Archive for the ‘spacetime’ Category

Michael Shermer with Dr. Donald Hoffman — The Case Against Reality (SCIENCE SALON # 78)

September 8, 2019 Leave a comment

Let me begin by saying that in my view Donald Hoffman’s model is the best that there is in the field at this time. I agree with Hoffman’s view that our sense of realism is an evolved Homo sapien UI, and I suggest that part of the evolutionary sculpting of this UI (and probably for all species of animal consciousness), tangibility as a sense modality is over-emphasized and taken ultra-literally.  I propose this because I reason that there would be a strong evolutionary advantage to being ultra-serious about tangible renderings of public-facing events for an animal that has self-locomotion to be able to navigate its movements. Once we correct for that over-literal weighting, tangibility can be understood as just another modality of sense experience, not necessarily as the primary modality of the universe. In other words, our experience has a body experience but there may be many experiences that do not. This opens the door to disembodied contexts of consciousness and perhaps even conscious experiences which do not include a robust sense of agent-hood.

Around 1:20:00 he talks about the human UI as a portal to another’s consciousness, i.e., even though a smile doesn’t resemble happiness, when we see another person smile, we can infer an experience of happiness because we also have one. He goes on to say how it makes sense that our portal/interface is optimized for other humans and it gives up more and more as you get further from human to human interaction (human-cat is worse, human-ant is even worse, by the time we get to protons and electrons, our interface has completely given up.) Michael Shermer mentions an associated concept of ‘Middling’ from Richard Dawkins. I have proposed a more elaborate hypothesis of this same idea and call it eigenmorphism.

There are a few assumptions in Hoffman’s thinking that I question:

  1. The UI is ‘created on the fly’ rather than accessed on the fly.I am not convinced that our UI experience is spontaneously confabulated, so much as it is bent and refracted in different ways. Where Hoffman assumes objective reality, I propose a reality which is objective of any particular UI scope, but not objective of the Grand Interface, within which even ‘Users’ or agents are icons of a deeper, trans-agent reality. Our dream is not reality, but that doesn’t mean that reality is anything other than the absolute total of all dreaming.
  2. That anything can ‘exist’ without a receptive capability.In my understanding, one of the deepest flaws of the Western scientific worldview stems from the disqualification and disparagement of ‘feminine’ capacities for sensitivity and receptivity. Under the ‘masculine’-dominant paradigm of our scientific legacy, ‘existence’ is reduced to an ontological state of ‘being’ rather than one of ‘feeling’. I think this is a grave mistake, and that all forms of being are necessarily some experiential context in which foregrounded and backgrounded qualities form dynamic partnerships. This mutual arising of definitions is what I think is glimpsed in both Relativity and Quantum theory. The only “is” is experience itself, all other experiences are relativistic instances of “which is”.
  3. That evolution of the UI justifies evolutionary creation of a UI in the first place.I agree that evolutionary mechanisms shape aspects of the UI, however, that does not explain why the UI is felt, seen, heard, tasted, etc. We still have to have a universe made of true, direct aesthetic phenomena before those phenomena can diverge and be compared as more or less ‘real’ than each other.

I propose then that we take Hoffman’s proposal as true (excepting my three proposed corrections above) for the purpose of taking it even further. In a sense, I am proposing that even though the User Interface model is the best I’ve seen, it is still missing half of the big picture. To get that other half, let us begin by assuming that his view of the UI as selecting against genuine truths about reality, but then consider that these divergences from exterior reality also converge to a set of genuine truths about the other side of reality. In the center of this ‘other side’ of reality is a perpendicular truth attractor (call it Sense or pansensitivity) which is not evolved but accumulated outside of spacetime as a common, transpersonal, nonlocal pool of all experiences.

I suggest that we may understand some of the nature of this attractor to some extent by simply applying our imagination to inverting the qualities of our public-facing experience such that are diametrically opposite. If the unexperienced reality beyond our public facing human UI is generic, mechanical, game-theoretic, and spaced-timed, a-signifying, interchangeable, recursive, teleonomic-stochastic, then the unexperienced reality beyond our private facing UI is proprietary, animistic, spontaneously vital, creative and rule-averse,  authentic…intimate, aesthetically saturated, proprietary, teleological, super-signifying, radically unique, etc.

Our UI doesn’t tell us the truth of the universe, but its very fabric may be a tool kit that leads back to truth of the universe in a round-about way.  I propose that universe itself may be a self-nesting, self-bootstrapping aesthetic-participatory phenomenon which not only builds labyrinths of anesthetic-automatic appearances to trap itself in temporarily but also gives itself the keys to find its way back out. The universe is a significance building dream factory that inflates and reduces parts of itself in increasingly complex ways – sort of an inhaling of negentropic limitations and exhaling of evanescing entropies.

Let’s talk about what I think the real fabric of nature is; nested sensory-motive presentation.

To begin with, a simple proposal: As mass is to energy, space is to time, and sense is to motive.

The Mass/Space/Motive end is projective. Consciousness ‘inhaling’ extends ‘out’ into quantized graphed ‘particle’ appearances (Nod to Descartes Res Extensa). The opposite, Energy/Time/Sense end is receptive (Consciousness exhales and returns into newly re-qualified, de-graphed ‘holos’ or gestalt appearances).

I would suggest letting all of that sink in before bothering to go further into my elaborations and speculations. For those who do want to go down the full Multisense Realism rabbit hole, my conjecture is that this sensory exhale, motive inhale dynamic is repeated across many parallel levels and cycles of cycles. Our human experience is obscenely well developed on both the inhale and exhale ends, such that we have a signifying interiority of multiplexed sensory nestings (sensations<perceptions<figurations<emotion<awareness>self awareness>thought>intuition>”consciousness”) that interfaces with an a-signifying exteriority of motive scales (physical ( chemical (organic (biological (zoological (anthropological) ) ) ) ) ).

Here then is my arcane formula for the totality of consciousness and nature:

ॐ ⊇ ש {((-ℵ↔Ω)↓ºt)⊥(ωª↑(H←d))}

The explanation on that link is probably hard to follow, so I’ll take a shot at a more concise explanation:

There is an Absolute foundation to all of nature, which I call Pansensitivity or the Aesthetic Holos . It is the superset of its diffracted or graphed parts ש. These parts are unified along two perpendicular axes. {(( the horizontal continuum extends between two extremes of consciousness.  The first extreme is rendered in our UI as the absolute transpersonal significance of selfhood in a theological/spiritual/artistic sense. I use the symbol -ℵ as a way to suggest a boundaryless infinity of superlative aesthetic qualities and capacities, i.e. Godlike omniscience, omnipotence, and omnibenevolence. There is a subtle reference here to the Aleph numbers and infinite cardinality, such that by using ‘negative Aleph’ I am suggesting an infinite creativity which transcends unity and multiplicity…a super-everythingness from which all thingness arises. This -ℵ point of maximally expanded Self consciousness also includes dimetric opposite but equally florid qualities of identification with abject terror or super-personalization of omni-malignant Chthonic deities. -ℵ is a Heaven & Hell super-saturation of aesthetic qualities where relief and suffering extend beyond all limits of imagination.

The opposite end of the -ℵ  continuum is rendered in our UI as the absolute impersonal insignificance of selfhood in the atheistic/objectifying/scientistic sense. I use the symbol Ω for various reasons, but suffice it to say this Omega point is the sense of profound insignificance of the self. This is Carl Sagan’s ‘billions and billions’ sense of the vastness of the public-facing, spaced-timed universe, with its fantastic formulas that reveal quantifiable simplicities within all appearances of complexity.

This (-ℵ↔Ω) ‘horizontal’ continuum is further conjectured to be organized in hierarchical scales of time such that the longer periods of time that are available, the richer and broader the extension of the spectrum becomes. This saturation of awareness and intelligence is characterized in the term (↓ºt). For example, the longer human history lasts, the more geniuses contribute to a greater and greater pool of art and science, which then potentially becomes more and more integrated and distributed to all members of the community or network. Each person can become more and more like all of the great geniuses of history who have come before them and have an increasingly profound worldview because of it.

Perpendicular ⊥ to this Easternizing/Subjectifying-Westernizing/Objectifying spectrum (-ℵ↔Ω) of enrichment of significance (↓ºt) is the contra spectrum of contraction and entropy that is denoted as (ωª↑(H←d)). If the former spectrum describes an inhaling of more and more inner and outer significance from the top down (), this second spectrum describes an exhaling into an increasing pool of bottom-up entropy and negentropy. Instead of an intentional striving for more and more aesthetically saturated and profound experiences, this continuum is about the dissipation of aesthetic significance and sensitivity into automatism. The ω variable denotes the minimum fragment of experience – sort of the ‘spiritless spirit of points in a void’ – a quantum-Brownian static-dynamism of absolute entropy-negentropy. Recursiveness and replication. Randomness and accident. The addition of the feminine ordinal superscript ωª is supposed to connote an opposite sense of hierarchy from the masculine ºt of the primary continuum. In the primary continuum, causality flows downward ↓ from Holos to spacetime (graphos) in a successive watering down from the kind of profound ‘Golden Age’ omniscient surrealism to an ‘Iron Age’, prosaic realism. In this secondary continuum, computable complexity builds from the bottom up . If the –ℵ↔Ω continuum expands significance by breaking gestalt, multivalent, metaphorically layered concepts into mytho-poetic utterances, the ωª↑ continuum builds alphabets and dictionaries out of nearly meaningless semaphores. The language is the servant of the speaker-thinker, but the language can draw out potentials from the speaker-thinker as well.

The final (H←d) element of the formula describes the relation between entropy and distance. This describes what Hoffman was getting at with the breakdown of the UI as it is pushed beyond its intended specs. As a human, the more distant in scale and familiarity from the human world, the less empathy and relation we can have with what is ‘behind the face’ of the icon that our UI presents. The ant’s experience is insignificant relative to our own, so the ant is rendered as a small, generic insect. We don’t much care to know what it is like to be an ant because it is not an evolutionary advantage to do so. I used the rather than the symbol in the secondary continuum to suggest an existential gravity, what our UI presents as the second law of thermodynamics and the promise of cosmological heat death. In the primary continuum, by contrast, the ‘now’ moment accumulates more and more significance into each ‘lifetime’ experience that it is represented in our UI as the idea of the Singularity or eternal, transcendental now in which all of space and time can be accessed simultaneously.

Relativistic, Classical, Quantum

August 24, 2019 Leave a comment

On the largest scales, space and time define each other relativistically.

On the middle scale, space and time are perpendicular.

On the smallest scales, space and time do not exist together and can only be measured as one or the other.

That space and time are radically different on different scales is more important and more revealing than anything we can derive by making any one of the three the ‘real’ space/time.

Each of the three levels tell us about all of the levels. All experiences are probabilistic-automatic, dualistic-participatory, and synchronistic-teleological, depending on how we invest our attention, and how attention is invested in us.

MSR Quick Start

August 21, 2019 Leave a comment


(cannibalized from a Trinity Academy image)

Holosense Model

February 6, 2019 Leave a comment


3holosensemodel.jpgVersion 2 better or worse?

Three-Phase Model of Will

June 24, 2017 1 comment

Within the Multisense Realism (MSR) model, all of nature is conceived of as a continuum of experiential or aesthetic phenomena. This ‘spectrum of perceivability’ can be divided, like the visible light spectrum, into two, three, four, or millions of qualitative hues, each with their own particular properties, and each which contribute to the overall sense of the spectrum.

For this post, I’ll focus on a three-level view of the spectrum: Sub-personal, Personal, and Transpersonal. Use of the MSR neologisms ‘Semaphoric, Phoric, and Metaphoric’ may be annoying to some readers, but I think that it adds some important connections and properly places the spectrum of perceivability in a cosmological context rather than in an anthropocentric or biocentric one.

In my view, nature is composed of experiences, and the primary difference between the experiences of biological organisms (which appear as synonymous with cellular-organic bodies to each other) and experiences which appear to us as inorganic chemistry, atoms, planets, stars, etc is the scale of time and space which are involved and the effect of that scale difference on what I call perceptual lensing or eigenmorphism.

In other words, I am saying that the universe is made of experiences-within-experiences, and that the relation of any given experience to the totality of experience is a defining feature of the properties of the universe which appear most real or significant. If you are an animal, you have certain kind of experiences in which other animals are perceived as members of one’s own family, or as friends, pets, food, or pests. These categories are normally rather firm, and we do not want to eat our friends or pets, we understand that what constitutes a pet or pest in some cultures may be desirable as food in others. We understand that the palette can shift, for example, many with a vegan diet sooner or later find meat eating in general to be repulsive. This kind of shift can be expressed within the MSR model as a change in the lensing of personal gustatory awareness so that the entire class of zoological life is identified with more directly. The scope of empathy has expanded so that the all creatures with ‘two eyes and a mother’ are seen in a context of kinship rather than predation.

Enslavement is another example of how the lens of human awareness has changed. For millennia slavery was practiced in various cultures much like eating meat is practiced now. It was a fact of life that people of a different social class or race, women or children could be treated as slaves by the dominant group, or by men or adults. The scope of empathy was so contracted* by default that even members of the same human species were identified somewhere between pet and food rather than friends or family. As this scope of awareness (which is ultimately identical with empathy) expanded those who were on the leading edge of the expansion and those who were on the trailing edge began to see each other in polarized terms. There is a psychological mechanism at work which fosters the projection of negative qualities on the opposing group. In the case of 19th century American slavery, this opposition manifested in the Civil War.

Possibly all of the most divisive issues in society are about perception and how empathy is scoped. Is it an embryo or an unborn child? Are the poor part of the human family or are they pests? Should employees have rights as equals with employers or does wealth confer a right of employers to treat employees more like domesticated animals? All of these questions are contested within the lives of individuals, families, and societies and would fall under the middle range of the three tiered view of the MSR spectrum: The Phoric scope of awareness.

Phoric range: Consciousness is personal and interpersonal narrative with a clearly delineated first person subject, second person social, and third person object division. Subjective experience is intangible and difficult to categorize in a linear hierarchy. Social experience is intangible but semiotically grounded in gestures and expressions of the body. Consider the difference between the human ‘voice’ and the ‘sounds’ that we hear other animals make. The further apart the participants are from each other, the more their participation is de-personalized. Objective experience (more accurately objective-facing or public-facing experience) is totally depersonalized and presented as tangible objects rather than bodies. Tangible objects are fairly easy to stratify by time/space scale: Roughly human sized or larger animals are studied in a context of zoology. Smaller organisms and cells comprise the field of biology. As the ‘bodies’ get smaller and lives get shorter/faster relative to our own, the scope of our empathy contracts (unless perhaps if you’re a microbiologist), so that we tend to consider the physical presence of microorganisms and viruses somewhere in between bodies and objects.

Even though we see more and more evidence of objects on these sub-cellular scales behaving with seeming intelligence or responsiveness, it is difficult to think of them as beings rather than mechanical structures. Plants, even though their size can vary even more than animals, are so alien to our aesthetic sense of ourselves that they tend to be categorized in the lower empathy ranges: Food rather than friends, fiber rather than flesh. This again is all pertaining to the boundary beteween the personal or phoric range of the MSR spectrum and the semaphoric range, sub-personal. The personal view of an external sempahore is an object (morphic phenomenon). The morphic scope is a reflection within the phoric range of experiences which are perceptually qualified as impersonal but tangible. It is a range populated by solid bodies, liquids, and gas which are animated by intangible ‘forces’ or ‘energies’**. Depending on who is judging those energies and the scale and aesthetics of the object perceived, the force or energy behind the behavior of the body is presumed to be somewhere along an axis which extends from ‘person’, where full fledged subjective intent governs the body’s behavior to ‘mechanism’ where behaviors are governed by impersonal physical forces which are automatic and unintentional.

Zooming in on this boundary between sentience and automaticity, we can isolate a guiding principle in which ‘signals’ embody the translation between mechanical-morphic forms and metric-dynamic functions which are supposed to operate without sensation, and those events which are perceived with participatory qualities such as feeling, thinking, seeing, etc. While this sub-personal level is very distant from our personal scope of empathy, it is no less controversial as far as the acrimony between those who perceive no special difference between sensation and mechanical events, and those who perceive a clear dichotomy which cannot be bridged from the bottom up. To the former group, the difference between signal (semaphore) and physical function (let’s call it ‘metamorph’) is purely a semantic convention, and those who are on the far end of the latter group appear as technophobes or religious fanatics. To the latter group, the difference between feelings and functions is of the utmost significance – even to divine vs diabolical extremes. For the creationist and the anti-abortionist, human life is not divisible to mere operations of genetic objects or evolving animal species. Their perception of the animating force of human behavior is not mere stochastic computation and thermodynamics, but ‘free will’ and perhaps the sacred ‘soul’. What is going on here? Where are these ideas of supernatural influences coming from and why do they remain popular in spite of centuries of scientific enlightenment?

This is where the third level of the spectrum comes in, the metaphoric or holophoric range.

To review: Semaphoric: Consciousness on this level is seen as limited to signal-based interactions. The expectation of a capacity to send and receive ‘signs’ or ‘messages’ is an interesting place to spend some time on because it is so poorly defined within science. Electromagnetic signals are described in terms of charge or attraction/repulsion but it is at the same time presumed to be unexperienced. Computer science takes signal for granted. It is a body of knowledge which begins with an assumption that there already is hardware which has some capacity for input, output, storage, and comparison of ‘data’. Again, the phenomenal content of this process of data processing is poorly understood, and it is easy to grant proto-experiential qualities to programs when we want them to seem intelligent, or to withdraw those qualities when we want them to see them as completely controllable or programmable. Data is the semaphoric equivalent of body on the phoric level. The data side of the semaphore is the generic, syntactic, outside view of the signal. Data is a fictional ‘packet’ or ‘digit’ abstractly ‘moving’ through a series of concrete mechanical states of the physical hardware. There is widespread confusion over this, and people disagree what the relation between data, information, and experience is. MSR allows us to see the entire unit as semaphore; sensory-motive phenomena which is maximally contracted from transpersonal unity and minimally presented as sub-personal unit.

Like the vegan who no longer sees meat as food, the software developer or cognitive scientist may not see data as a fictional abstraction overlaid on top of the material conditions of electronic components, but instead as carriers of a kind of proto-phenomenal currency which can learn and understand. Data for the programmer may seem intrinsically semantic – units whose logical constraints make them building blocks of thought and knowledge that add up to more than the sum of their parts. There is a sense that data is in and of itself informative, and through additional processing can be enhanced to the status of ‘information’.

In my view, this blurring of the lines between sensation, signal, data, and information reflects the psychology of this moment in the history of human consciousness. It is the Post-Enlightenment version of superstition (if we want to be pejorative) or re-enchantment (if we want to be supportive). Where the pre-Enlightenment mind was comfortable blurring the lines between physical events and supernatural influences, the sophisticated thinker of the 21st century has no qualms about seeing human experience as a vast collection of data signals in a biochemical computer network. Where it was once popular among the most enlightened to see the work of God in our everyday life, it is now the image of the machine which has captured the imagination of professional thinkers and amateur enthusiasts alike. Everything is a ‘system’. Every human experience traces back to a cause in the body, its cells and molecules, and to the blind mechanism of their aggregate statistical evolutions.

To recap: The MSR model proposes that all of nature can be modeled meaningfully within a ‘spectrum of perceivability’ framework. This spectrum can be divided into any number of qualitative ranges, but the number of partitions used has a defining effect on the character of the spectrum as a whole. The ‘lower’, semaphoric or ‘signal’ end of the spectrum presents a world of sub-personal sensations or impulses which relate to each other as impersonal data processes. Whether this perception is valid in an objective sense, or whether it is the result of the contraction of empathy that characterizes the relation between the personal scope of awareness and its objectification of the sub-personal is a question which itself is subject to the same question. If you don’t believe that consciousness is more fundamental than matter, then you aren’t going to believe that your sensitivity has an effect on how objective phenomena are defined. If you already see personal consciousness as a function of data processing organic chemistry, then you’re not going to want to take seriously the idea that chemical bonding is driven by sensory-empathic instincts rather than mathematical law. If you’re on the other end of the psychological spectrum however, it may be difficult to imagine why anyone would even want to deny the possibility that our own consciousness is composed of authentic and irreducible of feelings.

In either case, we can probably all agree that activity on the microscopic scale seems less willful and more automatic than the activity which we participate in as human beings. Those who favor the bottom-up view see this ‘emergence’ of willful appearance as a kind of illusion, and that actually all choices we make are predetermined by the mechanics of physical conditions. Those who favor the top-down view may also see the appearance of human will as an illusion, but driven by supernatural influences and entities rather than mathematical ones. Thus, the personal range of awareness is bounded on the bottom by semaphore (sensation <> signal < || > data <> information) and on the top by what I call metaphor (fate <> synchronicity < || > intuition <> divinity).

As we move above the personal level, with its personal-subject, social groups and impersonal objects, to the transpersonal level, the significance of our personal will increases. Even though religiosity tends to impose limits on human will in the face of overwhelming influence from divine will, there is an equally powerful tendency to elevate individual human will to a super-significant role. The conscience or superego is mediator between personal self and the transpersonal. It even appears as a metaphor in cartoons as angel and devil on the shoulder.  Most religious practices stress the responsibility of the individual to align their personal will to the will of God by finding and following the better angels of conscience or suffer the consequences. The consequences range from the mild forms of disappointing reincarnation or being stuck in repeating cycles of karma to Earth shaking consequences for the entire universe (as in Scientology). From the most extreme transpersonal perspective, the personal level of will is either inflated so that every action a person takes, including what they choose to think and feel is a tribute or affront to God, and gets us closer to paradise or damnation. Simultaneously personal or it is deflated or degraded so that the entirety of human effort is pathetic and futile in the face of Higher Power.

Notice the symmetry between the quantum (extreme semaphoric or ‘hemi-morphic’) concept of ‘superposition’ and the transpersonal concept of ‘synchronicity’.  Superposition is brought in to tame the paradox of simultaneous randomness and determinism of subatomic phenomena, while synchronicity is brought into psychology as a kind of metaphoric, poetic, or acausal intrusion from the transpersonal scope of awareness to the personal. This allows a bridge natural determinism of time and transpersonal from beyond our limited awareness of time. Superposition and synchronicity are ways of describing the gateways between spacetime and the nonlocal absolute. If these gateways form the opposite extremes of the continuum of personal awareness, then the sense of free will would be the very center of that continuum. At any given moment, even though we are presented with conditions and inertial patterns which influence our will, we are also presented with opportunities to condition our will itself. We can feel within ourselves a power to oppose inertia and change conditions in the world, or we can feel completely powerless to change anything that we are experiencing.

There’s a paradox here, in that how we feel about our own willpower factors in to the feeling of how powerful our will is or can be. There is a chicken-egg relation between mood and will which tends to polarize people psychologically. Feeling that we are destined to feel depressed corresponds to a set of truths about life which are difficult to accept in the sense that they lead to nihilism and despair. Feeling that it is up to us to change how we feel so that we can improve our lives or the world corresponds to a difference set of truths about our lives which can be equally difficult to accept but in the opposite sense that they lead to risk taking and the possibility that our effort can end up causing more harm than good to ourselves and others. To be or not to be each have their strengths and weakness.

As with the other social-psychological dichotomies mentioned earlier, each side sees the other in a scope of diminished empathy; The downbeat introvert sees themselves as facing the bitter facts of mortality and the human condition with courage and honesty, while their positive-thinking counterparts are seen as deluded ninnies…intellectual lightweights who don’t have the stomach to face the existential abyss. The upbeat idealist sees themselves as heroically facing the challenge of rescuing their own life from the abyss while the realist appears to be willfully blind to their own power, and consciously or unconsciously wallow in a prison of their own making. This polarity of the phoric range of consciousness can be understood as its euphoric and dysphoric orientations. Those who have ‘mood disorders’ are familiar with these extremes and how inadequate the term ‘mood’ is to describe the totality of change in how the universe and one’s own life is presented. It is not simply that these opposing phoric ‘charges’ feel very good or bad, it is that the individual find themselves in a universe which is very good – (maybe too ‘good’), or very bad. In the current time of political transformation, we find ourselves to be drawn to align with one social polarity or another, each with its own euphoric-dysphoric signifiers and each with a separate narrative of history and the possible future. More than any time in the US since the 1960s, the questions of our personal agency and the possibilities for our future freedoms have become important. How important may be up to us individually, or we may find that fate and coincidence conspire to make them more important.

*This is not to say that slavery is not still going on, or that everyone has evolved the same level of conscience about race, gender, and age.

**I have issues with the concept of energy, but I use it here as a popular way to make the reference.

21st century madman’s picture of God

February 25, 2017 4 comments


In/out : Electromotive-sensory force ::
Around and around : Gravitoentropic-Magnetic a-motive field

Multisense Diagram w/ Causality

May 29, 2016 3 comments


Another shot at an improved diagram of the multisense continuum. Terms intercausal and intracausal are introduced to differentiate between the proto-phenomenal view *within* causality (i.e. intentionality/will is the active principle, determinism/probability is the diffracted reflection).

The Postcausal-Synchronistic | Metaphoric-Metaphenomenal level of description are adhesive and diffracted from absolute unity from the top down. They correspond to the metric as experience is presented in fugue-conditions which transcend space, time, and causality.

The Physical-Causal | Phoric-Phenomenal level of description are adhesive and cohesive (Cartesian Dualism). They correspond to the metric c as experience is presented as the juxtaposition of an exterior context which is cohesively spaced, timed, and deterministic (adhesive) and interior contents which are adhesive-contextual (subjective).

The Thermodynamic-Intercausal | Perceptual-Emotive
and Electromagnetic | Sensorimotive-Intracausal labels refer to translations between public manifestations of energy and private manifestations of effort or will. Any metric which relates velocity, frequency or wavelength as a fraction of c can be used here.

The Quantum-Probabilistic | Semaphoric-Sub-personal level of description refers to phenomena which are presented as either cohesive-entangled or adhesive-contextualized. An example of a cohesive-entangled appearance is a static ‘sense-of particles or objects in positions’, while an example of adhesive-contextualized appearance could be a sense of ‘dynamic waves of change in sensation itself’. The former appears as a thing which is made visible while the latter appears as an artifact of visibility itself (such as rays of light). Because the quantum level is paradoxical or bi-cohesive, the metric √c can be used to conceptualize the breakdown of natural, macroscopic conditions into quantized proto-conditions.

Special Diffractivity: c², c, and √c

April 26, 2016 1 comment

(updated 5/27/16)

This (reverent, yet shameless) riff on special relativity and its relation to general relativity is intended to also show light as a special representative case  relating to light as the visible subset of the more general conjecture of general diffractivity, which relates to all sensory, perceptual, and phenomenal content. I apologize in advance for the neologisms. – Craig Weinberg 4/26/2016

c²: Imaginary Light (“m² and t²”) | Cosmic-Meta-Cosmic scale
Phenomenal-metaphenomenal, surreal-supernatual, super-Mahasunna

Dreams and visions can confuse events. Dream content often features locations, characters, and objects which have ambiguous or superpositioned  identities (“superlocality m²”). They can also include spontaneously confabulated histories as well as content which seems to be visionary or prophetic in retrospect (“superchronology t²”).

c: Natural Light (m/s) | Macrocosmic-Electromagnetic scale
Phenomenal-optical, real-natural, between Mahasunna and Chidakasa

Our ordinary, waking experience of light is seen as “zero-interval linkages between events near and far”*, and seamlessly merges veridical optical conditions with phantasmic ‘illusions’. Natural light occurs at c, and tends to play a foundational role in realism for sighted humans. “Seeing is believing”, including the sight of so-called ‘optical illusions’, in which the criticality between optical and phenomenal light is exposed. Phenomenal light is judged to be illusory to the Western mind, but more as a revelation of the nature of light, perception, and consciousness to the Eastern mind.

√c: Physical Light | Electromagnetic-QED scale
Optical-Semaphenomenal, hemi-real-unnatural “Sub-Chidakasa ”

On this level of description, light is an invisible, intangible semi-substance which is inferred as either entangled particles with definite position or contextual waves with definite momentum. The measurement is therefore conceived not in terms of meters per second or distance over time, but as probabilistic wave functions in which the conservation of spatial entanglement and temporal contextuality are inversely proportioned. Relativity might be understood as a macroscopic manifestation of entanglement or perceptual cohesiveness (inertial frame) and contextuality or cognitive adhesiveness (as in Lorentz transformations),  I have proposed that our concept of photons should be inverted, so that they are conceived of not as particles in a void or vibrations of an electromagnetic field, but as figurative units of permittivity-permeability. I further suggest that a new unit, the phoron, be adopted informally to provide linkage across the phenomenal-optical (phoric), metaphoric, and semaphoric levels of description (frames of afference).

²c: Beams, rays, rainbows, specular reflections, glowing, halos

Light renders itself most directly and literally visible as dynamically contextualizing image transforms such as a rainbow, a change in brightness. This corresponds to the metaphotic, ²c level of description: visibility itself is made visible as “glowing” or shining and is associated with matter being glossy, transparent, or translucent.

c: Forms, colored objects, veridical images

At the photic level of description, light is transparent or seen-through. It ‘gets out of the way’ so that visibility is embodied/entangled with realism as the opaqueness of visible forms. This is the classical, natural, “c” level of description where light is the entanglement of Seer, seeing, and the seen. On this level of description (frame of afference) the metaphotic, ²c phenomena are understood to be mirage or illusion.

c√: Particle-Waves, frequency-wavelength, probability functions

Semaphotic light is an (invisible, intangible) information-theoretic pseudo-entity inferred from evidence of its effects on material instruments, and whose properties are defined mathematically. At the electromagnetic level of description, light is an oscillation of an invisible field which can be perceived as visible color or, as thermal intensity (infrared), or by the behaviors of instruments and material substances. At the quantum level, c√ light is a probabilistic wave function – a pure abstraction with purely concrete effects

*quote from David A. Grandy, The Speed of Light, Constancy + Cosmos

Please see the following PDFs for more information.

extract from 4.92

4.92 Diffractivity


Nesting Spinor

July 5, 2015 Leave a comment


“A spinor visualized as a vector pointing along the Möbius band, exhibiting a sign inversion when the circle (the “physical system”) is rotated through a full turn of 360°” – Wiki

Here is an adaptation of a spinor topology to show the relations within aesthetic phenomena that give rise to realism. Note the adjacent red and blue arrows in opposite directions make an ideal place for the sensory-motive locus, where input/output is experienced directly. The opposite side of the band is the ‘object’ side, where inertia and determinism present a united front against the subjective perspective.

If we set consciousness aside for a moment, this view of the spinor can be used to conceptualize electromagnetism as the source of spacetime rather than an effect occurring within spacetime:


The conventional understanding frequency and wavelength are here inverted, so that we are thinking about them from the inside rather than as objects of study. A wave is an outsider’s view of an occurrence which is only metaphorically wave-like: a surge of changing phenomenal quality.

Light Speed, Space and Time

April 11, 2015 Leave a comment

I think that the speed of light is constant not because that is the nature of light, but because that is the nature of velocity itself. Velocity isn’t a simple, open ended quantity, it is a range between stillness and c…between absolute spacetime locality and absolute non-locality.

Light is nowhere and everywhere until it hits something…wavefunctions are in non-local ‘superposition’ until they ‘collapse’.

My view is that this is almost true, but inside out. Light is within awareness which reflects awareness. Light is the event horizon between the public and the private aesthetics. Light is only ‘here’ and ‘there’, never in between…never moving in space.

We don’t know anything about space, because we can’t use space to measure itself. All measurements are done with instruments made of matter. All measurements occur within conscious awareness, and all measurements of space occur by the extension of conscious awareness through matter. Space is the absence of matter(as detected by consciousness of matter). The math doesn’t change, only the interpretation gets post-Copernicanized.

“The body is to space what consciousness is to time. The world is to the body what the unconscious is to consciousness.“ – JS

Space = geometry, time = algebra…but then space/geometry is to time/algebra what measurement (quanta) is to the trans-measurable (qualia).


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