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Superpositioned Aion Hypothesis
Above, an ankh appropriated from here, superimposed on the MSR diagram. I have included Sense and Motive, reflecting the circuitous, super-personal nature of the Aion/Eternity (collective/Absolute sense) and the cross of what Bennett calls ‘Time’ (I call personal sensory awareness) vs what he calls Hyparxis (“an ableness-to-be”, aka motive participation).
“The English philosopher John G. Bennett posited a six-dimensional Universe with the usual three spatial dimensions and three time-like dimensions that he called time, eternity and hyparxis. Time is the sequential chronological time that we are familiar with. The hypertime dimensions called eternity and hyparxis are said to have distinctive properties of their own. Eternity could be considered cosmological time or timeless time. Hyparxis is supposed to be characterised as an ableness-to-be and may be more noticeable in the realm of quantum processes.” – source
- Aion and Gaia with four children, perhaps the personified seasons, mosaic from a Roman villa in Sentinum, first half of the 3rd century BCE, (Munich Glyptothek, Inv. W504)
The word aeon, also spelled eon, originally means “life” or “being”, though it then tended to mean “age”, “forever” or “for eternity”. It is a Latin transliteration from the koine Greek word (ho aion), from the archaic (aiwon). In Homer it typically refers to life or lifespan. Its latest meaning is more or less similar to the Sanskrit word kalpa and Hebrew word olam. A cognate Latin word aevum or aeuum for “age” is present in words such as longevity and mediaeval. source
The universe seems to want to be understood both in two contradictory presentations:
1. As the timeless eternity within which experiences are rationed out in recombinations of irreducible elements.
2. As the creative flow of authentically novel experiences, whose recombination is impossible.
If we can swallow the idea of superposition on the microcosmic level, why not the astrophysical-cosmological level? Whether the universe seems to be gyrating in a direction that paints your life in a meaningful and integrated light, or it has you struggling to swim against a sea of chaotic scorns is as universal an oscillator of probabilities as any quantum wavefunction.
These fateful cyclings of our personal aion are reflected also in the micro and macro of the Aion at large . With the unintentional dice game of quantum mechanics flickering in and out of existence far beneath us, and fate’s private wheel of fortune seemingly spinning in and out of our favor intentionally just beyond us, the ultimate superposition is that of the eternal and the new.
How can the universe be a relativistic body in which all times and spaces are objectively present, and an expanding moment of being which not only perpetually imagines new universes, but imagines imagination as well? Why not apply superposition?
“In physics and systems theory, the superposition principle, also known as superposition property, states that, for all linear systems, the net response at a given place and time caused by two or more stimuli is the sum of the responses which would have been caused by each stimulus individually. So that if input A produces response X and input B produces response Y then input (A + B) produces response (X + Y).” source
The universe is generic and proprietary, eternally closed but momentarily open and eternally open but momentarily closed. It/we are always changing in some sense, but remaining the same in every other. Within the Aion, all opposites are superpositioned – bothness, neitherness, and only-one-and-not-the-other ness.
Relativity and Reality
To what does relativity relate? Before there can be relation there must be presence, and before a presence can relate to another presence, there must be a capacity for detection of some kind. Even collision of bodies should not be taken for granted in physics. It is a testament to our imagination that we can conceive of a universe that happens without any participants – with only there and then, but no here and now to put them in their place. What is required instead is an imagination of empathy, to trace the origins of our own consciousness not to the dots and dashes of information gathering instruments developed for our bodies to use, but to our own native information gathering capacities. Whether photons are really things or not, no model of the universe can be complete without fully explaining the relationship of photons to the phenomenon that we see as light. Whatever it is that we see cannot be excluded from any complete description of the universe.
An early diagram of the MSR Theory of Everything suggests an equivalence of perception and relativity. Without getting too deep into the subject, it can be said that any discussion of relativity entails the use of a reference point, a so called ‘inertial frame’ within which phenomena tend to cohere together and share a common velocity. Even in a speeding train, the coffee in the cup can remain fairly settled on the tray in front of us. So long as the velocity of the train is maintained, we can’t tell by looking at the cup whether the train is stationary, or moving, or moving on top of another train which is moving even faster. Without this kind of orienting framing principle, there would be no ‘thing’ to relate to any other thing; no place to move toward or away from. Relativity requires an anchor, and for reasons which I will get into soon, the anchor of quantitative properties cannot itself be quantitative but must instead be perceptual in nature. General Relativity relies on Proprietary Relativity, aka, private perception. This should not be taken as an endorsement of anthropocentric idealism, or deism, or any other effort to fictionalize physical realism, but is instead a suggestion of pansensitivity with sense as both the universal law and the local participant.
Relativity is anchored not only the law of inertia, but the consequences of it in sequestering physical tendencies into semantically stable ‘places’ which relate to each other, and through each other. This should be understood as a kind of sensitivity or awareness on the grandest, most public scale. It implies a translucence of mass and momentum in which the grandeur of events is implicitly and palpably present.
Relativity refers to the underlying nature of place and pace as it is defined by matter and energy. Matter and energy create the spacetime context by their relation with each other. The title General Relativity, just as words in the English language, infers a generalized or universal quality of relating which is dynamic. It’s not a static property of general related-ness, but rather it is an active responsiveness of all phenomena in relation to each other. The -ivity suffix of relativity treats relation as a verb, not a noun. What we observe is that in measurements where distance and time are precisely recorded, the classically held immutables of space and time actually bend and warp to reflect the presence of mass, gravity, and velocity.
I think that this is what shocked the world about Einstein’s vision. He conceived that the metric itself, the abstract ‘rigid body’ of measurement which comprised the firmament of classical mechanics…that infinite set of Cartesian coordinates actually warped its contours around things, not the other way around. The plenum of space and time is only a measure of variations in scale and frequency among repeating effects that were happening to objects. The universe was not something happening in an empty box, it was boxing itself from the inside out.
Special Relativity showed that the relativity of uniform motion observed by Galileo and the classical notion of invariant time had to be extended to accommodate the absoluteness of the speed of light. Einstein’s four dimensional space-time ‘mollusk’ describes what is understood to be an invariant space-time interval. Why is the speed of light absolute though? What mechanically makes time dilate or length contract?
If my view is on the right track, the reason why the speed of light is absolute is because light is not a thing, it is the sensitivity of matter across its own created distance. The reason that Relativity works is because the universe makes sense of itself, and is ignorant of itself on every level. This is what relativity and perception are all about. It is interesting that the deepest truths of Einstein and the deepest truths of Quantum Mechanics both have to do explicitly with measurement. Einstein’s Relativities challenge common-sense notions of the separateness of space, time, matter, and energy, and of the nature of velocity while QM deals in probabilities and uncertainties associated with measurement of complementary variables (like position and momentum). We are talking about the limits of measure in both cases, and transcending immeasurable conditions with new strategies of measurement.
To say that Relativity makes sense is accurate because we have an idea of what it means for things to make sense already. Knowledge is a validation of our public facing senses with private sense making, or vice versa. We model the movements of massive bodies in accord with Einstein’s curved space equations, but Einstein did not believe that space was literally curved, or that space was a thing at all. Curved space is a metaphor. What is curving is the statistical results of experiments where the behavior of matter in one frame is measured against the behavior of matter in another. This is the bare-metal reality of our observations. Physicists use instruments made of matter to cause and measure changes in matter. Through those measurements, we have inferred entities such as “energy”, “gravity”, “forces”, and “fields”, but we have only matter to tell us about them. Our perception relies on matter’s relation to matter, it’s relativity, to perceive conditions in remote inertial frames.
This is not an endorsement of naive realism. Certainly it is useful to model energy as a separate entity from the matter which collects and projects it, however it remains impossible to inspect energy in public, without the aid of a material instrument such as our body, and a mode of perception to detect it and render it locally in some aesthetic modality. Perception is in one sense a mirror image of relativity, in that relativity is an impersonal view of public perspective and perception is a personal view of private relations. In another sense, perception is merely the private version relativity. The same principle which allows the coffee to stay in the cup on the train can be understood to be literally the same inertial principle which maintains the worldly realism of our experience. Inertia is the indifference of sense, the comfortable ranges and tropes which contrast with novelty and disturbance.
By turning General Relativity around so that it can becomes Proprietary Relativity, a whole new way of making sense and measuring the immeasurable can be glimpsed. While it has always been implicit in the inertial frames and ‘observers’ of physics, the framing itself has never been examined properly, as far as I know. We take our own personal orientation for granted most of the time, (especially when we are overseeing an abstract equation or model of everythingness), but to model everythingness absolutely faithfully, we would need to include this very strange, but very ordinary state of affairs that we know as ‘being here’, or ‘our presence’; consciousness.
It has been the hypothesis of MSR that as far as physics is concerned (which can only tolerate a very dim and narrow view of consciousness right now), the function of consciousness should be approached first as the minimum ingredient to provide the possibility of privacy, relativity, and inertia. A vector of orientation and perspective. This is the unspoken assumption of any observer or inertial frame, that somehow there has arisen a capacity to discern a here from a there, or a now from a then. MSR tries to explain the difference between (here, now) and (not-here, not-now) in terms of public and private ‘verses’. These verses are aesthetic contexts which provide mutual contrast for each other. It is the unfortunate complexity of the human experience, with its massively redundant population of historically recorded lifetimes, bodies, and bodies within bodies within bodies (organs, cells, molecules), which obscures the purity and simplicity of the private-public relation. It is not a dualistic relation however, it is a reflexive or Ouroboran relation. The private feelings and experiences of one inertial frame are the public bodies and energies of another, sufficiently alien frame.
Having a body which is subject to conditions on the molecular, cellular, and somatic levels of public interaction gives us cause to think that these interactions are producing ‘us’, whereas my conjecture is that our bodies reflect the totality of our lives (and the lives of our entire species, of all life, and all phenomena dating back to before the dawn of life) from a particularly truncated and relativistic perspective. The body is a human life looking at itself askance through the narrow slit of its own relativistically disintegrated presence.
This essential ingredient is the necessary piece to the puzzle. It allows us to recognize that this universe not only one of theres and thens, but of here and now. Einstein famously said that he did not understand now, and that makes sense since his is the perspective most grounded in the ‘other’ – in spacetime. Sense is not an abstract scalar quantity, property, or configuration, but it is the concretely real capacity to feel, sense, or detect, even though it is both non-local and non-non-local. It is not a field or an energy, an ether, an elan vital, or any other substantialized presence. That would be redundant, since sense is presence already.
Just as Einstein relocated the universal process to electrodynamics rather than Newtonian mechanics, MSR relocates the electrodynamic process itself to a sensorydynamic milieu, a milieu which is absolute, and which presents uniqueness and originality as its product. In short, Multisense Realism posits an equivalence between locality and perception, and between perspective and equivalence/non-equivalence itself. Sense is how things seem to be, and seeming it turns out, can only be more fundamental than ‘reality’.
The notion of inertia is expanded under MSR, so that it implies a tangible experience of expectation and continuity. Inertia is the sensory capacity of context and framing. This is the stuff of worldly realism. An accumulation of qualitative semi-signs and partial presentations which is beneath the formalism of literal semiotic signals. These fundamental references cannot arise purely from bottom up mathematical relations, but rather are recovered or discovered from the totality as a whole. This concept has been developed before many times, (e.g. Bohm’s Implicate Order, Sheldrake’s Morphic Resonance, Indra’s Net, etc) but generally with a holographic flavor of non-locality. Things simply have a way of coming around again and again. With the MSR concept of perceptual inertia, perception events are carved out of the monad of eternity. Personal perceptions are fundamentally voids, bubbles within the singularity which make it seem like a multiplicity from inside the bubble. Indeed, the bubble itself is the quality of seeming divided or disconnected, a finite flavor of here and now which is suspended in a frozen diaspora of theres and thens. “Laws” are the constraints which are experienced in one inertial frame because it is nested within an event which has already happened. A smaller now cannot escape from the experience which birthed it, in which the former becomes eternal and the latter becomes the instantaneous. Relativity, gravity, inertia, and perception are all different aspects of the same law-giving realism. Ratios borne of qualitative experience, and reborn through experience which has been condensed – quantitatively deferred.
Updates to Pretentious Mystical Formula
Supreme Ultimate Grand Unified Formulation
The MSR model of the universe can be expressed simply in single formula and mapped schematically in the frame set view below:
The list on the left hand side describes the “Entropic Frames”, so called because they are governed by entropic tendencies of matter divided across public space. At the top, (H←d) represents this relation, with distance d expanding in one direction only ← as entropy H perpetually grinds down coherent differences into incoherence and indifference. Originality and uniqueness dissolves into generic multiplicity, or at least it appears that way on this side of the cosmic balance sheet.
The role of distance d or scale is to make localization tangible, allowing larger, denser accumulations of mass, dispersing particles and also collecting them as massive objects. From an information entropy perspective, d would be understood as the mismatch of sense ranges across gaps of unfamiliarity (the metaphorical sense of ‘distance’), which leads to a loss of intelligibility and the perception of insignificance by disproportion of magnitude. It is proposed that the magnitude of this mismatch increases logarithmically from the microcosmic scales, so that what is perceived as space on the macro scale is the summary of communication/identification failures on lower levels. H←d is the attenuation of significance and also depletion of autonomy or motive.
“ωª ↑”
At the bottom left, ωª ↑ denotes that frames on this Western side of the frame set are bottom-up, existential, and nested within each other telescopically. This nesting by literal metric scale is represented by ª. The intent here is to refer to all of the physical scales of functional interaction, from the microcosmic to astrophysical, as well as the sub-physical principles of logic, mathematics, and quantity which they embody. The reductive, deterministic sensibility which is governed by indifference and consciousness-less is represented by the upward arrow (↑), for bottom-up causality. This is the arrow of unintentional effect. In MSR, the totality of the Western conception of the universe is reduced to the formula
ωª ↑(H←d)”
The right hand side of the chart (the Eastern or Oriental half) and reverses the unintentionality of ωª ↑ . In the public “Western” half of the chart, quanta is seen to be unintentionally building the universe probabilistically, without effort or awareness. The opposite is true for the view from the perspective of the actual participant in any given experience of the universe. The natural or naive perspective, so alien and repugnant to science in this phase of its development, is difficult to even consider as a legitimate phenomenon without risking ridicule. This should not be considered a scientific view. In fact, all functions of physics or mathematics begin with the unacknowledged presence of an observer. This observer is generally reduced to absolutely minimal significance – a single abstract position or frame of reference. Einstein saw that this was in fact only a theoretical device, and that the conditions of the observer are actually critical to the function of all physics. It is my contention that General Relativity did not go far enough, and that subjectivity is not only a real feature of physics, but that it is the primary feature of ontology. The fact of subjectivity, and its existence in the universe, literally changes everything, and the universe which contains even a single subject is the only universe that has ever been or can ever be. Physics exists within sense, not the other way around.
The guiding principle of the Orienting half of the chart then, is not the sequel to the half which exposes matter and space to subjects, but it is “↓ºt”, which is the original and authentic principle of top down significance and intention which precedes all spatial extension. Before there was unintention, there was intention, and before there was intention, there was sense. “-ℵ↔Ω” tells the story of sense and motive, oscillating beyond time. -ℵ plays on the use of Aleph numbers to denote infinite cardinality in mathematics. In MSR, negative Aleph stands for the underlying coherence which transcends all cardinality, all separation, and thus is the ground of being for all ‘thing’-ness and ‘it-ness’. -ℵ is ‘phoric’, the carrier of meaning and presence. It is consciousness beneath even qualia (which is generated through the ordinality of experience, which is related to significance, which is here labelled º)
Rather than distance and entropy, phenomena on the right side is governed by the opposite principles; difference, aesthetic participation, and motivation by both promise (positively charged significance º) and threat (negatively charged significance º). Just as the universe has developed different frames on which the drama of existence takes place, MSR speculates that every experience in the universe is part of a single overall experience. This proposed maximum inertial frame, known as ॐ, stands for the Absolute, or Totality, but has many other names in mystical and philosophical traditions, including Brahman, Tao and Ein Sof. The Ankh sign is related as well, but for those who are not interested in such concepts, the Absolute can be understood simply as ‘Eternity’. A key proposition of MSR is that the Absolute is one and the same as -ℵ, although from our vantage point, the Absolute is the accumulated totality of all sense. In the strange mathematics of singularity and infinite cardinality, they are actually the same thing in the absolute sense and not the same thing in the local sense. I use the = sign also to denote sense, as a deep understanding of what that sign means gives good insight into sense itself – the translucence of multiplicity and the unity of translucence… mystical, perhaps, but no more so than the exotic ideas which populate theoretical physics and cutting edge mathematics.
The Supreme Ultimate Grand Unified Formulation specifies how the Absolute modulates, attenuates, and diffracts itself reflexively to arrive at an ‘orthomodularity’ or juxtaposition of public and private verses of itself (sense).
ॐ ⊇ { ((-ℵ↔Ω) ↓ ºt) ⊥ (ωª ↑ (H←d) ) }
“⊇”
This sign is used to denote ‘superset or equal to, which is a good way of describing the relation of ॐ to the diffracted parts of itself (which I call ש also) that make up ‘everythingness’.
Because sense insists rather than exists, and the local sense is both identical and non-identical to the Absolute, “ℵ↔Ω” refers also to the totality of states of consciousness, aka the Multisense Continuum; the range of richness of perspectives, meanings and experience. On this higher octave of collective sense, the Aleph symbol (-ℵ) refers to the maximally transcendental state of consciousness, in which personal significance appears fused with the Absolute, and the presence of eternity aesthetically saturates experience. This psychedelic state, in which the ‘psychic aperture’ is blown wide open, permits a liberal superposition of eidetic-metaphorical contents. The Omega symbol (Ω) represents the converse extreme of the subjective spectrum. Where ℵ is personal fusion with artistic and trans-rational dimension of the Absolute, Ω is the impersonal rapture of science. the canon of literal forms and ideal functions, Platonic ratios, and arithmetic-logical truths.
Getting back to ºt in this higher context, participation adds something to the frames on the right side which are lacking in the Entropic Frames. Beyond mere differences in scale which sequester the macro from the micro, the hierarchy which has been dubbed the ‘Holotrophic Frames’ presents a completely different, though related kind of nesting. The Holotrophic Frames cut across all Entropic levels vertically. Experiential ordinality, º refers to the elevation of qualitative rank, rather than quantitative ‘file’, so to speak. This elaboration of significance and awareness is made possible through the sequential continuity of experiences (time). Phenomena like color and music are testaments to the pervasiveness of sense, and its perpetual coherence which clothes itself in new experiences that carve themselves out of eternity. A universe which contains humans presumably contains the potential for experiences which are more fantastic and more awful than a universe of only simple organisms or inorganic systems.
“⊥”
reflects the orthomodular/perpendicular nature between the private-phoric-trophic (“Oriental”) side of the equation and the public-morphic-metric (“Western”) side.
Rosetta Codex
Following up on the Tree of Life post and MSR Legend post.
Multisense Tree of Life
Multisense Tree of Life
I noticed that this formulation was starting to take on Kabbalistic dimensions, so I put it into that form. There’s some new propositions to consider here that have come out of this. Beginning with sense, which I symbolize as -ℵ (negative Aleph) and as =. This is the fundamental concept of MSR and the idea of ℵ in mathematics as cardinality fits with this definition, since equality ‘is equal to’ anti-cardinality. Sense is the unity which underlies all multiplicity, so that it can indeed be thought of as a kind of negative cardinality – not unity, but pre-cardinality.
Moving up and to the right from sense, there is Qualia, now defined as -ℵ/ש (Aleph over Shin), where ש (Shin) refers to the diffraction of the Absolute ॐ (Om). This means that Q = -ℵ/ש or, private sense is the sense of a share of eternal being – it is “a” being. In Leibniz terms this is a monad, and it is also the origin of origination, and of the number 1. From these two entities, we have the two parts of the Absolute, which mathematically would be “=1”. Eternal being is the likeness of a being, i.e. the ability to pretend. (Insert Joseph Campbell’s myths and Carl Jung’s archetypes, shamanism, imagination, etc..,) Fiction is ‘like something’, just as Qualia is what it is like to be, or what being ‘seems like’.
Rounding out the primordial trinity from sense along with Qualia is Quanta and Motive. I call the Absolute ‘Qua’ to symbolize its relation as the reconciling parent of Qualia and Quanta. Quanta (ω, lower case omega), here meaning the essence of computation, is given the formula √(ℵ),(root of Aleph). This works surprisingly well. Originally I was going with 0.00…1 and then 0.x to represent Quanta, to specify that Quanta is always the tiniest fragment of Qualia – the drive toward absolutely monotonous precision, but always beneath the threshold of unity, of wholeness. All quanta are parts and abstractions; information-theoretic rather than aesthetic/sensory-motive.
This ended up working well with √(ℵ) (root of Aleph) as it makes clear the complementarity-antagonism with Quanta and sense. Computation is the essence of cardinality, of difference. The stepped reckoning of mechanism is an impersonation of sense, it has no capacity to negate the separations and to build feeling from fragmented quantities. Since negative Aleph (-ℵ) corresponds to 1, then Quanta would be the square root of -1, or i. I used the symbol >.< as well, to denote the clipping of sense through measurement: digitization. Quantification is fantastically useful because it paralyzes whatever it fixes its gaze on.
Motive, the third leaf of the sense trinity, has the formula ℵ±ש (Aleph plus/minus Shin), which emphasizes its similarity to Quanta and Qualia but with an irreducible difference, will. Will is the ± (plus/minus) which requires a participant to end what sense started (thus the use of Ω, Omega). To have a motive is to de-cide, to kill off all options except one. This is the ‘waveform collapse’ of QM, but it is also ordinary ‘free will’. Will is the connection between unconscious cardinality and the Absolute. We don’t know how to make our body move or our how to focus our mind’s attention, we simply become our mind or body and the universe does the rest. There is a cost to our efforts, however. In the drive toward Significance (Solitrophy, Φ), entropy is born.
The unchosen path of Motive becomes the unintentional twin of Significance. Significance, -ℵ² (Aleph squared), while mathematically would equal ℵ (Aleph) as 1, there is an irreducible numinosity to the power relation. Significance holds Q not only as the sense of one quality out of the Totality (ש) (Shin, Qua) but it holds one Q as equal to any number of qualities or meta-qualitative relationships. This is semiotics. Not just = but =². Not phoric (sense) but meta-phoric. Quanta is not phoric but metric – it takes the ² nesting of Significance (Σ) (Sigma) but negates the feeling, leaving only the essence of that figurative quality. Significance is sense squared, Quanta is the square root of pretend sense, the meta-phor is inverted. Figurative language is loose. It draws from associations from within the Totality. Quanta is the opposite, drawing from strictly disambiguated logic. It has no phoric or morphic content, no feelings or forms, only the skeletal coordinates associated with them.
If Significance is like the universal bank account of metaphors and of experiences which have meant something in particular, then Entropy is the compost heap of all of the unchosen and unchoosability in the universe. It’s symbol H is taken from Shannon’s Information theory, and its formula here is ॐ/-Ω, (Om divided by negative Omega). Using the ॐ Om rather than the ש Shin is to emphasize that this relates to the ‘return trip’, the catabolic, arterial part of the cosmic circulation. Shin has more of a sense of the diffraction and creativity of the whole. With Entropy, it is the Totality’s raw, untamed nature which is divided by negative motive. This correctly applies to the nature of Entropy as indifferent, literally and figuratively. No motive. This is where the universe doesn’t care.
Between H of Entropy and Σ of Significance winds the Φ of what I call Solitrophy. Solitrophy is what makes the difference between something that can care and something that can’t. Burning a pile of garbage and burning down a town might produce the same amount of energy and entropy, but burning down a town has a human cost which doesn’t show up on a spreadsheet. As aesthetic significance accumulates, the range between one outcome and another increases. A human being has more at stake, simply by being a human being with a vastly rich aesthetic experience, than it seem like an ant has, or even an anthill. Solitrophy describes this great anchor of all sanities, and builder of worlds (I call them, perceptual inertial frames or castes).
This leaves Matter, Energy, and Qua itself. Matter and Space are listed together, as are Energy and Time. This is to emphasize their relation in MSR, teasing apart their differences rather than conflating them relativistically. The difference between time and space is Solitrophic. It doen’t show up in physics, because physics, by definition is conducted to reduce Solitrophy to an absolute minimum. Physics is asolirexic. Here. Space is defined ω+H and Time as ω*Φ, so that space is about entropy’s quantitative expansion and time is about the quantification of the growth through Solitrophy. The effect of Quanta on Φ is to limit the ‘size of the now’ – the frequency and range of memory of any given participant. Space and time are perpendicular, so that all of eternity is represented spatially by Quanta’s filtering of sense, but that representation is a vanishingly thin slice. Space, by comparison, allows access to the entire continuum of scales which have been accumulated through Solitrophy, but not in a way which allows us to experience it directly.
Matter’s formula is Σ*H, describing mass – the significance of Entropy. As everything is reflected and juxtaposed within MSR, Matter, mass, and space are aspects of the same thing, They are the unintentional, automatic consequences of all spatial scales, collapsed into a single scale. That’s how you get bodies which collide on one inertial frame, but pass right through each other if they are relevant to vastly different scales. This is obviously a rule of thumb – just a way of understanding how space is really an artifact of matter’s sense of its own non-sense and how time is about how functional tropes (routines), constrain and define energy. Energy, therefore, has the formula Ω ± ω (Omega plus minus lowercase omega), with Ω being Motive, now here given another nesting (Ω is already ±. so Ω ± is ±±) and ω being Quanta. Energy is a motive to motivate, or perhaps from to motorize, i.e. to translate a private effect publicly. The Quanta here emphasizes that this translation from motive to motor involves modulating both the frequency and the amplitude of the effect. Energy turns motive effect into work and power.
Finally, the crown of the tree, is Qua. I have covered this a lot already, but here the relation between sense, Qualia, and the Absolute can be seen. If sense is =, and Qualia is 1, then the Absolute is ‘=1’. The inclusiveness of the Absolute is total. It is the largest possible inertial frame. Our personal experiences are part of the whole, and the whole is every part of us.
MSR Legend 3
One more of these for tonight, as i’m still in a semiotic frenzy, as I’m sure you can tell.
MSR Legend
A first second draft of a Rosetta Stone for MSR terms, including the debut of new quasi-alchemical code.
Second draft 7/22/13, added Solitrophy and updated the formulas of time and space to clarify.
Realism Cartoon
Above, the little person on the cool end of the spectrum is the image that the participant on the warm end of the spectrum has of themselves, or rather of their body as seen by themselves on the scale which is native to the individual (as opposed to looking in the mirror and seeing billions of cells or gazillions of molecules). It is the scale of the participants experience going back to the beginning of the universe (I know this sounds insane), which is ultimately a reflection of its history more than mechanics. My conjecture is that experiential histories develop into perceptual inertial frames, or castes which, like the frequency ranges of the electromagnetic spectrum, make visible light phenomena relate to a different modalities and circumstances than say radio waves.
What we see as objects are tokens, snapshots of private disposition which are represented as public positions – forms in places. We can’t relate to some ‘one’ who is as small as a single cell, and what or whoever it is that is represented to us by the cell finds us much too large to relate to. This is a rather fantastic way of utilizing everything subjectively and objectively. Everything gets to be the star of its own show on one level, and to be surrounded by the public facing fragments of every other star to use as props, tools, and worlds.
Comparing Worldviews
Side by side comparison of what seems to be the prevailing cosmology (above) and MSR (below). In the consensus worldview, aka Western post-modern view, quantitative function replaces all other modalities of sense and sense itself is absorbed into automatism. Energy is merged with matter as ‘particle-waves’ or ‘probability wave functions’, just as space is merged with time through relativity. Rather than a universe of concrete participation, the illusion of realism ’emerges’ from the evolving complexity of statistical interactions. At what level this emergence occurs, why it occurs, or how are left to future generations to explore.
Conspicuously absent are all traces of subjectivity, participation, and significance. Motive effect is understood only as a caused effect – the playing out of inevitable mechanical agendas which stem from a few ‘simple rules’. All forms of privacy are unknown and entropy is divorced from sensory interpretations. All sensations are thought to be partial revelations of an objective truth, so that any deviation from that empirical fact is considered an error.
MSR sees the absence of sense as a the gaping hole in this schema. While emergence is appropriate for understanding how many phenomena which appear to be novel are often found to be inevitable upon further inspection, it is entirely an entirely inappropriate machina ex deus for phenomena which have no plausible origin from the known functions of the system. The consequences of overlooking the key principle which unites all phenomena (sense), are that we wind up with an impoverished worldview, a Straw Man of cosmology in which we ourselves have no possible place.
Multisense Realism 
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