and also can be associated with the French word charteus, meaning pertaining to papyrus/paper has an interesting connection to the role of Rene Descartes in developing the digital view of space in terms of Cartesian coordinates. Cards, charts and papers refer to objects which carry meaning – blank vehicles to be used either as a container for metaphor, or as the medium of choice for a stream of digital semaphores. The critical place that Descartes holds in the development of the Early Modern Period, cannot be overstated. In his 1641 Meditations, Descartes divided the cosmos, for better or worse, into mind and matter (res cogitans and res extensa), paving the way for Newton, Leibniz and others to see physics as an expression of precise mathematical truths. The Enlightenment Era marks the Western world’s separation from perennial, Eastern philosophy and the discovery of a new, Cartesian world of purely mechanical objects. The card, or graph aspect of the cosmos is seen as the new orientation, a counter-aesthetic to one which assumes theistic holos. The Western counter-aesthetic of modernism questions the beliefs of the past, asserting instead that the natural world is innocent of religious enchantment until proven otherwise.

A New Final Frontier

February 9, 2014 3 comments

If Dark Matter and Dark Energy represents 96% of the “known” universe, even if it paradoxically turns out that we know virtually nothing about it, what other kinds of ratios-in-ignorance lurk as shockingly in our self-significant lives? – Quora Question

There are 23% of Dark Matter and 73% of Dark Energy.

Next time that you are in room with another person, take a moment to realize what that room looks like from the other person’s perspective. Imagine being that person and seeing the room from their perspective. Now imagine that moment in which you are imagining yourself as them as a fleeting instant in their lifetime in which your presence is all but completely unnoticed. Understand that moment is, for them, only one of an eternity of moments of a life completely other than your own.

The degree to which their age, gender, cultural identity and personal experience differs from your own is the degree to which the life they have been living is different from your own – different views of history where different events are weighted differently in significance. Events which are historical to you are, for an older person, events in their own lives which have not entirely passed, but rather live on as changes which happen to no longer be present, but whose influence can be traced through their future, backwards.

Now extend this expectation of other lives to animals and plants, no matter how small, to cells, and perhaps even to genetic histories, to chemistry and physics. Histories and perspectives so alien that the smallest hydrogen nuclei have more in common with the largest stars than they have differences, and measures of time become liminocentric, with the infinitesimal moment blurring into the astronomical eternity, and the blasting of singular furnace of mass into hypercardinal intergalactic multiplicities is divided up into all-but-infinite fractals of all-but-infinite moments of multisense realism. Each moment, each perspective a holographic reflection of itself within the fisheye reflection of the whole that it embodies. Each perspective is bound to a private cache of evanescent histories, transparent and shifting in the changing light of the mood and the moment.

What we don’t see of the universe, by virtue of the limitation of our perceptual tunnels as individuals, as humans, as animals and organisms…what we don’t see of each others experience and of the experience on scales beyond that of organic life dwarfs the ratio of dark energy. What is elided from our experience and possible experience is the true final frontier.

Physics as the Production of Realistic Fantasy and Fantastic Reality

January 3, 2014 Leave a comment

When working with private physics, the operators used are metaphorical and implicit, not explicit. Qualia is LIKE the “mass” of privacy. The will to will is like the “Energy” of privacy, and realism is like the “c²”. In my understanding, the notion that c is the speed of light is really a legacy understanding – a pre-Relativity convention within Relativity. It makes more sense to me now that light just happens to be the fastest quality of sense that we have access to. The true nature of c is as the speed of sense, or experience itself. It is not a speed, but the absolute limit of velocity. The still-here-ness of the universe..

image

 

From an absolute view, quantified properties like mass, energy, and spacetime can be considered to be like reality but the only true reality is what experience is like. All conditions of the public universe are contingent upon an aesthetic palette, otherwise it would be implausible that any such palette could exist.

Private physics and public physics provide two different senses or fantasy, and two different senses of reality. Human experience is fantastically rich in an aesthetic sense and fundamentally real because it is the source of our participation in the universe. Our experience of the non-human universe is fantastic in the sense of its overwhelming magnitude and complexity,  Its reality is persistent and reliable.

If we are serious about our science, we should consider that being overwhelmed by grandeur is a human experience which reflects the disparity in physical scale between us and the larger exteriority. The Public universe by itself would have no such feeling of grandeur, but what we feel about the inaccessible vastness of the cosmos is equaled by the vast inaccessibility of feeling by public physics.

Something else that has come up through this recent addition of physics to MSR, is the idea that Gravity is time squared, and that time is the square root of gravity. This makes sense to me, if we are talking about the equivalent conjugates of c² and t² as pubic spacetime and private realism. It should work out that Spacetime = the public shadow of Realism, and therefore Spacetime is literally Gravity and Realism is literally figuratively Gravity, as in the grave, serious nature of experience. If c is the constancy of distance and time coordinates, c² is the gravity which warps them from within.

Colorball II Diagram

December 30, 2013 Leave a comment

Image

Key:
Absolute (+∞) :: Anesthetic (-∞)
Entelethetic (+3) ::  Hypothetic (-3)
Aesthetic (+2) :: Exthetic (-2)

Immediate (+1) ::  Etheric (-1)

Protosthetic (+0) :: Pseudethetic (-0)

The new terms in this second version are:

  • Protosthetic (+0), referring to the minimum quality of awareness as well as the quality of minimum awareness. On a scale of +0* to +∞, this level is the +0 because it represents experiences which have been aesthetically masked to appear imperceptible. This can be thought of as the personal unconscious, as opposed to the collective unconscious, which is the Absolute level that is positioned on top of the diagram, but is actually the entire sphere. It’s number would be +∞.
    The entire left half of the sphere can be thought of as a slice within the protosthetic range, just as the greyscale can be thought of as variations on black and white. 
  • Pseudethetic (-0) is the outside-in version of Protosthetic. Where protosthetic phenomena seem alienated or unconscious but are, on some level, a symptom of experience, pseudethetic phenomena are not as conscious as they appear to be. The -0 range is about artifice and simulation, and can include anything from a puppet or stuffed animal to a sophisticated AGI system. Protosthetic would include states in which we are personally unconscious, but can be thought of as that which wakes us up from a sub-personal level.
  • Exthetic (-2) is a term I’m trying out as the public-facing conjugate to Aesthetic. This is the common sense of structure that the real world generally seems to have. It is the sense of concrete exteriority which we rely on to engage with the world rather than in our mind. The sense of fixed mass objects in space and linear causality, and all of the other macroscopic cues that pervade classical physics, as well as all of the hard sciences.
  • Entelethetic (+3) is intended to refer to a level of hyper-aesthetic dreams, symbols, and archetypes. Also knows as the collective unconscious or  Dreamtime, this band of sensitivity is super-natural and trans-personal (yet still private). The word borrows from Entelechy, which has to do with a drive toward self-actualization, which is apt considering the visionary nature of this ‘third eye’ view.

Teleological-Absolute (+∞) :: Universal-Axiomatic (-∞)
Mytho-Poetic (+3) ::  Geometric-Algebraic (-3)
Mental-Emotional (+2) :: Scientific-Mechanical (-2)
Sensory-Motive/Perceptual (+1) ::  Electro-Magnetic/Relativistic (-1)
Proto-Aesthetic (+0) :: Quantum-Digital (-0)

In Three D: Data, Drama and Deity

November 21, 2013 3 comments

The words semaphore and metaphor are interesting to look at in the context of defining information and significance. Semaphore refers to a ‘bearer of signs’ (like a naval signaling flag), and also in programming to control access to shared resources. In both cases, the sense is of information which is not only an encoded text, but one in which the message pertains to a live event in real time. The semaphore is used to solicit attention to receive information as well as to inform.

I’m tempted to connect the prefix sema- with the etymologically unrelated semi-, as signs can, in some sense, be thought of as ‘half’ of a feeling. The signal provides a functioning form (ordered process of publicly available presence), while the interpretation of the signal provides a private experience of sensory significance.

In the pursuit of Strong AI, computer science has generally assumed that intelligence is, or can only be, a kind of entanglement of semaphores. Concepts are built from the bottom up as bits of data being stepped through a formal process of computation. The theoretical continuity between this ‘semaphoric reckoning’ with human intelligence hinges on the presumption that ‘complexity’ is a quality which is objective and autopoietic. Personally. I do not think that we can presume that, as the nature of any pattern is contingent upon pattern recognition. If we see a strand of DNA as a collection of individual atoms repeating in meaningless sequence, it need not be considered ‘complex’. If we see it instead as a single molecule, or as a recipe book for all life forms, then it would be very complex. I see it as a major problem, in light of the fact that the two phenomena are completely different depending on how we scope our attention to them, to assume that in the absence of any pattern recognition at all there would be or could be a difference between simplicity and complexity. If there is some principle of general aesthetic coherence which makes that determination, then we should name it and make it a requirement in order to have a completed physics.

On the other end of the spectrum that I am laying out, is what can be called metaphor. Where semaphores essentialize the literal and initiate unambiguous communication, metaphors essentialize the figurative and invite the interpreter to use the symbols to unlock their own experience. The semaphore points to the instrument of communication and the location of the transmission in space and time while the metaphor points through the instrument, deriving experiential significance non-locally through time. Semaphoric communication is scientific and mathematical, pulling attention into the public physic, while metaphoric communication is artistic and poetic, loosening attention into the private psyche. The significance of metaphor cannot be located within the text of a communication because it is drawn from common experience. The same fairy tale has a different set of meanings when it is read by a young child versus an English professor.

Taking this comparison to the ultimate extreme, the top-down metaphor can, in addition to seeing through the literal words that constitute it, implicate awareness itself. In contrast to this, the bottom-up semaphore, implicates automaticity – the mindless permutation function of repeating quantic forms. Data refers only to the literal process of ferrying and storing positive logic – additions superimposed on top of a void. Poetry, by overheating signs with subjective entropy, invites a promiscuity of association that, in its resonance and circularity, conjures meta-experience. It revers to ourselves, and to human experience in general. The poem is illogical negativism – it cuts meaning out of a layer cake of a priori human sympathies.

This ties back into another of my favorite dichotomies; that of superstition versus what I am calling substitution (or hypostition). The superstitious mind sees through the text of the world to see the face of God or the Devil behind every mundane coincidence. The psyche is too animated and profuse so that all of nature is read as supernatural and the low end is lost all together. Logic becomes confused and self-fulfilling. Fear and joy dominate reason. Every publicly extended signal becomes a privately intended message and the credibility of the source of the message collapses into naive acceptance or reactionary denial. Pathological denial and acceptance plays into the opposite mental extreme as well. The substitutious mind reduces all message content to the mere functioning of messaging devices. The mind which is attuned to this sub-natural level sees in all experience only the logical expression of simple facts. Even consciousness itself is deconstructed as an entanglement of semaphores. From this view, the poetic and aesthetic truths of the universe are unavailable, and a rigid formalism of reason dominates personal feelings.

It would seem that these two poles are evenly matched – the substitutious semaphore and the superstitious metaphor could be equally valuable and costly. Further consideration reveals that they are not completely symmetric, however. The difference between the poetic and the digital are only visible from the poetic facing side. The digital is effective because it can substitute – it emulates from the bottom of a particular substitution level of granularity. Even Planck scale is a scale that bottoms out with the minimum bit depth for measurement of public physics, rather than experiential privacy which cannot be measured reliably. I submit that it cannot be measured reliably because experience cannot be substituted. Like the top-down metaphor (which I now use as meta-metaphor), consciousness extends from the absolute in a way which is unrepeatable and unprecedented, even as it repeats over and over again.

Between the bookends of sub-phor and super-phor is the phoric range of ordinary experience. Many people do not spend much time contemplating the mysteries of information science or phenomenology, and so live in the more down-to-earth realm of the ordinary. Ironically, rather than cancelling out the mythic and mathematical extremes, the mid-range of awareness is perhaps the more fertile range. Games and sports take on fantastic import, and ordinary communications become soap opera-dramatic. The wide open marketplace of diurnal experience is spiced with both art and science, but the main products are significant in a completely different way. Rather than seeking the infinitessimal/instantaneous or the ultimate/eternal, the presentation of ordinary life seeks fortune and fulfillment personal choice. It contains vast opportunity and vast limitation which make us feel our lives to be both incredibly important and a complete waste of time all at once.

Sketch for a New Physics

November 11, 2013 7 comments
 3spacetimesignificance

Using a topographical metaphor, this diagram shows the relation of significance in direct proportion to the dimorphism of space and time. I call this eigenmorphism. For example, as human beings, our native frame is the Autobiographical level (top). Our experience has a high significance, which means

1) rich qualia – larger nows and more nesting of personal, sub-personal, and super-personal frames allow for deeper sensory vocabularies.

2) a highly divergent space-time presentation (space and time are opposite for us, but identical for quantum phenomena or astrophysical phenomena).

3) a highly divergent spectrum of realism. The Matroyshka dolls with reflection underneath represent this range of clear/real, vs blurred/intuitive, and reflective/fiction. By contrast, the entangled reflections of the microphysical level of physics are neither real nor fictional. With space and time fused, matter and energy become interchangeable foregrounds for information processing.

Philosophical Gender

August 23, 2013 2 comments

Like sexual gender, the psyche tends to favor hovering around one aesthetic preference at a time. So much of philosophy seems to be rooted in just that, the aesthetic preferences of the psyche. How else should we explain why we are so often personally attached to our philosophical views – why we are in fact attracted to them, and to writers and speakers who have espoused similar perspectives.

Many are traditional in their philosophical tastes, and find that even the thought of experimenting with other views makes them very uncomfortable. Others find it natural to consume philosophy of all sorts, the more the better, but at the same time they may favor one particular flavor, or they may get sick of the whole intellectual-masturbatory scene eventually.

Philosophy engenders a feeling of firm orientation within it, despite the many other options available which might directly contradict it. That’s sort of the hook. A particular way of looking at things makes you feel that you are on the right track, maybe for the first time. It can change the way that you feel about other ways of acting and thinking. Like hitting puberty, what was once merely charged with social naughtiness and furtive mystery becomes irrepressibly intense. Childish ways of behaving, especially those which cross gender or leave it undeveloped are often discarded in shame and become repulsive, at least publicly. Gender is suddenly unexpectedly prominent, and exaggerated to the point of caricature.

Philosophy is almost inevitably tied to politics. Views on what the universe is, though seemingly esoteric and remote, have a way of filtering into our attitudes about everything from nature and technology, to society, personal responsibility, money, possessions, art, drugs, literature, etc.  Early math is practically inseparable from philosophy.

There are many polarities and nested polarities within philosophy, especially philosophy of mind. I often focus on reducing those polarities (reductive vs non-reductive…there’s another polarity) to a single hetero-normative gender which I am lately calling Anthropmorphism and Mechanemorphism, but have also referred to it as ACME and OMMM, Oriental Animism and Western Mechanism, Public-entropic and Private-holotrophic, and for those with a symbol fetish, ((-ℵ↔Ω) ºt)  and (ωª (H←d)).

In the course of studying this swirl of gender, it became apparent that the swirl itself could be transcended philosophically. While the battle between mind-firsters and body-firsters rages on forever, the battle itself can be seen as their most powerful overlap. Somehow even in the antiquated writings of long dead thinkers (well, the thinkers who were deemed white enough and male enough to be published anyways), fresh controversy can be sparked. It’s remarkable, really.  The enduring conflict, a perpetually circulating difference of opinion on everything, the difference between differences, and different ways of defining difference, and defining definition.

Is philosophy is a strange attractor?

“The Lorenz attractor is an example of a strange attractor. Strange attractors are unique from other phase-space attractors in that one does not know exactly where on the attractor the system will be. Two points on the attractor that are near each other at one time will be arbitrarily far apart at later times. The only restriction is that the state of system remain on the attractor. Strange attractors are also unique in that they never close on themselves — the motion of the system never repeats (non-periodic). The motion we are describing on these strange attractors is what we mean by chaotic behavior.”

If there were an ‘end’ to all of this (which is what exactly?) I think that it can be found not in being and nothingness or in difference and repetition, but in recognizing the commonality of conflict – the sense which discerns between differences and which also is the motivation which negates indifference. Carrying this principle into physics, and then mathematics, what it looks like is that a revolution of the most primordial propositions should be considered:

  • The number ‘one’ should be reinvented and restored as the root of the number line.
  • Zero should be regarded as neither a real or imaginary number, but rather an imaginary absence of all number.
  • The Big Bang singularity should be reinterpreted to reflect this new understanding of 1 and 0, beginnings and endings.

Here is the main insight: Since the difference between a difference (1) and indifference (no difference = 0) is in fact a difference, the two concepts are not perfectly symmetrical negations of each other, but rather, indifference, like nonsense or disorder, is a qualifier of difference. Zero is just 1 minus itself. In a universe of just the concept of 1 and subtraction, 1 would have to reproduce itself once in order to have another one to subtract, and then reproduce itself once more in order to carry out the subtraction. One cannot disappear, and zero cannot generate any numbers or operations. They don’t cancel each other out, they nest within each other in strange loops.

In this way, as I have posted before, the Big Bang must never be considered an explosion in space at some particular moment in the past, but rather it is the frame of all events, and all spaces. We are within the Big Bang, which was not a 1 emerging from 0, not a Universe from Nothing, but the opposite. What I call the Big Diffraction is “The Universe Within Everything”. The whole of physics can be seen as pieces to the puzzle which is getting more piece-ier and peace-ier as it goes on. The whole of mathematics can be seen as taking place within the number one, transformed, non-Euclidean style into the Absolute set of all sets. One is not an object, it is a primordial language of experience, of sense and sense making – a singularity not only of quantity, but of ontological-psychophysical gender.

But wait. Sense is not just a matter of being and knowing, it is also a matter of sensing and thinking, of comparing. It does not resolve the Material and the Experiential as being ‘the same thing’, it resolves them as both being equal to the same thing (1) in the opposite way. The Big Bang is not just 1, it is more like “=1”. This is a more primordial opposite even than being and nothingness, since nothingness can only be imagined by something. The relation of = to 1 is as opposite of that of 1 and 0 but more subtle. Just look at the characters. Parallel horizontal lines compared with an arrow-like stroke of singular effort. I guess I’m getting too into this, but whatever, consider it a piece of Suprematist art. It’s a before and after, an open canal, and an erect figure. An invitation and an expression. There’s a whole philosophy lurking in there just in the shapes of arithmetic symbols. Hmm.

Shé Art

The Art of Shé D'Montford

irevuo

art. popular since 10,000 BC

astrobutterfly.wordpress.com/

Transform your life with Astrology

Be Inspired..!!

Listen to your inner self..it has all the answers..

Rain Coast Review

Thoughts on life... by Donald B. Wilson

Perfect Chaos

The Blog of Philosopher Steven Colborne

amecylia.com

Amecylia Multimedia

Lucid Being💫

The Art Or Endeavour Of Being Lucid In A World We Live In... Secrets Of The Psychics... Energy, Universe, Futurism, Film, Empowerment...Digital Abstract Art Rendering...

I can't believe it!

Problems of today, Ideas for tomorrow

Rationalising The Universe

one post at a time

Conscience and Consciousness

Academic Philosophy for a General Audience

yhousenyc.wordpress.com/

Exploring the Origins and Nature of Awareness

DNA OF GOD

BRAINSTORM- An Evolving and propitious Synergy Mode~!

Musings and Thoughts on the Universe, Personal Development and Current Topics

Copyright © 2016 by JAMES MICHAEL J. LOVELL, MUSINGS AND THOUGHTS ON THE UNIVERSE, PERSONAL DEVELOPMENT AND CURRENT TOPICS. ALL RIGHTS RESERVED. UNAUTHORIZED USE AND/OR DUPLICATION OF THIS MATERIAL WITHOUT EXPRESS AND WRITTEN PERMISSION FROM THIS SITE’S AUTHOR AND/OR OWNER IS STRICTLY PROHIBITED.

Paul's Bench

Ruminations on philosophy, psychology, life

This is not Yet-Another-Paradox, This is just How-Things-Really-Are...

For all dangerous minds, your own, or ours, but not the tv shows'... ... ... ... ... ... ... How to hack human consciousness, How to defend against human-hackers, and anything in between... ... ... ... ... ...this may be regarded as a sort of dialogue for peace and plenty for a hungry planet, with no one left behind, ever... ... ... ... please note: It may behoove you more to try to prove to yourselves how we may really be a time-traveler, than to try to disprove it... ... ... ... ... ... ...Enjoy!

Creativity✒📃😍✌

“Don’t try to be different. Just be Creative. To be creative is different enough.”