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Posts Tagged ‘universe’

Bang!

March 24, 2014 Leave a comment

If Big Bang was a singular event that created space, time and matter, then one must view the universe as a rapidly expanding billiards table of N dimensions with all events pre-determined. There can be no intervening force or new element of causality possible. There can be no uncertainty, and any notions of either free will or divine intervention are illusory.

If the Big Bang created time, then I think that it should not be thought of as an event (in time), but rather as the hub that all events have in common. The Big Bang never happened, it did happen, it is still happening, it hasn’t happened yet. Because we are measuring it from inside of spacetime, and using instruments that are limited to only the most generic spatial-quantitative measurements, our results reflect a narrowly defined model of the origin of causality itself. It is the fallacy of the instrument – we have a hammer of physics so everything that physics measures looks like a nail. What I propose instead is a Big Diffraction, where the birth of spacetime is an influx of dissociation into countless semi-permeable perceptual frames of reference that are united beyond spacetime.

If we place ourselves in the moment of the Big Bang, we cannot judge it on a human scale of time, since that scale of time had not been invented yet. If the universe itself is awareness, the first trillionths of a second of the invention of time are no less likely to feel like five minutes than they are an eternity. As the singularity breaks into multiplicity (Tzimtzum for fans of the Kabbalah), it is inventing the possibility of multiplicity for the first time. Eternity is spawning micro-eternities in which each micro-view is stretching out eternity so that it seems both ever longer and slower and seems to have originated in an ever more brief instant. Time is all about comparing frequencies of awareness – beats per measure. Time is relativistic because time is relativity itself – the framing of perceptual reference.

What we see through a telescope is an objectified version of the story of objectification that serves as a creation myth for the anti-mythology of functionalism. Free will was never inside of spacetime to begin with. It was not created, it creates. If free will is illusory, then it is that which is illusory which gives birth to realism and physics, not the other way around. The universe is a single thread of singing, signaling, significance-building experience,weaving and winding through a maze of its own self-imposed alienation. Divinity is optional, and free will is scarce, but the universe is only a billiard table if you limit the vocabulary of inquiry to that of billiard balls.

Time for Nested Causality

March 5, 2014 Leave a comment

chronos2What do you about the simultaneity of cause and effect?

“The greater part of operating causes in nature are simultaneous with their effects, and the succession in time of the latter is produced only because the cause cannot achieve the total of its effect in one moment. But at the moment when the effect first arises, it is always simultaneous with the causality of its cause, because, if the cause had but a moment before ceased to be, the effect could not have arisen…. The time between the causality of the cause and its immediate effect may entirely vanish, and the cause and effect be thus simultaneous, but the relation of the one to the other remains always determinable according to time.” (Kant, 1787, The Critique of Pure Reason)

 I suggest that time has a linear quality within the center of any given reference frame, but that every reference frame bleeds into nested frames of larger and smaller scales of ‘now’. What is separated for us by days or hours is simultaneous in another sense. The smaller nows nested beneath our reference frame increasingly lose their proprietary, narrative quality and are reduced to the appearance of generic perpetual oscillations of the ‘same’ moment (tick tock). Time, therefore, has three different aesthetic/ontological gears – two types of eternity (an elemental, vibrational one at the bottom, an eternal, synchronistic one at the top) and a range of unfolding semi-causality sandwiched in between.
As the crickets’ soft autumn hum
is to us
so are we to the trees
as are they
to the rocks and the hills.
   – Gary Snyder

A New Final Frontier

February 9, 2014 3 comments

If Dark Matter and Dark Energy represents 96% of the “known” universe, even if it paradoxically turns out that we know virtually nothing about it, what other kinds of ratios-in-ignorance lurk as shockingly in our self-significant lives? – Quora Question

There are 23% of Dark Matter and 73% of Dark Energy.

Next time that you are in room with another person, take a moment to realize what that room looks like from the other person’s perspective. Imagine being that person and seeing the room from their perspective. Now imagine that moment in which you are imagining yourself as them as a fleeting instant in their lifetime in which your presence is all but completely unnoticed. Understand that moment is, for them, only one of an eternity of moments of a life completely other than your own.

The degree to which their age, gender, cultural identity and personal experience differs from your own is the degree to which the life they have been living is different from your own – different views of history where different events are weighted differently in significance. Events which are historical to you are, for an older person, events in their own lives which have not entirely passed, but rather live on as changes which happen to no longer be present, but whose influence can be traced through their future, backwards.

Now extend this expectation of other lives to animals and plants, no matter how small, to cells, and perhaps even to genetic histories, to chemistry and physics. Histories and perspectives so alien that the smallest hydrogen nuclei have more in common with the largest stars than they have differences, and measures of time become liminocentric, with the infinitesimal moment blurring into the astronomical eternity, and the blasting of singular furnace of mass into hypercardinal intergalactic multiplicities is divided up into all-but-infinite fractals of all-but-infinite moments of multisense realism. Each moment, each perspective a holographic reflection of itself within the fisheye reflection of the whole that it embodies. Each perspective is bound to a private cache of evanescent histories, transparent and shifting in the changing light of the mood and the moment.

What we don’t see of the universe, by virtue of the limitation of our perceptual tunnels as individuals, as humans, as animals and organisms…what we don’t see of each others experience and of the experience on scales beyond that of organic life dwarfs the ratio of dark energy. What is elided from our experience and possible experience is the true final frontier.

The Opportunity Principle

January 23, 2014 Leave a comment

A better way to model photons, and other elementary particles would be as opportunities for discernment. Instead of seeing them as entities whose measurement presents uncertainty to us, think of the uncertainty as the entity itself. The photon is like a cursor – it is present where the action is at the moment – it points to the moment, and to the opportunity for interpretation of the moment. Bosons and Fermions are not like forcers and forcees, but more like trails left behind from motivation etching sensation into sense.

Our experience of light is of that which enables visual sense. Vision is a mode of sensory presentation and representation based on aesthetic distinctions. Foreground/background, contrasting color qualities and intensities. Each photon should not be considered a physical phenomenon in its own right, but rather as a fragment of vision or sensation. It is not like a pixel, since the pixel requires an observer to be seen. The photon should not be thought of as a particle or a wave, but as a chance to detect and interpret. Whether we see a light or feel heat, whether it is part of an interference pattern or a collection of wholes composed of no parts, whether it is within our experience or beyond our understanding…all of these possibilities are presented at the elemental level. Each ‘particle’ is a window not just on the Totality, but on the self-masking, self-reflecting, transparency-augmenting nature of nature. The fabric of the universe is both certain, uncertain, and a participation in self-definition.

MSR: Perceptual Inertial Frames

January 3, 2014 Leave a comment

msr_pifs1

Colorball II Diagram

December 30, 2013 Leave a comment

Image

Key:
Absolute (+∞) :: Anesthetic (-∞)
Entelethetic (+3) ::  Hypothetic (-3)
Aesthetic (+2) :: Exthetic (-2)

Immediate (+1) ::  Etheric (-1)

Protosthetic (+0) :: Pseudethetic (-0)

The new terms in this second version are:

  • Protosthetic (+0), referring to the minimum quality of awareness as well as the quality of minimum awareness. On a scale of +0* to +∞, this level is the +0 because it represents experiences which have been aesthetically masked to appear imperceptible. This can be thought of as the personal unconscious, as opposed to the collective unconscious, which is the Absolute level that is positioned on top of the diagram, but is actually the entire sphere. It’s number would be +∞.
    The entire left half of the sphere can be thought of as a slice within the protosthetic range, just as the greyscale can be thought of as variations on black and white. 
  • Pseudethetic (-0) is the outside-in version of Protosthetic. Where protosthetic phenomena seem alienated or unconscious but are, on some level, a symptom of experience, pseudethetic phenomena are not as conscious as they appear to be. The -0 range is about artifice and simulation, and can include anything from a puppet or stuffed animal to a sophisticated AGI system. Protosthetic would include states in which we are personally unconscious, but can be thought of as that which wakes us up from a sub-personal level.
  • Exthetic (-2) is a term I’m trying out as the public-facing conjugate to Aesthetic. This is the common sense of structure that the real world generally seems to have. It is the sense of concrete exteriority which we rely on to engage with the world rather than in our mind. The sense of fixed mass objects in space and linear causality, and all of the other macroscopic cues that pervade classical physics, as well as all of the hard sciences.
  • Entelethetic (+3) is intended to refer to a level of hyper-aesthetic dreams, symbols, and archetypes. Also knows as the collective unconscious or  Dreamtime, this band of sensitivity is super-natural and trans-personal (yet still private). The word borrows from Entelechy, which has to do with a drive toward self-actualization, which is apt considering the visionary nature of this ‘third eye’ view.

Teleological-Absolute (+∞) :: Universal-Axiomatic (-∞)
Mytho-Poetic (+3) ::  Geometric-Algebraic (-3)
Mental-Emotional (+2) :: Scientific-Mechanical (-2)
Sensory-Motive/Perceptual (+1) ::  Electro-Magnetic/Relativistic (-1)
Proto-Aesthetic (+0) :: Quantum-Digital (-0)

The Lowdown on Empty Space and the Speed of Light

December 25, 2013 Leave a comment

Your task is to explain why are you trying to buck the mainstream view that space has qualities. I’m no acolyte of the mainstream but I do recognize the need to explain deviations therefrom. It so happens that there are good reasons why today’s view is that empty space has physical qualities. The main shortcoming of the mainstream view, from my viewpoint, is the artificial and unnecessary light speed speed limit. Einstein hypothesized a universe with such a limit without ever even suggesting why such a limit makes any sense. And the problem is: it doesn’t.

I think that Einstein hypothesized a speed limit in the universe because he understood or intuited that speed itself is a continuum between stillness and the opposite of stillness, rather than an unbounded scale. He saw that light does not behave like anything else – that it had properties which made it unlike things which can accelerate. Velocity is (not unrelatedly) like ‘straightness’ – there is an upper limit on how straight something can be, how little something can weigh, and the extent to which a signal can be unambiguously present or absent at a given location at any given moment.

What he did not see, IMO is that light is only one kind of signal – one way that the universe makes sense of itself. The speed of light is the speed of space, or perhaps, the speed of ‘here’, and it scales up in proportion to larger scaled ‘here’s. Light, or ‘sense’ or ‘universal public signal’, actually has no speed at all, unless you mix reference frames and thereby measure a large frame from a small one. The degree to which light has a speed is the ratio between the scale of the measurer and the scale of the measurement.

The mainstream view that space has qualities makes perfect sense when we misunderstand and overlook the role of sense in signal production. Rather than extending the relation that living things have with light (or sound, smell, thought, etc) to the microcosm, we have so far only consider the *apparent* relation that non-living things have with each other, which is limited to touch. We have yet to entertain the notion that microphysical phenoemena are, in some sense, seeing each other and signaling each other directly, and thereby creating ‘space’ and ‘time’ on the macrophysical level, from our perspective. From the microphenomenal level, it might appear just the opposite, that spacetime is being created from above, on higher levels. Both are probably true and untrue to a similar extent.

There is no reason to believe that space has properties except to maintain the assumption that physical processes are unconscious and isolated. When we hold that belief, we are forced to take a phenomenon which is transdimensional, and flatten it into a finite number of topological fields in which forms can touch each other directly. That’s a great way of doing the math so that we can predict and control the conditions of (relatively) inanimate objects, but it falls apart when we try to include more subtle sense-making phenomena.

I’m fully aware, of course, that this is a radical conjecture. My position is not that this is a complete theory or that I know how it must work, but that it is a theoretical possibility which could work, has not been explored, and should not contradict any observation of physics made thus far

Perspectives on Gravity

October 11, 2013 10 comments

“The universe is shaped exactly like the Earth,
If you go straight long enough you’ll end up where you were.” – Modest Mouse

Science

Newton conceived of universal gravitation as a ratio of mass to distance.

“…every point mass in the universe attracts every other point mass with a force that is directly proportional to the product of their masses and inversely proportional to the square of the distance between them.”

Einstein revolutionized classical gravity with General Relativity, merging space with time and formulating the equivalence of mass and energy. Rather than a rigid Cartesian plenum of 3-D space and a one dimensional timeline, Einstein saw a flexible, four dimensional ‘mollusk’ of spacetime contoured by the relations of matter and energy. GR, along with Special Relativity, made the universe a much stranger place, with time dilation, black holes, the relativity of simultaneity, and the constancy of the speed of light as a universal absolute.

Since quantum theory begins at the other end of the cosmological continuum of size, there has been a continuity problem between sub-nuclear physics and astrophysics. Quantum doesn’t match up with relativity very well, so the quest to find a bridge between the two has been a prominent open question for contemporary physics.

Here are a some brief signposts along that highway between QM and GR:

Quantum Gravity:

In most, though not all, theories of quantum gravity, the gravitational field itself is also quantized. Since the contemporary theory of gravity, general relativity, describes gravitation as the curvature of spacetime by matter and energy, a quantization of gravity seemingly implies some sort of quantization of spacetime geometry. Insofar as all extant physical theories rely on a classical spacetime background, this presents not only extreme technical difficulties, but also profound methodological and ontological challenges for the philosopher and the physicist. Though quantum gravity has been the subject of investigation by physicists for over eighty years, philosophers have only just begun to investigate its philosophical implications.

Gravity makes quantum superposition decohere into classical physics.

Weak gravitational waves that fill the Universe are enough to disturb quantum superpositions and ensure that large objects behave according to classical physics. […]  Many theorists now believe that macroscopic superpositions, in which numerous quantum components must maintain a precise relationship with each other, are disrupted by continual environmental influences. Such disturbances, acting differently on each component of a superposition, “decohere” it into a classical state that is, say, dead or alive, but not both. Even a system as small as an atom requires extraordinary protection from stray electromagnetic fields in the lab to remain in a superposition. Since gravitational fields are both pervasive and inescapable, researchers have proposed that they play a fundamental role in ensuring that macroscopic systems behave in a classical way.

Hamiltonian Chaos:

We confirm, in this context, that the dynamics of a Brownian particle driven by space-time dependent fluctuations evolves towards Hamiltonian chaos and fractional diffusion. The corresponding motion of the particle has a time-dependent and nowhere vanishing acceleration. Invoking the equivalence principle of general relativity leads to the conclusion that fractional diffusion is locally equivalent to a transient gravitational field. It is shown that gravity becomes renormalizable as Newton’s constant converges towards a dimensionless quantity.

Dark matter

Modified Newtonian Dynamics (MOND) were proposed to explain the galaxy rotation problem. Unexpectedly, when it was first observed, the velocity of rotation of galaxies appeared to be uniform: Newton’s theory of gravity predicts that the farther away an object is from the center of the galaxy it belongs to, the lower its velocity will be (for example, the velocity of a planet orbiting a star decreases as the distance between them increases). These observations gave birth to the idea that a halo of invisible stuff was surrounding each galaxy: dark matter.

Losing singularity:

In this new model, the gravitational field still increases as you near the black hole’s core. But unlike previous models, this doesn’t end in a singularity. Instead gravity eventually reduces, as if you’ve come out the other end of the black hole and landed either in another region of our universe, or another universe altogether. Despite only holding for a simple model of a black hole, the researchers – and Ashtekar – believe the theory may banish singularities from real black holes too.

Metaphors and Symmetries

Switching gears from the scientific sense of gravity to the personal sense, there are some worthwhile themes to explore. The etymology of gravity links heaviness with seriousness. Gravity relates to grave, and groove. Digging ditches and engraving (scratching). The association with burial and death probably accounts for the connection from grave to words like serious, severe,  and swear. The idea of a sworn oath or an engraved ring relates to a sense of a permanent pledge. There is an intent to hold on steadily against all odds, or all distraction. The root of swear crosses over to answer also – a hint that ‘saying’ something out loud can have serious or permanent consequences.

Serious or grave subjects are often called ‘heavy’ or ‘dense’ while frivolous topics are ‘light’ or refer to things which are airy (fluff, puff pieces). Insubstantial or insincere talk is ‘blowing smoke’. Both the literal and figurative meanings of heavy (literal = heavy weight; figurative = heavy important) have light as an antonym, but it is light in two different figurative senses. The antonym of the literal sense of light is dark, which comes back around to gravity in the form of black holes, where the intensity of gravity does not allow light to escape. It could be said that a black hole is a star’s grave.

Under the influence of gravity, weight, density, and pressure increase. Movement becomes more difficult and slow. More power is required to exert the same force. Metaphorically there is a lot of crossover – feelings of stress are compared to being ‘under a lot of pressure’ is associated with risk or powerlessness. Resistance and inertia figure in, as does entropy. Under pressure, time becomes more valuable, and the tolerance for distractions (nonsense), is lowered. Ideally, the significance of the goal should be worth the effort. Monumental investments expect monumental results.

If electromagnetism is the ‘Spring ‘ of matter’s energy, then gravity is its Fall.  If energy is a fountain which lights the matter into significance, then gravity is the drain which flattens entropy and reverses its disposition into a one dimensional, time slowing presence – mass. Said another way, gravity is the metabolism of spacetime, and the embodied force of entropy.

Entropic Force:

Dr. Thanu Padmanabhan of the Inter-University Center for Astronomy and Astrophysics in Pune, India said Gravity  “is the thermodynamic limit of the statistical mechanics of “atoms of space-time.”

Erik Verlinde, 48, a respected string theorist and professor of physics at the University of Amsterdam, is quoted as saying that gravity is “entropic force.”

Gravity’s symmetry with electromagnetism extends to the metaphysical. The etymology of the words burden and bear go back to the word for ‘birth’. Themes of give and take, and birth and death, wrap around each other. The idea of curvature, of entropy statistically evening out odd statistics and jagged exceptions is an expression of magnitude and relativity. The pull of gravity doesn’t make things spin or orbit, but since the number of velocities that a body can have is so much greater than the number of ways a body can be stationary, entropy ensures that most everything is moving somewhere, and gravity pulls light things close to heavy things faster than heavy things are pulled to light things, causing the lighter moving thing to wrap its path around the heavier mass in an ellipse.

With a black hole, and on Earth, gravity and entropy suggests a connection to loss and absence. Ultimately, gravity shows that even absence turns back on itself, since it can only ever be the sense of its own absence – the presence of the absence of presence. Sense can only diminish relative to itself, it can only appear to be slow or missing by comparison. Gravity is about falling, collapsing, and squeezing the space and time out of incidents to make them co-incidents with shared inertia. Gravity is the force of pseudointentionality, the entropy of entropy. If perception elides its blindness and entropy to concentrate significance, gravity elides in the opposite way, through quantitative density. Anomalies are crushed and drowned into smooth curves until they explode. Stars explode into clouds which collect into other stars, scars of stars, and galactic spiral clouds of stars.

Are teleonomy, evolution, entropy, and gravity the same thing? If electromagnetism and energy represent uniqueness and creativity on every level, gravity and entropy are a statistical rounding off of all of that uniqueness across all the inertial frames. It settles everything into hierarchies of magnitude on the outside and figurative scales of greatness (importance) on the inside.

Extra Credit

Gravity isn’t directly related to time. Although much our timekeeping is modeled after astronomical cycles, neither the rotation of the Earth nor its heliocentric orbit are caused by gravity alone. It seems easy to mistakenly guess that planets have gravity because they spin, as if it were some kind of centripetal force, but the gravity would be almost the same if Earth were not spinning, and gravity itself is not causing the spin in the first place. What we think is that planets condensed from moving clouds of cosmic debris, and when they become smaller, the motion becomes faster (conservation of angular momentum, like a figure skater pulling their arms in for the faster spin).

As far as gravity is concerned, the Earth and Sun only need be drawn together, all orbits, spins, and tilts in the solar system are the residual effects of the events which initially accelerated the cloud of matter into motion or changed its direction. The tilt of the Earth is thought to be the result of collisions with other massive objects during its early history. Without the tilt, you would have no seasons as every position of the Earth’s orbit would produce no noticeable difference. Same with the spin. Gravity doesn’t care if the Earth spins or not.

What gravity does do for time is provide conditions of relative permanence that would not exist otherwise. Without gravity we could still keep track of cycles of time, but they would be forever be changing completely as our view of the universe changes permanently from a non-orbiting planet hurtling aimlessly through space. Gravity provides a frame of circularity which allows greater degrees of order in our perception. Gravity doesn’t make time, but it makes it more relevant.

Pedagogy of the Anti-Miraculous

October 8, 2013 Leave a comment

Possibly it is not that our human experience is derived from mechanical fundamentals, it is merely customized, and it is customized because experience can be understood as customization itself. Every moment that we live in and live through is tailor-made for “us”, not just as individuals, but as also as the living history of all that has gone before us. “We” are an influx of proprietary relativism against a backdrop of the same, but twisted 180 degrees so that it is a representation of its opposite.

If private sense is the experienced ratio of all that is directly historical to the self against all that is indirectly historical, then its opposite would be a sense of public generality and fundamentalism in which privacy is granulated and diagonalized into oblivion. We call this diagonalization entropy, where all that has form and function begins to break down and decay before our eyes, while its continuous replenishment leads and follows behind our backs. The idea of emulation is to escape entropy by building a conscious machine from generic digits. It is to build the driver of a car from the car’s exhaust.

As our consciousness does its job of tuning us in to a personalized and familiar experience, the unseen effect is that we are tuned out to the unfamiliar by perceptual approximation. That which is unique is elided and generalized. When we look casually at a thousand oranges, we can’t tell them apart. Each one is, from an absolute perspective, a unique and unrepeatable event in the universe, but because we cannot identify with a fruit tree’s experience, it becomes just ‘an orange’ to us. Behind the absolute uniqueness of every experience is uniqueness itself – an impossible improbability which teases itself into a kind of self-hypnosis of pantomimed multiplicity and repetition.

That which is initiated manually as custom intent is reverberated back to us in countless extensions, each conspiring with the other to effect a consensus in the image of futility. The universe’s mute response, “the silence of God” is, surprisingly, evidence of our own prominent exception to the rule of indifference. Our struggle against entropy, as individuals and as living ecosystems dating back to the Pre-Cambrian is in stark contrast to the representation of all that is public. That we can tell the difference is the difference. That we can sense and make sense is not just a miracle, it is the miracle which makes the appearance of ordinary possible. It is through that appearance that we can forget the past, while still remembering it, and build new worlds without risk of repeating ourselves exactly.

The trick is to rig the reflection so that it hides the absolute truth, so that the miraculous appears ordinary and generic and the proprietary appears as an unexplainable fluke.

Pink Floyd, Money

September 18, 2013 Leave a comment

Delving deeper into the Non-Well-Founded Identity Principle that I proposed earlier, here is an illustration which applies the principle to money – US dollars specifically.

metamoney

What I intend to show is that a dollar is defined by the integral which spans a continuum from the most literal (a dollar “simply is” one hundred cents) to the most figurative. The most figurative end of the continuum is another continuum – an orthogonal continuum which contains the entire top level continuum from what is meant literally as one hundred cents to every other meaning, association, context and contingency, from every perspective, throughout eternity.

metamoneykey

This stack of figurative extensions can yield many loose morphological analogs – electron shell type morphology, stepped pyramid, color wheel mandalas, etc. The closest figures to associate with the dollar would be other kinds of currencies: Euros, Deutschmarks, Yen, etc. These are all of the things which are like dollars, but not dollars, and which dollars can actually buy. The associations radiate out from there to include references to any transaction with dollars. Ultimately this would stretch to encompass any real or imagined transaction which has ever occurred, every transaction which could occur, or could not occur…until the set includes the entire contents of eternity (aka, the Absolute Inertial Frame, or the Totality*).

 

Once you recover from that (seriously, come back later…I have already had one person say they got a headache thinking about this), then have a look at the diagram below. Same thing, only from the Absolute perspective. Borrowing from the Dark Side of The Moon Prism, I attempt to show how the cosmos is the continuum of self-individuating, nested, Ouroboran Monism. Rather than the Blue Sky icon representing the Totality, it represents any individual thing as a generic presence.

darkside_primordial

In the top diagram, I show how the individuality of a dollar implies the figuratively nested Totality, and in this diagram, it is the Totality which is considered the individual identity which is spread across the continuum of its own absolutely individuated cardinality or literal granularity.

Another point to make about the continuum is that the bottom limits of the integrals represent both that which is common to each and every unity. The cents which ‘make up’ a dollar represent the quantitative definition which describes any particular dollar, and therefore all dollars. The top end of the integrals represent the opposite definitions – that which is increasingly unique to a particular event in time or associated with a unique group of less particular experiences (qualia, concepts).

You’re welcome 😉

 

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