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Real Light

August 29, 2015 Leave a comment

If you like precise definitions, here you go. These are not official definitions from scientific consensus or recognized authority, nor do I make any claims to their completeness or accuracy. The point here is to convey an understanding of the relation between light and seeing, and by extension, all sensible phenomena and all sensation.
EM light: Electromagnetic radiation which can be generated and detected using specific material sources undergoing chemical and nuclear reactions. That is, matter which is being transformed by matter, either directly through unbroken physical continuity or from a distance at the molecular or atomic level of description.

EM light is a thermodynamic phenomenon which need not be visible to the human eye, so that frequencies of EM which are infrared and lower or ultraviolet and higher can be considered ‘light’, electromagnetically. Radio waves and gamma rays would be considered light also, but that we tend not to think of them using that term. It can be argued that is meaningless convention, but I suspect that our intuition here is valuable.

Optical Light: Here’s where it gets interesting. When our eyes are open, we either see optical light directly, or we do not. If we see optical light directly when our eyes are open, then everything that we see is optical light, not just the presence of ‘light-stuff’ such as rainbows and glare. Optical light can be separated into at least three categories

  • Optical Light One (OL1) refers to everything that we see through our open eyes which is deemed to be publicly and empirically real. Images, shapes, figures, etc. The three dimensional, real world that we see surrounding us can be considered to be entirely composed of optical light. What else could we be looking at through our eyes except that which is made available through the photosensitvity of our retinal cells?
  • Optical Light Two (OL2 or Optical Light Qua Optical Light) refers only to those instances of optical light which are seen purely as optical light by itself. Beams or rays of bright/white light, iridescent films, spectral projections, specular and diffuse reflections, etc. OL2 is manipulated using material instruments such as lenses and mirrors. Turning on a flashlight produces a beam of OL2 which illuminates a room with OL1.
  • Optical Light Three (OL3 or Partially Confabulated Optical Light) acknowledges that what we see is filtered and modified, if not wholly confabulated neurologically, so that even with our eyes open, what we see is not necessarily the public, empirical phenomenon of OL1, but is in fact wholly or partially a kind of entopic, private hallucination that is calibrated by the nervous system for isomorphic, veridical correspondence to the impersonal reality. This is how we can see optical illusions: Our visual sense of the world (OL1) is filtered and distorted by our psychological condition and conditioning such that OL3 is taken for granted as OL1.


Phenomenal Light:
Phenomenal light may or may not be optical, and it may or may not be directly electromagnetic. Having left off at optical illusions, we can further make the distinction between the unnoticed illusions which we presume are being taken as visual reality of the outside world routinely, and the consciously noticed instances of optical illusion. Note the parallel between OL1 and OL2.

  • Phenomenal Light One (PL1) – The entire field of private visual experience. All experiences of color, form, brightness, etc which deviate in fact from public measurements by material instruments. All dreaming, imagining, and visualizing, all medical conditions with consequences that affect sight, etc would be PL1, whether they are recognized as such or not. Any seeing at all is PL1.
  • Phenomenal Light Two (PL2) – Refers only to the specific visual experiences in which phenomenal light is revealed to be private and phenomenal rather than empirical and public facing. These include entopic and eidetic hallucinations*, illusions, altered and ambiguous images, phosphenes, moire patterns, defects in the visual system, etc. PL2 phenomena look unreal – sights which can seem supernatural or psychedelic.*entopic hallucinations refer to purely geometric designs, often repeating spatially like wallpaper, and which seem tied closely to the optical-visual system. Eidetic hallucinations are apophenic or pareidoliac, such as seeing images in a cloud or Rorschach inkblot. Eidetic hallucinations, (I think) are more tied to the cortical-limbic system so that they can reveal private, even subconscious psychological content, and they can sometimes be manipulated consciously, as in an ambiguous image or lucid dream.
  • Phenomenal Light Three (PL3) – Following the lead of Optical Light, the third type of Phenomenal Light is Fully Confabulated Phenomenal Light. This refers to those visual experiences which are fully disconnected from public facing measurements. Dreams, visions, visual memories, delusions, NDEs, etc which may or may not seem private and may be interpreted as real even if it is not.


SR Light:
Light conceived of in special relativity seems to me to be grounded in the sense of light as the propagation of physical signals. Light begins to transform away from classical notions of light and toward the idea of light as a fundamental part of how space, time, and velocity are defined. Einstein made light identical to, or a proxy for a cosmological constant.

MP ‘Light’: Stands for light which is derived from a metaphorical reference and/or literal reference to a supposed metaphysical being. . At this point, we lose the attention of those who will not intellectually break ‘the fourth wall’ in their view of nature. On one side of the wall, where we anchor our epistemology in the EM and Optical sense of light, it seems ridiculous to include metaphorical language and magical, mystical conceptions of light as part of our worldview. Who are we to say that our fantasies and linguistic conventions should be taken seriously in the grand scheme of nature?

On the other side of the wall, it seems ridiculous not to include them. Who are we to assume that our thoughts and intuitions can be safely excluded from a complete description of nature? How can we be so arrogant as to think that the collective wisdom of billions of people throughout history has contributed no clues as to the essential nature of light?

The view from both sides sees its logic as more objective, only the former sees objectivity tied to excluding all traces of subjectivity and the latter sees objectivity itself as a subjective assumption and subjectivity itself as an objectively real phenomenon, if not the only objectively/unquestionably real phenomenon.

Metaphorical uses of the word light generally serve to elevate the significance of natural phenomena such as mood and aesthetics. People are said to be ‘glowing’, or ‘dazzling’. Metaphysical uses, by contrast are literal, but the referent is supernatural rather than natural. MP light is the kind of light we talk about when we want to fictionalize the fact of personal influence over matter or when we want to factualize the influence of super-personal ‘fictions’ over our lives.

  • MP ‘Light’ One (ML1): Light as a figurative or semi-figurative sense of ‘positive’ universal qualities such as goodness, empathy, and spiritual connection. ‘The light’ in this sense is affirmation of harmony with the divine and implies qualities of healing, guidance, and protection from forces of (evil/negative) ‘darkness’. Light used in this way mixes ordinary kinds of human experience of light with extraordinary, transpersonal psychological experiences.
  • MP ‘Light Two (ML2): Light in a fully figurative, naturalistic, but still quasi-theological sense of clarity, knowledge and understanding complete truth. “Seeing the light”. “A lightbulb went on for me.’, enlightenment, illumination, visionary, bright mind, insightful, etc. Changing one’s beliefs suddenly from a clouded, false view to one which is dramatically truer and clearer.
  • MP ‘Light’ Three (ML3): Light as an indication of literal consciousness (until the light went out in his eyes) and/or ‘radiant’ aesthetic qualities of kindness, love, warmth, charisma, etc. Here, light is the sign of a person’s individuality and sanity – their ability to be present, aware, and sane.

To sum up:

0 EM Light: Detectable by a light meter, but might be invisible.
1 Optical Light 1: Visible in a photograph of the world.
2 Optical Light 2: Visible effect composed purely of optical light.
3 Optical Light 3: Meters agree but observers may disagree on qualities.*
4. Phenomenal Light 1: Can be seen with eyes open or closed.
5. Phenomenal Light 2: Visible effect composed purely of phenomenal light.
6. Phenomenal Light 3: Visible in a dream world.
7. SR Light: EM light speed used as a cosmological constant.
8. MP Light 1: Light as a transpersonal sense of benevolence.
9. MP Light
2: Light as a specific sense of revelation and genius.
10. MP Light 3: Light as an indicator of individual consciousness or soul.

In Optical Light, light makes itself visible and invisible. When we see a beam of light, or an electric spark, for example, we are not seeing light itself, we are seeing the illumination of something which is normally invisible to us. Sparks or lightning, for example, do not occur in a vacuum, they are both examples of air molecules being ionized. We are seeing air light up, not light itself. In the case of a laser beam, we are seeing particles in the air light up. Only when we look at something like a spectrum of color do we get a sense of the OL2 sense of light-as-light-itself. Most other light sources are a combination of OL1 visible objects and OL2 light effects.

In EM light, visible light is only a thin sliver of a vast electromagnetic spectrum that is invisible to us. In Meta light, the electromagnetic spectrum is only a sliver of a vast metaphenomenal spectrum that is potentially accessible to us.

In SR light, the relativity of simultaneity is a calculation of the relation of moments of time to each other. In MP light, I suggest that the relativity of simultaneity occurs in the opposite way,  as the degree of inclusiveness of the moment, or the ‘size of the now’ which can be experienced from a given conscious perspective. A hummingbird probably has a smaller scale ‘now’ than we do, and if we attribute awareness to the entire Earth, I would expect a planet sized ‘now’ whose window exists in a context of geological time.

Setting aside light, any sense can be substituted. We can talk about sound being waves of fluctuating density in matter, and then the three levels of acoustic sound as it turns to phenomenal and MP sound, etc. Finally we can talk about qualia in general as it passes through its semaphoric, phoric, and metaphoric descriptions. What I want to know now though, if c is the speed of light, then is c² the speed of phenomenal qualia? How about c³…could that be the metaphenomenal operator?

*as in the blue/gold dress.

How Does Human Consciousness Work?

August 13, 2015 4 comments

How Does Human Consciousness Work? (Quora)

I have given up trying to explain why consciousness is not an emergent property and why emergence is incoherent when applied to consciousness, so this answer is only for readers who already understand that the eliminativist/materialist account of consciousness fails. This means that you understand that awareness cannot be something that physical objects do, or a quality that they have (panpsychism), or even that mind and matter are two parts of the same coin (dual aspect monism), but that all forms and functions, physical or logical, can only exist within a context of what might be called pansensitivity, or sensation-that-makes-sense. This is not to say that human consciousness is the center of the universe and that all phenomena must make sense to us, but that all phenomena must be present in some modality of detection and interaction. This can be understood rationally with no need of any empirical testing. All that is required is for us to play out the null hypothesis: If there is no possibility of any detection or interaction with phenomenon X, then phenomenon X is indiscernible from nothing at all.

The OP then, asking how human consciousness works, should be broken down into two separate parts:

1) How does awareness in general work?
2) How does human consciousness differ from awareness in general?

1) In consideration of the above, the ‘how’ of awareness becomes a metaphysical issue – it could be said even a meta-ontological issue. If awareness-in-general (or use my term pansensitivity) is the most primitive prerequisite for all phenomena in all possible universes, then we must retrain ourselves to stop looking for more primitive phenomena which compose awareness.

I think that we can say awareness is sensory-motive in nature. That is, there is a quality of passive perceiving and active participating which cannot be rationally done without. Even an atom or subatomic particle requires a context where its identity is made coherent in some way, where its presence is detected or can be inferred from some detection of its effects. In the absence of such a detection, again, there is no difference between such a particle and nothing at all. There is no context from which to derive that difference.

That doesn’t mean solipsism – it doesn’t mean that particles don’t exist unless we see them, but it does mean that the concept of ‘existence’ is incompatible with the existence of our own consciousness unless it is identical to detection/participation in some modality or context.

We need not posit a universal mind or God (although there is nothing that I am proposing which rules that out), only that existence itself in the absence of all perception is fantastically implausible given that 100% of what we know of the universe comes to us exclusively through perception. If the universe doesn’t need perception, then there would be no rational explanation for why some parts of the universe could evolve such a redundant and irrational feature to depend upon exclusively.

From this sensory-motive awareness-in-general, we can develop a hypothesis about how it divides and multiplies itself into different perceived forms and participatory functions. This entails performing a kind of Copernican inversion on our early 21st century* worldview, turning the outside (<matter>mass>energy>entropy>space) in, and the inside (pansense>sense<motive>significance>time) out. I don’t expect anyone to really understand that right away…it has taken me several years to put it together in those terms, but hopefully the general idea of the role that symmetry plays comes through. Suffice it to say, I think that how awareness works is that it plays with variations on itself using separation and reconnection on many levels at once. It’s very much like the view that has been a part of Eastern philosophy and Western mysticism for centuries, but with the important difference of plugging directly into modern models of physics and information.

As far as information goes, the sensory-motive primitive can be plugged into the medium-signal relation. Physics gives us a lot of these kinds of conjugates: surface-depth, electro-magnetism, space-time, mass-energy, etc, but when we are working with information and semiotics, we lose the concrete reality of sensation and substitute automatic, ideal abstractions of theoretical mechanics. Computer science and math do not concern themselves with how one number is able to add itself to another, only that there is a reliable result. Physics does focus on how phenomena interact, but not what those interactions actually are or what it is that is actually doing the interacting.

The Medium-Signal Relation
In a simple case of communication, two people might hold a string tight on opposite sides of a room and pull on the string once to indicate ‘yes/true/1’ and twice for ‘no/false/0’. In this case the string pulling, along with the tactile sensitivity of each person to detect the state of the string with their hands would be the medium. We can argue that behind that sensitivity is a lot of other cellular and molecular interaction, but that only pushes the medium down into the microphysical level of description. Even at the bottom, we still need some quantum-atomic sensitivity for any kind of basis of interaction to emerge (or diverge).

The combination of string pulling and any schema which is applied to the interpretation of those pulls would be the signal or sign. Many if not most people confuse ‘signals’ with the physical conditions (string pulling, neurons ‘firing’, semiconductors polarizing, etc), but a better understanding is that the signal is a semiotic interpretation; a conscious consideration of changing conditions within a sensory-motive medium.

Another metaphor that I like is brightness vs contrast. Brightness is the medium – if you have zero brightness there is nothing to see. Light, brightness, and the ability to see are, in the absolute sense, the same thing: a condition of awareness. Contrast stands in here for information or signal, which is a second-order relation of brightness and darkness. If you have no brightness, contrast doesn’t help, but if you do have brightness, then contrast allows many degrees of brightness and frequencies of its absorption to be presented simultaneously.

2) The difference between awareness in general and human consciousness is the incredible degree of elaboration, and the specific experiences which have shaped Homo sapiens. The degree of elaboration I’m referring to would be the number of steps from raw pansensitivity to particular subjective sense vs objectively distanced sense (matter-space), to organic molecules, to cells, to tissues, organs, animals, and vertebrates. The corresponding consciousness of such an elaborate chain of continuous world-crafting seems likely to be be appropriately rich and deep aesthetically. The base level sense and motive is enhanced by orders of magnitude to a heart wrenching, visceral level of participation.

I propose that the specific experiences which have shaped us individually and as a species lend our human consciousness its particular qualities. We share many qualities with other species – perhaps tender emotions with mammals, coarse emotions with reptiles, playful trickery with primates, etc. It’s all sourced in real experience over hundreds of millions of years. It is, in my view, very much like our individual psychology is shaped by our experience, and our families and societies are shaped by their histories. This is what makes human consciousness human, and this is why an AI cannot simulate who we are. A computer may copy the signals from the medium of our communications, or from the medium of neuroscience, but without the medium of the totality of human experience going all the way back to before the first life form, it will only be a kind of doll – an imitation of who we are cobbled together from what our brains are and how they behave.

*really legacy 20th century

I Fixed It

July 18, 2015 Leave a comment

1true

2ruetrue

Post-particle Light Model

July 12, 2015 Leave a comment
PhotoElectric_Effect lightatoms_demo

Diagram of conventional photon model vs MSR qualitative model.

In the MSR model, photons are figurative rather than literal. The two atoms are presented not as literal particles in space but as vectors of sharable experience.

The mode of signaling is not a literal waving of particles (as depicted in the gif) but a state of empathic/emotive stimulation.

The intent here is not to provide a finished model of electrodynamics. The idea is to give more of a general direction of how hypotheses might be developed using particle-free, aesthetic-empathic signaling.

The signal, or text is a shared quality of interiority which is generated by a masking and unmasking of context, which is the cosmological constant – an aesthetic-participatory ground symbolized here by the rainbow stripes. The black ovals symbolize a masking of the ground awareness which is localized. That masking should be understood to be a temporal, temporary localization…of locality. Spacetime is emergent from masking of the aesthetic ground. The masking can be understood to be entropy or insensitivity, the counter-aesthetic which makes it possible to confine and elaborate experience.

Gaede’s EM Ropes

July 11, 2015 Leave a comment

According to Bill Gaede’s hypothesis, light is “a torque signal propagating from one atom to another along a rope”. MSR defines the universe as being the totality of sensory presence, so that atoms are a localizing partial masking of that presence. Electromagnetism is a torque-like effect in which that masking is partially released or made permeable-permissive so that empathic-imitative sharing arises.
ropelight

Arrow Cycle Diagram

July 10, 2015 Leave a comment

arrowcycle4

Nesting Spinor

July 5, 2015 Leave a comment

msr_spinor

“A spinor visualized as a vector pointing along the Möbius band, exhibiting a sign inversion when the circle (the “physical system”) is rotated through a full turn of 360°” – Wiki

Here is an adaptation of a spinor topology to show the relations within aesthetic phenomena that give rise to realism. Note the adjacent red and blue arrows in opposite directions make an ideal place for the sensory-motive locus, where input/output is experienced directly. The opposite side of the band is the ‘object’ side, where inertia and determinism present a united front against the subjective perspective.

If we set consciousness aside for a moment, this view of the spinor can be used to conceptualize electromagnetism as the source of spacetime rather than an effect occurring within spacetime:

EM-spinor

The conventional understanding frequency and wavelength are here inverted, so that we are thinking about them from the inside rather than as objects of study. A wave is an outsider’s view of an occurrence which is only metaphorically wave-like: a surge of changing phenomenal quality.

Inflection Point

July 2, 2015 Leave a comment

MSRhalftone

An illustration based on the finer points of multisense realism. The combination of monochrome, spectral color, multiple scales of halftone, and the nested lensing of scales suggest the primacy of sense. It’s about the relation between different features of consciousness and how they diverge rather than emerge from the totality. The totality is masked into personal and impersonal levels of description, instead of assembled from simple parts.

consciousness_circles

Dreams, Reality, and the True North of Consciousness

June 24, 2015 Leave a comment
In the perpetual feud between materialists and idealists, there is one issue which seems to be under-represented in the debate but is at its very core: Dreams.

For the materialist, dreams are nonsense. While the body rests, the brain performs housekeeping tasks which have the side effect of giving us hallucinations, and that’s it. If we want to know about consciousness, the materialist will say, we should study biology and evolution, not dreams.matter_v_ideal

The materialist’s view of consciousness is that is a marvelously complex way for an animal’s body to adapt its behavior and control its environment. Consciousness is about what we do to the world and what it does to us. Things like optical illusions and the placebo effect tell us that the brain’s mental products are flawed since they fail to render reality as it is, but often wished or feared to be. To understand anything about nature as it really is, we can only use empirical, formal, consensus-building methods to tease out golden flecks of truth from the raw ore of our personal guesses and opinions.

For the idealist* consciousness need not inhere to a context of physical survival. Consciousness is not only about what we’re trying to do in the world, but is instead the very fabric of all possible worlds. I personally suspect that this means that consciousness of all sorts is not only pervasive in the universe, but that the universe is actually nothing but the collection of all conscious experiences. If there is anything beyond all forms of conscious experience, it is by definition, indistinguishable from nothing at all (since awareness of some kind is required to make and appreciate distinctions).

In this view, consciousness is not only about the survival of certain special animals, but is the necessary feature of nature to present itself and to participate in that presentation. Just as we do not expect a dead body to have experiences, neither should we expect physics to be able to define itself or function in the absence of all experience.

In idealism, dreams present at least the possibility of a purer sample of human awareness than waking consciousness. Because the psyche is free from contamination of the outside world, dreams would be a kind of control for our thought experiments about consciousness. For the idealist, dreaming should be the true North of consciousness. As Freud and then Jung found, dreams are overflowing with deep symbols and information which transcend personal experience.

In practice, dreams may have contamination of their own, and materialists may be appalled at the idea of treating consciousness most useless and bizarre extremities as the foundation for understanding, but the idealist understands that facts are facts, and the fact is that when we close our eyes and relax, consciousness reveals itself as a spontaneous world-maker, and that is an important fact to begin with. When we withdraw from the physical world, the psyche does not just disappear, it also creates new worlds, and it seems to create them on the fly, instantaneously, without optical illusions or placebo effects.

From here, in the dreamworld, we can see that color need not be wavelengths, and images need not be representations of something physical in the world. In the context of the dream, idealism is the physical reality. Qualia is matter. Any argument about this is a misunderstanding about what the word qualia means (which is common for materialists who may not be able to conceive of images and sounds independently of neurology and physics). If you never wake up from the dream, you will never encounter any part of your own brain or body as it exists in physical reality.

Once we accept that, as Bernardo Kastrup has said, “Materialism is baloney.”, we can move on to the deeper questions of what the universe of qualia is really all about, and whether our own place in it as humans is central or not. This is actually the more interesting level of metaphysics than the perennial argument at the gate between materialists and idealists. I’m using the terms subjective idealist and transcendental idealist here, but there may already be philosophical terms that are used academically.

s_ideal_v_t_ideal

As a transcendental idealist (aka multisense realist), I’m pretty much on my own. The materialists hate my view because they see it as vile woo, and the traditional idealists think I’m confused because I don’t accept the primacy of subjectivity in generating qualia as a necessary truth (although it may be an empirical fact). The picture that I’m looking at is a scientific one, but larger than science. It is a quasi-theistic or ambi-theistic one, but larger than theism. I do not see this as strictly philosophy, but a potentially actionable view of nature, complete with applications for the future of technology and for the rehabilitation of (what remains of) society.

*and here I’m presenting my own view as the example, not necessarily the most common views…likewise, the materialism column applies to non-material reductionism like computational mind theories.

Parallel Planes Visualization

June 23, 2015 Leave a comment

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