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On 0.999… being equal to 1
We can revise our understanding of numbers such that each number is not a noun but a verb. The numerical value comes not from the digitization, which is only a snapshot representation, but from the act of counting. In other words, quantitative value may ultimately require a direction of flow. In this case, the “…” refers to a positive direction of flow that is unbounded so that it must be considered identical to the value that it reaches by its own definition.
All numbers are parts of a continuum and therefore always ‘almost’ the previous and successor numbers just as orange is defined as the color between almost red and almost yellow.
One interesting possibility from making this fundamental shift is that zero could be understood as an imaginary number between two real numbers “-0.000…1” and “0.000…1”.
Once we have that, we no longer need to see numbers as digital entities added on top of nothingness, but as diffraction bands breaking the continuity of a fluid spectrum of ‘everythingness’. Numbers do not connect to form wholes, they break wholes into parts. This has enormous consequences for our understanding of existence, consciousness, and AI.
This Is Not A Pipe (But it is a triangle)
The physical semiconductor mechanism which computes this triangle contains nothing triangular.
The neurological tissue and the patterns of their chemical excitation which correlate with the experience of seeing a triangle also contain nothing triangular.
The triangle exists because there is a visible phenomenon presented. The visible phenomenon is not a concrete physical object, nor is it an abstract mathematical concept.
The common sense which unites the semiconductor, the neuron, the triangle, and the mathematical/geometric model of triangularity is not a sense which can be physically located in public space, nor can it be logically demonstrated as a proof within the intellect. The common sense which underlies them all is the aesthetic presentation itself.
Gödel of the Gaps
So much of our attention in logic and math is focused on using processes to turn specific inputs into even more specific binary outputs. Very little attention is paid to what inputs and outputs are or to the understanding of what truth is in theoretical terms. The possibility of inputs is assumed from the start, since no program can exist without being ‘input’ into some kind of material substrate which has been selected or engineered for that purpose. You can’t program a device to be programmable if it isn’t already. Overlooking this is part of the gap between mathematics and reality which is overlooked by all forms of simulation theory and emergentism. Without some initial connection between sensitive agents which are concretely real and non-theoretical, there can be no storage or processing of information. Before we can input any definitions of logical functions, we have to find something which behaves logically and responds reliably to our manipulations of it.
The implications of binary logic, of making distinctions between true/go and false/stop are more far reaching than we might assume. I suggest that if a machine’s operations can be boiled down to true and false bits, then it can have no capacity to exercise intentionality. It has no freedom of action because freedom is a creative act, and creativity in turn entails questioning what is true and what is not. The creative impulse can drive us to attack the truth until it cracks and reveals how it is also false. Creativity also entails redeeming what has been seen as false so that it reveals a new truth. These capabilities and appreciation of them are well beyond the functional description of what a machine would do. Machine logic is, by contrast, the death of choice. To compute is to automate and reduce sense into an abstract sense-of-motion. Leibniz called his early computer a “Stepped Reckoner”, and that it very apt. The word reckon derives from etymological roots that are shared with ‘reg’, as in regal, ruler, and moving straight ahead. It is a straightener or comb of physically embodied rules. A computer functionalizes and conditions reality into rules, step by step, in a mindless imitation of mind. A program or a script is a frozen record of sense-making in retrospect. It is built of propositions defined in isolation rather than sensations which share the common history of all sensation.
The computing machine itself does not exist in the natural world, but rather is distilled from the world’s most mechanistic tendencies. All that does not fit into true or false is discarded. Although Gödel is famous for discovering the incompleteness of formal systems, that discovery itself exists within a formal context. The ideal machine, for example, which cannot prove anything that is false, subscribes to the view that truth and falsehood are categories which are true rather than truth and falsehood being possible qualities within a continuum of sense making. There is a Platonic metaphysics at work here, which conjures a block universe of forms which are eternally true and good. In fact, a casual inspection of our own experience reveals no such clear-cut categories, and the goodness and truth of the situations we encounter are often inseparable from their opposite. We seek sensory experiences for the sake of appreciating them directly, rather than only for their truth or functional benefits. Truth is only one of the qualities of sense which matters.
The way that a computer processes information is fundamentally different than the way that conscious thought works. Where a consistent machine cannot give a formal proof of its own consistency, a person can be certain of their own certainty without proof. That doesn’t always mean that the person’s feeling turns out to match what they or others will understand to be true later on, but unlike a computer, we have available to us an experience of a sense of certainty (especially a ‘common sense’) that is an informal feeling rather than a formal logical proof. A computer has neither certainty nor uncertainty, so it makes no difference to it whether a proof exists or not. The calculation procedure is run and the output is generated. It can be compared against the results of other calculators or to employ more calculations itself to assess a probability, but it has no sense of whether the results are certain or not. Our common sense is a feeling which can be proved wrong, but can also be proved right informally by other people. We can come to a consensus beyond rationality with trust and intuition, which is grounded the possibility of the real rather than the realization of the hypothetical. When we use computation and logic, we are extending our sense of certainty by consulting a neutral third party, but what Gödel shows is that there is a problem with measurement itself. It is not just the ruler that is incomplete, or the book of rules, but the expectation of regularity which is intrinsically unexpected.
One of the trickiest problems with the gap between the theoretical and the concrete us that the gap itself is real rather than theoretical. There can be no theory of why reality is not just information, since theory itself cannot access reality directly. Reality is not only formal. Formality is not real. There is a bias within formal logic which favors certainty. This is at the heart of the utility of logic. In mathematician Bruno Marchal’s book “The Amoeba’s Secret”, his view on dreams hints at what is beneath the surface of the psychology of mathematics. He writes
“What struck me was the asymmetry existing between the states of dreaming and of being awake: when you are awake, you can never be truly sure that you are. By contrast, when dreaming, you can sometimes perceive it as such.”
Surely most of us have no meaningful doubt that we are awake when we are awake. The addition of the qualification of being “truly sure” that we are awake seems to assume that there is a deeper epistemology which is possible – as if being awake required a true certainty on top of the mere fact of being awake. To set the feeling of certainty above the content of experience itself is an inversion; a mistake of privileging the expectations of the intellect over the very ground of being from which those expectations arise.
Likewise, to say that we can sometimes perceive our dreaming in a lucid dream is to hold the dream state to a different epistemological standard than we do of being awake. If we could be awake and not really be sure that we are, then certainly we could think that we are having a lucid dream, but could be similarly misinformed. We could be dead and living in an afterlife from which we will never return or some such goofy possibility. Mathematical views of reality seem to welcome a kind of escapist sophism which gives too much credence to rabbit holes and not enough to the whole rabbit.
That we sometimes tell when we are dreaming means only that we are more awake within our dream than usual – not that our usual awareness is any more true or sure than it ever is. If we are uncertain in waking life and certain in dreams, it is because our capacity to tell the difference is real and not a dream or theory. There is no way to prove that we are awake, but neither is there any need to prove it since it is self-evident. Any proof that we could have could theoretically be duplicated in a dream also, but that does not mean that there is no difference between dream and reality. The difference is more than can be learned by ‘proof’ alone.
Esoteric Number Sets
I made this sound really opaque, but all it consists of is reorganizing the sets of numbers so that it begins with the simplest number (1) and progresses through variations on the theme of one-ness. These variations would be ratios, i.e. fractions, only I’m conceiving of them as more like the feeling of a specific fraction rather than a definitely named number. The feeling of ‘half’ would precede the concept of 1/2, so that the number 2 would be derived from feeling of “one half and the other”. Ok, it’s becoming opaque again, but what I’m going for here is flipping our view of number sets around so that the continuum of numbers is not taken as a space that is filled up with Platonic object generation, but one of a sense-making awareness subtracting and ratios of itself within itself. In this way, multiplication is really a division of (1), and division is a multiplication of those divisions.
The above diagram is borrowed from Math is Fun.
Natural Numbers
Integers
Rational Numbers
Real Numbers
Imaginary Numbers
Complex Numbers
If we begin from a primordial pansensitivity model, the entire sense of enumeration would be included as an element. That element is shown below as the number 1.
I see the ability to hold multiple numbers against each other in conceptual space as rationality. Rational numbering (Q) is more of a verb, situated between the transcendental sense of unity and the enumerated sense of static multiplicity, represented by the Natural numbers (N).
This effectively turns the number set relations inside out, so that all numbers are seen to diverge from an intuitive simplicity, and progress into nested complexity and abstraction. Negative numbers extend the natural numbers to Integers (Z) through a numberline concept in which 0 is treated as a kind of mirror. Imaginary numbers, Complex, and Reals take advantage of the original rationality (Q) and its nesting, reflecting, elaborations. In this diagram, the number 0 is a Natural number apart from all others, indicating its status as the representation of the complete absence of (1) within (1).
Trial Epilogue on MSR
In the course of writing about Multisense Realism, I have had the unusual experience of discovering what my influences have been without having ever been directly influenced by them. As a whole, MSR seems to unintentionally brings together concepts common to Relativity, Semiotics, Depth Psychology and Hermetic Philosophy and applying them to the problems of consciousness. In these ideas I have found breadcrumb trails leading back to Whitehead, Leibniz, Deleuze, and Spinoza among many others all the way back to the Axial age. I have been accused of being Aristotelian, Hegelian, postmodernist, Creationist, solipsist, Chalmers-ite, and a Chopran, but in truth, my view can find strong agreement and strong disagreement with almost every slant on physics, philosophy, and phenomenology. MSR points to a tessellated monism of relative absolutes and relative relatives. Here then is an attempt to encapsulate a more objective view of this view and how it fits in to the larger perspective of current models.
Privilege and Privacy
The concept of ‘frames of reference’ is used in Relativity for making objective predictions about the physical universe, but it hinges on the assumption of perspectives which, as far as I can imagine, are possible only when defined by subjective awareness of some kind. How can there be a perspective without some experience in which that perspective is presented?
In physics, the observer is a one dimensional vector, whose only function is as a fixed-point receiver of various coordinated conditions. The Berkeleyan in me calls a foul on that, since we have no evidence that any such abstract receiver can exist without some form of perception – some mode of sensory relation is assumed for the observer but it is not acknowledged. The mode of observation itself is unrecognized and overlooked except for a generic, and typically pseudo-optical fact of a means of relating factual data from a distance. What has been proposed here is that without some specific modality of concrete aesthetic experience, the notion of relativity quickly becomes incoherent. Contemporary physics assume properties and positions, but overlooks the necessity for a method of detection and comparison in the absence of sensory awareness. The question is how, if not through some form of conscious appreciation, some multiple of ‘sense’, can a frame of reference come to privilege itself as ‘here’ rather than ‘there’ or ‘now’ rather than ‘then’? What, in physical or functional terms, accounts for ‘privilege’, and it’s more familiar human expression ‘privacy’?
To answer that question, one approach that I have stumbled upon is to conceptually reverse existing models. Instead of particles in a void, think of dynamic bubbles in a plenum, or ‘whorlicles’. Instead of a literal plenum or field, think of a range of sensory acquaintance – a figurative anti-field in which the entropy of spacetime disentanglement is collapsed..
Applying this inside-out cosmology to mathematics, the number zero can only be a local temporary condition which can only exist between disconnection from and reconnection with the whole. Zero is the idea that something has about the absence of everything. If that’s true, then the underlying default-state of all nature that is not ‘nothingness’ a centering self-attraction. The Cartesian grid of spacetime becomes a polar graph which dissolves substance dualism.
From this trick of turning math and physics assumptions on their head, a primordial identity which I call ‘pansensitivity’ can be imagined. Pansensitivity is neither a physical form nor mathematical function, not an immaterial process, but a capacity through which forms and functions are aesthetically appreciated. It is the foundational possibility for sanity as a sole reality through which all other continuations can possibly arise.
Both physics and math overlook the role of aesthetics/participation. If we ask why, it could be because they are about answering questions within the world or beyond the world, rather than questioning worldliness itself. Math-physics begins with the axioms given that there simply must be a such thing as a force or quantities. It is never seriously asked whether these givens can exist independently of some context of sensitivity.
This perspective is not wrong, and is entirely sensible given the purpose of math and physics to bring certainty and order to our understanding and control of the world. ‘Shut up and calculate’ works for physics because it never has to deal with conditions that are outside of sense. If we can’t get ever get away from consciousness, then consciousness is zeroed out. It is only when we want to question what it is that we can’t get away from that the axioms of objectivity must be challenged. Also we must consider that if it were possible that computations and physical interactions could occur entirely as objects, without awareness of any kind, then it begs the question of why it would ever be the case that awareness would or could arise at all.
While the human intellect presents an aesthetic context which feels Platonically ‘pure’ to us in the forms of logic and language, there is nevertheless an experience of what it is like to think and figure out calculations. Despite our enthusiasm for the transparency of the medium of scientific thought, we can understand that this purity is ultimately an illusion as well. If our consciousness is nothing but deterministic physical activity being shaped by evolutionary selection, then our scientific axioms can be no better. Either we have to admit that our scientific objectivity is predicated on our sense capacity and those of the instruments which we employ, or we have to admit that our sense capacity has some access to a world which genuine and not a solipsistic simulation.
Oppositivism
Pivoting from logical positivism to aesthetic ‘oppositivism’ may seem absurd, but it is not without precedent. The appeal of opposites and symmetry, especially in association with consciousness and cosmos is widespread.
The opposite of a great truth is also true – Niels Bohr
That which is below is like that which is above & that which is above is like that which is below to do the miracles of one only thing – Isaac Newton’s translation of the Tabula Smaragdina.
It would seem an unlikely coincidence that so many foundational concepts have to do with opposites. From the periodic table (proton v electron) to parts of speech (nouns v verbs), we see the same expression of aesthetic contrast. It is no surprise that within Philosophy of Mind too there is a core opposition that the idealist has against the materialist and vice versa. Taking my cue from Bohr, I sought to turn the dichotomy of subject and object inside out. Instead of a seeing either an illusory subject in an objective world or a transcendental subject in an illusory world, I propose a Multisense Continuum in which subjectivity and objectivity are co-variant qualities which rise, fall, and find elaboration in nested frequencies of participatory sense. I found that there are simple relations between scale and speed that point to a possible way of scientifically accessing top-down diffraction as well as bottom-up combination.
The technique of aesthetic reversal is shown here being applied to some current science-based theories about consciousness:
IIT
Giulio Tononi’s IIT (Integrated Information Theory) posits consciousness as integrated information. Flipping that to the opposite, we can come up with something like Disintegrated Qualia, assuming my definition of information as the antithesis of qualia. I see ‘information’ as the interqualitative protocols which pansensitivity has developed to separate and reunite itself.
At first, the notion of disintegrated qualia might seem incoherent, however, when we look to the experience of how consciousness is instantiated, there does seem to be something interestingl. Waking up, or being startled into attention is an arresting begins by breaking off of a previous state of awareness (or unawareness). Before we can receive new information about what has captured our attention, the capturing itself occurs as an incoherent encounter; a brief reduction of sanity and control. Integration may be an accurate description of how consciousness functions from an outside perspective, but the subjective experience of disintegrating or dissolving qualia is an interesting way to describe the other half of the story – the subjective half. When we meditate we try to minimize the amount of information and qualia, and we feel intuitively that this is what opens us up to be *more* conscious rather than less.
Infancy and dementia are characterized by delirious qualia which do not merely lack the power to inform truthfully, but take on an otherworldly aesthetic. Insanity is feared not only for the consequences of rational malfunction, but for the fear of losing the sense of self and the world upon which all value depends. Psychosis is a profound dislocation of the frame of reference, but rather than dismissing the fact of mental illness as off-limits to a rational inquiry into consciousness, we should see the extreme alteration of consciousness as the supercollider or telescope of phenomenology.
The disintegration of qualia describes what it is like to experience the beginning and ending of awareness, where a frame of reference is raised to become privileged. Part of the privilege of private consciousness is to control this raising to some extent, or at least to participate in developing that control. As a complex organism, we have multiple levels of privacy and publicity. The human envelope of awareness extends from irresistible urges to relatively free-form imagination, with a whole spectrum in between. There is indeed an integration of information going on, but it can also be seen as the breakdown of a gestalt sense experience into multiple dimensions and modalities.
The measure used by IIT for the quality of consciousness is Φ (phi), which is a measure of qualia space in which probabilities of system states can be mapped as positions. Turning that upside down could add an anti-phi (-Φ) in which qualia is conceived of as improbable or unprecedented dispositions…gestalt phenomena which are both novel and irreducible. Rather than qualities which are emergent from local connections and system states, the anti-phi qualities are divergent from the interference pattern between that which is eternal and that which is unrepeatable.
A song is both an integration of notes, and a reflection of the zeitgeist or collective experience. Where phi is measured in the context of qualia space, anti-phi measures qualia as a spaceless, timeless ‘pinching’ of the totality into a focal presence. The anti-phi is a measure of the degree of aesthetic prestige and significance for the sake of its own appreciation. It is through this aspect of qualia, this ‘dark math’ value which the non-local can be encountered and re-encountered in some likeable likeness. Instead of being built up from scratch, the anti-phi of qualia is diffracted or sculpted out of disintegrated/unbound pansensitivity. Spacetime serves to freeze the dreamtime of the totality, make it real, and use it to build richer qualia upon.
Orch OR, Penrose, and Fermat’s Last Theorem
Adding the reversal technique onto Stuart Hameroff and Sir Roger Penrose’s Orchestrated Objective Reduction can yield similarly interesting results. The opposite of an Orch OR could be described as a “Subjective Inflation” which is “de-orchestrated”. What the hell does that mean? I’ll tell you. A subjective inflation can be thought of as the stretching of the fabric of the sense of the universe so that there can exist a difference between ‘here and there’, and ‘now and then’, a difference which physics does not seem to be able to locate. What happens during a wave-function collapse is, in addition to being felt as a Bing! of awareness, can also be described from the subjective end as a dilation of privilege which is aesthetic and qualitative. De-ORchestration can be thought of as free will – the individuation of proprietary time against a backdrop frame of generic-universal spacetime. The Orch OR explains what role subjectivity plays in the world from an outside perspective, but the De-Orch SI explains what role the creation of realism plays for the interior perspective.
In Penrose’s interpretations of Gödel’s incompleteness he says:
The inescapable conclusion seems to be: Mathematicians are not using a knowably sound calculation procedure in order to ascertain mathematical truth. We deduce that mathematical understanding – the means whereby mathematicians arrive at their conclusions with respect to mathematical truth – cannot be reduced to blind calculation!
This was echoed in the poster presentation at the TSC conference from James Tagg, in which he made the point of non-computability concrete by applying the spirit of Penrose’s conclusions to compose music based on Sir Andrew Wiles’ proof of Fermat’s Last theorem. Because Hilbert’s 10th problem was answered negatively (by Yuri Matiyasevich in 1970), there is a discrepancy between the proof that no general algorithm can exist to solve Fermat’s last theorem and the fact that a human mathematician was in fact able to resolve it. To resolve that discrepancy, it seems reasonable to conclude that Wiles solved the theorem using methods that go beyond a general algorithm. To quote Tagg:
The existence of creativity within our Universe leads to important consequences for the structure of that Universe. To be creative we must process information within our brains using non-computable and therefore non-deterministic ‘software’. Such ‘software’ must run on non-deterministic ‘hardware’ through all the layers of abstraction, otherwise you could simply examine the more abstract model and determine what the lower layers are going to do. If humans run creative ‘software’ within their brains, the ‘hardware’ of the Universe must be non-deterministic.
Geoffery LaForte’s criticism of the Penrose-Lucas interpretation typifies the reaction against non-computational arguments. In his conclusion, he writes:
Theorems of the Gödel and Turing kind are not at odds with the computationalist vision, but with a kind of grandiose self-confidence that human thought has some kind of magical quality which resists rational description. The picture of the human mind sketched by the computationalist thesis accepts the limitations placed on us by Gödel, and predicts that human abilities are limited by computational restrictions of the kind that Penrose and others find so unacceptable.
I think that the language here exposes, ironically, an agenda in the service of impersonality in science which is highly emotional and personal (and unscientific). The essence of the objections found in LaForte’s paper are that we cannot prove our own consistency mathematically, so that somehow Penrose’s authority to affirm itself is more objectionable than his own authority to attack itself. What is mistaken for a ‘grandiose self-confidence’ is, in my view, no more than a minimum level of self-trust.
To say that all that resists rational description is magical is itself a petito principii fallacy, in which a foregone conclusion of universal determinism is itself used as the only support for a deterministic view of Gödel. What is overlooked is the fact that any argument against the consistency of human intuition is also an argument against that argument itself. It is to say, “I know with certainty that I cannot know anything with certainty”. That statement is a Gödel sentence whose absurdity oddly never occurs to LaForte as far as I can tell. What results is a straw man of the Penrose position in which human consciousness is reduced to a toy model.
In this toy model of determinsm-mechanism, the myriad of different aesthetic layers and modalities of human awareness are conflated into a single, unreliable process of computation rather than a fundamental creative context in which all notions of reliability are conceived in the first place. Daniel Dennett and others commit a similar mistake when they point out the limitations of perception (optical illusions, change blindness, etc) rather than the overwhelmingly consistent baseline of verdical perception from which we form such expectations. This rather aggressive approach forces line of demarcation such that all perceptions must be either true data from the outside world or solipsistic confabulations. My interpretation is precisely the opposite and can be understood through that opposition. MSR proposes the idea that consciousness and cosmos are a continuum of aesthetic presentation which range between high-amplitude metaphors (semi-local/semi-dual) and low-amplitude semaphores which have strictly contained meaning (thermodynamically irreversible, binary dualism, absolutely local or non-local axiomatic).
Early on in the paper, LaForte asks rhetorically “Now, why does this theorem seem so significant to anti-computationalists like Penrose and Lucas?” To insinuate that anti-computationalists have some kind of special fixation on this theorem is ironic, and representative of a whole class of similar accusations from the mechanistic camp. Mechanism asserts that human thought is reducible to computation, but it invariably carries a shadow assertion that some human thought is inherently corrupted by emotional rather than mathematical content. If we are all really machines, then Penrose is a machine, and if he finds incompleteness to be significant, then that can only mean that his mental process is determined to find it significant. The whole question of where error comes from in a mechanistic universe is recursive. If there is error, then mechanism is failing, and it therefore cannot be perfect. There must be a difference between the ideal of mechanism and the empirical fact of its expression…but how can that difference be generated by ideal mechanism?
The answer to that question is part of what the concept of subjective inflation might provide. De-Orchestrated Subjective Inflation (De-Orch SI*) amounts to the birth of privilege. The privilege to separate from the totality for some period to develop preferences and to care about those preferences. Subjectivity is a proprietary sense of dominion which allows the opportunity for extension – extension of feeling, knowing, doing, and being. This is felt as a kind of radius of involvement, or perhaps a tunnel of experiential inertia. For biological creatures, this inflation may be tied directly to cytoskeletal structure of microtubules. The tunnel is one of orientation and presence, like a cursor, which separates aesthetic dipoles such as here and there, now and then, self and other, etc. The greater the privilege, the more rich and intricate the appreciation of the contrasts can become. Each inflation builds on histories of previous inflations (which ties into a Morphic Resonance or Akashic Record kind of schema) as well as projecting inspirational images into the future.
Global Workspace Theory
Continuing with the theme of reversal, the complement to Bernard J. Baars Global Workspace Theory might be something like “Specialized Instrument Theory”. There is a lot of truth to the GWT idea of consciousness as a receiver/distributor for information, however there is an equal case to be made for consciousness as tool which is used to creatively shape itself into various images and ideas, and to impose those aesthetic forms outwardly. GWT conceives of consciousness as working memory and sensation appearing in an empty/dark theater, but I would extend the metaphor to see the theater also as a structure which protects the local awareness from the outside world. The theater of consciousness can only provide a movie if it first temporarily encloses the audience and screen in sensory isolation. Our phenomenal stream of consciousness connects the dots of sentience, but I suggest that the dots themselves are the tips of icebergs which float on an ocean of amnesia…an amnesia which hides the deeper connection of all dots to the universal history of experience. We have come full circle back to the ‘whorlicle’ model.
Unlike a theater, consciousness does not only lull us into a spectacular solipsism, but connects us directly to a potentially eternal realism and to the capacity to tell the difference. In addition to being a screen for interior simulation, the Mercurial screen of consciousness can be a mirror or a window onto truth. The truth can be fashioned through a pen or weapon, through an idea, image, or symbol. Consciousness is a meta-linguistic, meta-semiotic agency which reports on itself as well as its view of its ‘others’.
What’s Next?
It seems like this project is at a crossroads. It could be the end, or the end of Part I, but it feels like the stage of adding profusely to the MSR thesis is winding down, and in its wake, some clarity about how it might fit in with other theories. I have tried to give a few examples here of what makes MSR different from theories which focus on outside-in views of consciousness, and how they might be married with their opposites to provide a more complete and meaningful picture. I will consider it successful if everyone can find something in it to piss them off and if at least one person is inspired to re-evaluate the totality of existence in some tormented insomniac revelation. I apologize for the density and the high level of noise in what I have been writing, but at least its out here in some form. In the spirit of Robert Anton Wilson and Timothy Leary, I say to my critics that I am even stupider and crazier than you think, and that you should spend your time elsewhere. Everyone gets the Multisense Realism that they deserve!
*This sounds like I’m being satirical in calling it that, but I’m trying to show the syzygy.
Dark Math and the Vanishing of Zero
Some bits of Facebook conversations that I have been waiting to have about math. I don’t claim to be even a little bit competent as a mathematician, but I do feel like there is a chance that these ideas might just happen to be so absurd that they are profound. Among these ideas has been the consequences of making zero disappear, and redefining the number one so that it is the container of mathematics itself.
There was another idea that I proposed today of “Dark Math”. I asked the question “Does math have a language/theory to represent its own opposite (independent of consciousness even, just like imaginary numbers, but imaginary anti-math instead)?”
If we turn Incompleteness around, for example, we get something like intuition. Any informal-non-system contains unanticipated reflections of formality..surprising quasi-truthful insights from out of thin air, like an oracle. If we turn Church-Turing around, we get non-universal, non-machines = unique individuals. My suspicion is that such a language would help define or model previously undefinable phenomenological conditions. Anti-numbers, (names which are intrinsically semi-proprietary?), Anti-operators (metaphorical and synchronistic?)
Then the zero idea came up again…
OH: A complex number z is said to be purely imaginary. If it has no real part, i.e., R[z] = 0. The term is often used in preference to the simpler “imaginary” in situations where z can in general assume complex values with nonzero real parts, but in a particular case of interest, the real part is identically zero. 0 is a pure imaginary number .
S33: If the part is identically zero, but zero is entirely imaginary, does that mean that its identicality is also imaginary? If we carry through the idea that 0 is imaginary, then any time we qualify something as being ‘not’ we are being figurative, and the reality would always be some infinitessimal fragment. Not would literally be ‘almost not’.
OH: http://mathworld.wolfram.com/IdenticallyZero.html
S33: But what I’m proposing is that vanishing itself is identically zero, then vanishing may be infinitesimally figurative. Nothing can vanish completely in reality, even the difference between A and A.
Can zero be said then to be ‘that which is not anything, *not even itself*. When we apply this to ontology (and I think we should) it means we must accept that nothing has vanished. What happens instead is that things nearly vanish from some set of perspectives. The gap between nearly vanishing and vanishing is entropy. Entropy is how perception compensates, fudges, fills in, etc so that what is for all practical purposes absent (i.e. the past) becomes elided or removed. Even the removal is not total, not real, its just a delay. Eventually all that has been denied must be revealed as unvanished from some perspective or encounter.
The reverse of this entropic clipping of the infinitesimally unvanished would be what I call significance. An augmentation of sensitivity or motive so that a near-vanished experience is encountered first as fiction. In other words, entropy makes things seem to disappear (like the past, coherence, certainty, etc) which really haven’t, and significance makes things seem to appear, but also significance increases the quality of ‘thingness’ beyond the thing. You could say that entropy masks presence to the point of near absence, and significance stretches near-absence to the point of re-presence.
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