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The Paranormal
As far as the paranormal goes, my approach is not to insist upon collapsing extraordinary experiences into binary terms of real or unreal. To the contrary, I see realism as a quality within consciousness such that its limitations reflect the nature of consciousness itself. By that I mean that our personal awareness has a sub-personal boundary and a super-personal boundary, both of which involve opposite views of coincidence. At the sub-personal bound, coincidence emerges stochastically and meaninglessly as an assertion of the instantaneous. At the super-personal bound, coincidences diverge synchronistically and teleologically as part of a ‘larger now’. The more super-personal we look, the more the real and unreal are blurred, and the more the experience reflects what I call ‘the physics of privacy’ rather than public physics.
Obstruction of Solitude: A Guide To Noise
“And then…all the noise! All the noise, noise, noise, noise!
If there’s one thing I hate…all the noise, noise, noise, noise!
And they’ll shriek, squeak, and squeal racing round on their wheels,
Then dance with jin-tinglers tied onto their heels!” – The Grinch“Karma police, arrest this man
He talks in maths
He buzzes like a fridge
He’s like a detuned radio” – Radiohead
It might be asked, “Why should we care about noise?” Two reasons come to mind.
1) To reduce, contain, or otherwise avoid it.
2) To understand what isn’t noise, and why we prefer that.
Real Noise
The general use of the word noise refers to an unpleasant sound. Even on this most literal level, there is a sense of denial about the extent to which unpleasant qualities are subjective. The stereotypical parent, upon hearing the stereotypical teenager’s musical taste being played at high volume, may yell something like “Turn off that infernal noise!”. There is a sense that the sound demands to be labeled objectively as a terrible thing to listen to, rather than as a sound which presents itself differently according to one’s state of mind or development.
At the same time, we cannot rule out all objective, or at least pseudo-objective qualities related to signal and noise. A garage recording of a metal band or a jackhammer attacking the pavement can be uncontroversially defined as being ‘noisy’, particularly in comparison to other, more gentle sounds. ‘Real noise’, then, seems to have a range of subjective and objective qualifiers. Loud, percussive sounds are inherently noisy to us humans, and we have reason to assume the same is true for animals and even plants:
“Dorothy Retallack tried experimenting with different types of music. She played rock to one group of plants and, soothing music to another. The group that heard rock turned out to be sickly and small whereas the other group grew large and healthy. What’s more surprising is that the group of plants listening to the soothing music grew bending towards the radio just as they bend towards the sunlight.” – source
Whether we enjoy loud, percussive sounds is a matter of taste and context. Even the most diehard metal fan probably does not want to hear their favorite band blasting at five o’ clock in the morning from a passing car. Being able to control what we listen to contributes to our perception of it as noise.
Obstruction, Distraction, Destruction, and Leaks
Whether a piece of music offends our personal taste, or it is simply so loud that we can’t ‘hear ourselves think’, the experience of being distracted seems central to its status as noise. In the parlance of sound engineers, and later Silicon Valley schmoozers, the ‘signal to noise ratio’ describes this feature of noise to distract or divert attention from the intended communication. Noise not only obstructs access to the signal, the disturbance that it causes also detracts from the quality of the signal itself. If the signal to noise ratio is poor enough, it may not be worth the effort for the receiver to try to interpret it, and communication is destroyed.
This sense of noise as an obstacle to communication extends beyond audio or electronic signals to any context where information is accessed, transmitted, or stored. In his influential work on telecommunications, Clause Shannon described information entropy as those features of a signal which are costly to compress. Typically it is those patterns which cannot be easily discerned as either part of the intentional signal or part of the background noise. Despite the tremendous computational resources available for mobile communication, the signal quality on mobile devices are still generally inferior to land lines. Between microphone gating that clips off conversation instead of ambient street sounds and the loss of packets due to radio broadcast conditions or network routing conditions, it is amazing that it sounds as good as it does, but it is still a relatively leaky way to transmit voices.
Neural Noise and Withdrawal
Every sense has its own particular kind of noise. Vision has glare, blur, phosphene patterns (‘seeing stars’). Touch has non-specific tingling or itching. Olfactory and gustatory senses encounter foul odors or bad aftertastes. Feelings like nausea and dizziness which are unrelated to food or balance conditions are a kind of noise (noise is etymologically related to nausea and noxious). Part of the effect of withdrawal from an addiction that the brain becomes overly sensitized to irritating stimuli in general. It’s almost like an allergic response in that the systems which would ordinarily protect us from threats is distracted by a false threat and turned on itself. Our sensitivity to the environment, having been hijacked by an external supply of pleasurable signals, has built up a tolerance for those super-saturated instructions.
With any kind of addiction, even healthy ones like exercise or washing your hands, the nature of sense is to accommodate and normalize perceptions which are present regularly. Because the addiction provides positive reinforcement regularly, there is an artificially low noise ratio which invites your senses to recalibrate to listen more closely to the noise (which would be quite adaptive evolutionarily, you would want to still hear that tiger or smell that smoke even when you enjoy a lifestyle of hedonism and decadence). When the source of positive distraction is removed, the sensitivity to negative distraction is still cranked up to 11, which of course, taps into the original motivation to escape the negative distractions of life with an addiction in the first place. We want something to soothe our nerves, to numb the sensitivity and quiet the noise.
A Recipe For Noise
There seem to be general patterns which are common to many kinds of noise. Noise can either be an obstructing presence, or a conspicuous absence (like the dropouts on a phone call). It can be a public or a private condition which clouds judgment, invites impatience, frustration, and intolerance. Noise can be that which is incoherent, irrelevant, redundant, or inappropriate. Some signals can be temporarily irrelevant or incoherent, while others are permanently so. Besides being too loud, an audio noise can also be soft, such as a hiss or other aesthetic defect that exposes leaky conditions in the recording process. The context is important, as with withdrawal from addiction, our senses are more attuned to the relativity of sensation rather than objective measurement. Grey looks darker next to black than it does next to white.
Our ability to use our attention to pivot from foreground to background is part of what defines the difference between signal and noise, or sense and nonsense. We can all relate to the Charlie Brown effect, where the words that a teacher says are reduced to unintelligible vocalizations. As you read these words now, you may be scanning over so much tedious verbiage that looks like generic wordiness more than any particular message. Any signal can be a noise if you don’t pay attention to it in the right way, and any noise can be used as a meaningful code or symbol. Perhaps there is a way to get over our addictions a little easier if we can learn to see our irritation and cravings as a sign that we are on the right path to restoring our neurological gain.
Many Cures
The destruction of information or the suppression of noise is not as simple as it may seem. Take, for example, the difference between analgesic, anesthetic, and narcotic effects. Pain can be relieved systemically, locally, or simply by being made to seem irrelevant. It can be selectively suppressed or wiped out as part of an overall deadening of sensation. There are other ways to get pain relief besides pharmaceuticals as well. Athletes or soldiers are known to perform with severe injuries, and many people have endured astonishing hardships for the sake of their family without being fully aware of the pain they were in. While there may be endogenous pharmacology going on which accounts for the specific pain suppression, it is ultimately the context which the subject is conscious of which drives the release of endorphins and other neurotransmitters.
Semiotics of Noise
Looking at noise from a Piercean perspective, it can be seen as a failure of semiosis – a broken icon, symbol, or index. A broken index would be something like tinnitus or a phantom limb. The signal we are receiving does not correspond to the referent that we expect, and in fact corresponds only to a problem with the signaling mechanism, or some deeper problem. A signal which is broken as an index but can be understood meaningfully as a symptom of something else (maybe the tinnitus is due to a sinus infection) has reverted from a teleological index to a teleonomic* index. It coincides with a condition, but does not represent it faithfully in any way. It is noise in the sense that the expected association must be overlooked intentionally to get to the unintentional association to a symptom.
A broken index would also be one which we deem irrelevant. This type of noise, which would include the proliferation of automatic alerts, false alarms, flashing lights, spam, etc. There may be nothing wrong with what what the message is saying, but considerations of redundancy, and context inappropriateness makes it clear that what a computer thinks is important and what we think is important are very different things. This type of noise fails at the pragmatic level. It’s not that we don’t understand the message, or that its not for us, it’s that we don’t want to do anything about it.
Broken icons and symbols would similarly be made incoherent, irrelevant, or inappropriate by lacking enough syntactic integrity or semantic content to justify positive attention. Fragmented texts or degenerated signs can fail to satisfy functionally or aesthetically, either on their own, or due to intrusions from outside of the intended communication channel. The overall function of noise is to decompose. Like the odor of something that has spoiled, disorder and decay are symptoms of entropy. In the schema of cosmic metabolism, entropy is the catabolic phase of forms and functions – a kind of toll exacted by space and time which ensures that whatever rises to the threshold of existence and importance, will eventually destabilize, its differences de-tuning to indifference.
What Noise Tells Us About Signals
If we begin with the premise that signal and noise are polar opposites, then it may be useful to look at the opposite of some of the terms and concepts that have just been discussed. If noise is irrelevant, inappropriate, incoherent, and redundant, then the qualities which make something significant or important should include being relevant, appropriate, coherent, and essential. Where noise obstructs, distracts, and destroys, sense instructs, attracts, and constructs. Where noise is noxious and disgusting, signals soothe and give solace.
In the larger picture of self and consciousness, it is our solitude that is threatened by noise. Solitude, like solidity and structure are related to low entropy. It is the feeling of strong continuity and coherence, a silent background from which all moments of sound and fury are foregrounded. It is what receives all signals and insulates all noise. Integrated information? Maybe. The Philosopher’s Stone? Probably.
*teleonomy describes conditions of causality which are driven by blind statistics rather than sensible function. Evolution, for example, is a teleonomy since it does not care which species live or die, it is only those who happen to have been better suited to their ecological niche which end up reproducing most successfully.
Wittgenstein, Physics, and Free Will
JE: My experience from talking to philosophers is that WIttgenstein’s view is certainly contentious. There seem to be two camps. There are those seduced by his writing who accept his account and there are others who, like me, feel that Wittgenstein expressed certain fairly trivial insights about perception and language that most people should have worked out for themselves and then proceeded to draw inappropriate conclusions and screw up the progress of contemporary philosophy for fifty years. This latter would be the standard view amongst philosophers working on biological problems in language as far as I can see.
Wittgenstein is right to say that words have different meanings in different situations – that should be obvious. He is right to say that contemporary philosophers waste their time using words inappropriately – any one from outside sees that straight away. But his solution – to say that the meaning of words is just how they are normally used, is no solution – it turns out to be a smoke screen to allow him to indulge his own prejudices and not engage in productive explanation of how language actually works inside brains.
The problem is a weaseling going on that, as I indicated before, leads to Wittgenstein encouraging the very crime he thought he was clever to identify. The meaning of a word may ‘lie in how it is used’ in the sense that the occurrences of words in talk is functionally connected to the roles words play in internal brain processes and relate to other brain processes but this is trivial. To say that meaning is use is, as I said, clearly a route to the W crime itself. If I ask how do you know meaning means use you will reply that a famous philosopher said so. Maybe he did but he also said that words do not have unique meanings defined by philosophers – they are used in all sorts of ways and there are all sorts of meanings of meaning that are not ‘use’, as anyone who has read Grice or Chomsky will have come to realise. Two meanings of a word may be incompatible yet it may be well nigh impossible to detect this from use – the situation I think we have here. The incompatibility only becomes clear if we rigorously explore what these meanings are. Wittgenstein is about as much help as a label on a packet of pills that says ‘to be taken as directed’.
But let’s be Wittgensteinian and play a language game of ordinary use, based on the family resemblance thesis. What does choose mean? One meaning might be to raise in the hearer the thought of having a sense of choosing. So a referent of ‘choose’ is an idea or experience that seems to be real and I think must be. But we were discussing what we think that sense of choosing relates to in terms of physics. We want to use ‘choose’ to indicate some sort of causal relation or an aspect of causation, or if we are a bit worried about physics still having causes we could frame it in terms of dynamics or maybe even just connections in a spacetime manifold. If Wheeler thinks choice is relevant to physics he must think that ‘choose’ can be used to describe something of this sort, as well as the sense of choosing.
So, as I indicated, we need to pin down what that dynamic role might be. And I identified the fact that the common presumption about this is wrong. It is commonly thought that choosing is being in a situation with several possible outcomes. However, we have no reason to think that. The brain may well not be purely deterministic in operation. Quantum indeterminacy may amplify up to the level of significant indeterminacy in such a complex system with so powerful amplification systems at work. However, this is far from established and anyway it would have nothing to do with our idea of choosing if it was just a level of random noise. So I think we should probably work on the basis that the brain is in fact as tightly deterministic as matters here. This implies that in the situation where we feel we are choosing THERE IS ONLY ONE POSSIBLE OUTCOME.
The problem, as I indicated is that there seem to be multiple possible outcomes to us because we do not know how are brain is going to respond. Because this lack of knowledge is a standard feature of our experience our idea of ‘a situation’ is better thought of as ‘an example of an ensemble of situations that are indistinguishable in terms of outcome’. If I say when I get to the main road I can turn right or left I am really saying that I predict an instance of an ensemble of situations which are indistinguishable in terms of whether I go right or left. This ensemble issue of course is central to QM and maybe we should not be so surprised about that – operationally we live in a world of ensembles, not of specific situations.
So this has nothing to do with ‘metaphysical connotations’ which is Wittgenstein’s way of blocking out any arguments that upset him – where did we bring metaphysics in here? We have two meanings of choose. 1. Being in a situation that may be reported as being one of feeling one has choice (to be purely behaviourist) and 2. A dynamic account of that situation that turns out not to agree with what 99.9% of the population assume it is when they feel they are choosing. People use choose in a discussion of dynamics as if it meant what it feels like in 1 but the reality is that this use is useless. It is a bit like making burnt offerings to the Gods. That may be a use for goats but not a very productive one. It turns out that the ‘family resemblance’ is a fake. Cousin Susan who has pitched up to claim her inheritance is an impostor. That is why I say that although to ‘feel I am choosing’ is unproblematic the word ‘choice’ has no useful meaning in physics. It is based on the same sort of error as thinking a wavefunction describes a ‘particle’ rather than an ensemble of particles. The problem with Wittgenstein is that he never thought through where his idea of use takes you if you take a careful scientific approach. Basically I think he was lazy. The common reason why philosophers get tied in knots with words is this one – that a word has several meanings that do not in fact have the ‘family relations’ we assume they have – this is true for knowledge, perceiving, self, mind, consciousness – all the big words in this field. Wittgenstein’s solution of going back to using words the way they are ‘usually’ used is nothing more than an ostrich sticking its head in the sand.
So would you not agree that in Wheeler’s experiments the experimenter does not have a choice in the sense that she probably feels she has? She is not able to perform two alternative manoeuvres on the measuring set up. She will perform a manoeuvre, and she may not yet know which, but there are no alternatives possible in this particular instance of the situation ensemble. She is no different from a computer programmed to set the experiment up a particular way before particle went through the slits, contingent on a meteorite not shaking the apparatus after it went through the slits (causality is just as much an issue of what did not happen as what did). So if we think this sort of choosing tells us something important about physics we have misunderstood physics, I beleive.
Nice response. I agree almost down the line.
As far as the meaning of words go, I think that no word can have only one meaning because meaning, like all sense, is not assembled from fragments in isolation, but rather isolated temporarily from the totality of experience. Every word is a metaphor, and metaphor can be dialed in and out of context as dictated by the preference of the interpreter. Even when we are looking at something which has been written, we can argue over whether a chapter means this or that, whether or not the author intended to mean it. We accept that some meanings arise unintentionally within metaphor, and when creating art or writing a book, it is not uncommon to glimpse and develop meanings which were not planned.
To choose has a lower limit, between the personal and the sub-personal which deals with the difference between accidents and ‘on purpose’ where accidents are assumed to demand correction, and there is an upper limit on choice between the personal and the super-personal in which we can calibrate our tolerance toward accidents, possibly choosing to let them be defined as artistic or intuitive and even pursuing them to be developed.
I think that this lensing of choice into upper and lower limits, is, like red and blue shift, a property of physics – of private physics. All experiences, feelings, words, etc can explode into associations if examined closely. All matter can appear as fluctuations of energy, and all energy can appear as changes in the behavior of matter. Reversing the figure-ground relation is a subjective preference. So too is reversing the figure-ground relation of choice and determinism a subjective preference. If we say that our choices are determined, then we must explain why there is a such thing as having a feeling that we choose. Why would there be a difference, for example, in the way that we breathe and the way that we intentionally control our breathing? Why would different areas of the brain be involved in voluntary control, and why would voluntary muscle tissue be different from smooth muscle tissue if there were no role for choice in physics? We have misunderstood physics in that we have misinterpreted the role of our involvement in that understanding.
We see physics as a collection of rules from which experiences follow, but I think that it can only be the other way around. Rules follow from experiences. Physics lags behind awareness. In the case of humans, our personal awareness lags behind our sub-personal awareness (as shown by Libet, etc) but that does not mean that our sub-personal awareness follows microphysical measurables. If you are going to look at the personal level of physics, you only have to recognize that you can intend to stand up before you stand up, or that you can create an opinion intentionally which is a compromise between select personal preferences and the expectations of a social group.
Previous Wittgenstein post here.
Why do humans have a conscience?
Why do humans have a conscience?
See the link for an answer to the Quora question on conscience. Part of it is as follows:
So, on this view, the conscience works something like this:
- Consider an action
- Search the normative model database for anger-oriented objections to actions like this.
- If you don’t find any, then consider the action permissible.
- If you find an objection, then see if there are ways to justify doing the action in spite of the objection.
- If so, then the action is permissible (but be careful, and be ready to justify yourself if questioned)
- If not, then the action is wrong.
I commented:
It seems to me that there are some normative assumptions in evolutionary psychology which fail to consider personality deeply. If, for instance, this model of conscience were put into a cartoon, rather than having an angel on one shoulder and a devil on the other, the character would have only an angel since the only thing that prevents them from doing what they would otherwise do (which, as in game theory assumptions, assumes blind self interest) is fear of anticipated social consequences, including guilty feelings.
I think that the stereotypical angel-devil cartoon actually has it more correct. Children and adolescents tend to embody this more clearly than adults, as ‘bad kids’ may not only have poor impulse control or a faulty conscience, but they are motivated by a more sadistic reward system. They enjoy hurting others, sometimes more than they are afraid of being hurt themselves.
By contrast, ‘good boys and girls’ may have a conscience which is naive even to guilt and is motivated by the better angels (of parental approval or perhaps self approval). There is something sexual here too…sort of paradoxical in that good kids are seen as both more ‘mature’ (trustworthy, better judgment) and less mature sexually (goody two shoes = late bloomer/virgin).
It seems to be very common that families often have kids where conscience is radically unbalanced. One is saintly, one is the delinquent, one presents themselves as tougher or nicer than they are…many combinations. Often these characteristics can seem present before their role in the family has even developed. This suggests to me that evolutionary psych models overlook some of the most important motives that drive conscience, which I think are ultimately only loosely related to evolutionary biology. Before we can care about right or wrong, we care about how we feel and how other people feel. It is not a model made by our brain at all, it is the direct presentation of anthropological aesthetics.
I agree of course that we have sub-personal mechanisms but that does not mean that we do not also contribute directly to our own life and the lives of others in a way which is irreducibly individual, non-mechanistic and volitional. The image of conscience as a matrix of modal logic is too reactive to rise, plausibly, to the level of conscious attention. If it was just a matter of not making others mad, we should have no business knowing that any strategies were being formulated at all – no more than our stomach would need a digestion conscience to avoid disappointing the colon.
If You See Wittgenstein on the Road… (you know what to do)
Me butting into a language based argument about free will:
> I don’t see anything particularly contentious about Wittgenstein’s claim that the meaning of a word lies in how it is used.
Can something (a sound or a spelling) be used as a word if it has no meaning in the first place though?
>After all, language is just an activity in which humans engage in order to influence (and to be influenced by) the behaviour of other humans.
Not necessarily. I imagine that the origin of language has more to do with imitation of natural sounds and gestures. Onomatopoeia, for example. Clang, crunch, crash… these are not arbitrary signs which derive their meaning from usage alone. C. S. Pierce was on the right track with discerning between symbols (arbitrary signs whose meaning is attached by use alone), icons (signs which are isomorphic to their referent), and index (signs which refer by inevitable association as smoke is an index of fire). Words would not develop out of what they feel like to say and to hear, and the relation of that feeling to what is meant.
>I’m inclined to regard his analysis of language in the same light as I regard Hume’s analysis of the philosophical notion of ‘substance’ (and you will be aware that I side with process over substance) – i.e. there is no essential essence to a word. Any particular word plays a role in a variety of different language games, and those various roles are not related by some kind of underlying essence but by what Wittgenstein referred to as a family resemblance. The only pertinent question becomes that of what role a word can be seen to play in a particular language game (i.e. what behavioural influences it has), and this is an empirical question – i.e. it does not necessarily have any metaphysical connotations.
While Wittgenstein’s view is justifiably influential, I think that it belongs to the perspective of modernism’s transition to postmodernity. As such, it is bound by the tenets of existentialism, in which isolation, rather than totality is assumed. I question the validity of isolation when it comes to subjectivity (what I call private physics) since I think that subjectivity makes more sense as a temporary partition, or diffraction within the totality of experience rather than a product of isolated mechanisms. Just as a prism does not produce the visible spectrum by reinventing it mechanically – colors are instead revealed through the diffraction of white light. Much of what goes on in communication is indeed language games, and I agree that words do not have an isolated essence, but that does not mean that the meaning of words is not rooted in a multiplicity of sensible contexts. The pieces that are used to play the language game are not tokens, they are more like colored lights that change colors when they are put together next to each other. Lights which can be used to infer meaning on many levels simultaneously, because all meaning is multivalent/holographic.
> So if I wish to know the meaning of a word, e.g. ‘choice’, I have to LOOK at how the word is USED rather than THINK about what kind of metaphysical scheme might lie behind the word (Philosophical Investigations section 66 and again in section 340).
That’s a good method for learning about some aspects of words, but not others. In some case, as in onomatopoeia, that is the worst way of learning anything about it and you will wind up thinking that Pow! is some kind of commentary about humorous violence and has nothing to do with the *sound* of bodies colliding and it’s emotional impact. It’s like the anthropologist who gets the completely wrong idea about what people are doing because they are reverse engineering what they observe back to other ethnographers interpretations rather than to the people’s experienced history together.
> So, for instance, when Jane asks me “How should I choose my next car?” I understand her perfectly well to be asking about the criteria she should be employing in making her decision. Similarly with the word ‘free’ – I understand perfectly well what it means for a convict to be set free. And so to the term ‘free will’; As Hume pointed out, there is a perfectly sensible way to use the term – i.e. when I say “I did it of my own free will”, all I mean is that I was not coerced into doing it, and I’m conferring no metaphysical significance upon my actions (the compatibilist notion of free will in contrast to the metaphysical notion of free will).
Why would that phrase ‘free will’ be used at all though? Why not just say “I was not coerced” or nothing at all, since without metaphysical (or private physical) free will, there would be no important difference between being coerced by causes within your body or beyond your body. Under determinism, there is no such thing as not being coerced.
> The word ‘will’ is again used in a variety of language games, and the family resemblance would appear to imply something about the future (e.g. “I will get that paper finished today”). When used in the free will language game, it shares a significant overlap with the choice language game. But when we lift a word out of its common speech uses and confer metaphysical connotations upon it, Wittgenstein tells us that language has ceased doing useful work (as he puts it in the PI section 38, “philosophical problems arise when language goes on holiday”).
We should not presume that work is useful without first assuming free will. Useful, like will, is a quality of attention, an aesthetic experience of participation which may be far more important than all of the work in the universe put together. It is not will that must find a useful function, it is function that acquires use only through the feeling of will.
> And, of course, the word ‘meaning’ is itself employed in a variety of different language games – I can say that I had a “meaningful experience” without coming into conflict with Wittgenstein’s claim that the meaning of a word lies in its use.
Use is only one part of meaning. Wittgenstein was looking at a toy model of language that ties only to verbal intellect itself, not to the sensory-motor foundations of pre-communicated experience. It was a brilliant abstraction, important for understanding a lot about language, but ultimately I think that it takes the wrong things too seriously. All that is important about awareness and language would, under the Private Language argument, be passed over in silence.
> Regarding Wheeler’s delayed choice experiment, the experimenter clearly has a choice as to whether she will deploy a detector that ignores the paths by which the light reaches it, or a detector that takes the paths into account. In Wheeler’s scenario that choice is delayed until the light has already passed through (one or both of) the slits. I really can’t take issue with the word ‘choice’ as it is being used here.
I think that QM also will eventually be explained by dropping the assumption of isolation. Light is visual sense. It is how matter sees and looks. Different levels of description present themselves differently from different perspectives, so that if you put matter in the tiniest box you can get, you give it no choice but to reflect back the nature of the limitation of that specific measurement, and measurement in general.
On The Pomposity of Science, Religion, and Philosophy
I have called science a ‘performance enhancing philosophy’, and like philosophy, it is biased against subjectivity from the start in that all formal writing is publicly directed. When we are doing science or philosophy, we are automatically put into the perspective of being a generic ‘one’ who says this or demonstrates that. The vocabulary and cadence implicitly evoke a style which would be equally well suited for a Classical Greek oration as a 17th century treatise. In all cases, the author is conscious of themselves as a person according to society’s most official protocols. They write as a potentially esteemed public person appealing to other esteemed public persons, and invite them to consider propositions and conclusions which can be esteemed publicly.
This may not be doing us any favors when it comes to considering consciousness itself. With our intimate personal contents neatly tucked away behind dramatic flourishes of prose and persuasion, our impressionable minds soon forget that we could be anything else but fine upstanding members of the human zoo. We speak as if we were one-of-many rather than a unique and unrepeatable image of eternity.
The interior view, which was so much more prominent when we were just waking up this morning, and which we can barely remember surrounded us as young children, now becomes completely transparent to the protocols and politics of the public view. To do philosophy or science, we need not even objectify subjectivity any further than it already has been, because we are already standing three yards behind the toy model of ourselves which has been dressed up for the occasion in a robe, toga, or lab-coat. Suddenly the product of insight and reason alone is not enough to survive the marketplace of ideas. It must be groomed and packaged and toilet trained out of its native poetry in order to fit in with the customers expectations. In a way, philosophy seems to compensate for its inability to get out of its own way in considering subjectivity fairly by taking itself too seriously. We wear the disguise of formalism that keeps us pointing to a picture of a mirror rather than taking a look at our own reflection.
While religion differs from both philosophy and science in that it projects a subjective significance onto the public world, both philosophy and science owe their serious demeanor to religion. Ritual and ceremony are public interactions in which the event is made to signify itself – to represent self-consciousness socially as a performance of particulars.
The aesthetics of temples and cathedrals are monumentally pompous, as are those of elite universities, and for good reason:
pomp (n.) c.1300, from Old French pompe “pomp, magnificence” (13c.) and directly from Latin pompa “procession, pomp,” from Greek pompe “solemn procession, display,” literally “a sending,” from pempein “to send.” In Church Latin, used in deprecatory sense for “worldly display, vain show.”
The paradox of religion is that in order to send the message of spiritual other-worldliness into the world, it succeeds in direct proportion to its hypocrisy. The more magnificent its public image, the more popular the religion tends to be, and the more quiet contemplation of private depths becomes a choreographed sporting event tied to military conquest and political control.
Can this state of affairs be improved, even on this internet where time and worldliness are switched on or off at will, or is the public perspective perpetually predisposed to pomposity?
Law of Conservation of Mystery
Law of Conservation of Mystery – Refers to the weird tendency for profound and fundamental issues to resist final resolution. Under eigenmorphism, both the microcosmic and cosmic frames (the infinitesimal and the great) relate to the fusion of chance and choice. It is as if the personal, macrocosmic range of awareness might act as a lens, bending the impersonality of the universe into a personal bubble, and in another sense, the personal bubble may project an illusion of impersonality outwardly. Both of these can be thought of not as illusions or distortions, but of mutual relation between foreground and background which constitutes a tessellated synergy.
Both the sub-personal quirkiness of QM and the super-personal spookiness of divination (such as the I Ching or Tarot cards) exemplify that the perception of spiritual or mechanical absolutes is elusive and bound to the choice between belief and belief in disbelief. In both quantum mechanics and divination, the human participant is responsible for the interpretation – the individual is the prism which splits the beam of their interpretation between chance and choice…or the individual is responsible for remaining skeptical and resisting pseudoscientific claims. If we choose to allow choice on the cosmological level, even there, the continuum between luck which is intentionally or unintentionally fateful and karma which is divinely mechanistic reflects a difference in degree of universal approbation. The Law of Conservation of Mystery is particularly applicable to paranormal phenomena. Everything from UFOs to NDEs have passionately devoted supporters who are either seen as deluded fools stuck in a prescientific past or prophets of enlightenment ahead of their time. What preserves that bifocal antagonism is technically eigenmorphism – it’s how different perceptual inertial frames maintain their character, but this special case of perceptual relativity is on us. It keeps us guessing and pushing further, but it also keeps us blind and stuck in our assumptions.
Superposition of the Absolute – The concept of superposition has enjoyed wide acceptance on the microcosmic level of quantum physics, but the idea of the Totality of the universe having a kind of multistable nature has not yet been widely considered as far as I know. The superposition of a wavefunction is tolerated because it helps us justify what we have measured, but any escalation of this kind of merged possibility to the macrocosm is strictly forbidden. Under PIP, the entire cosmos can be understood to be perpetually in superposition, or perhaps meta-superposition. Any event can be meaningful or meaningless according to one’s interpretation, but some events are more insistent upon meaningful interpretations than others.
Coincidence and pattern invariably count as evidence of the Absolute, whether the Absolute is regarded as mechanical law, divine will, or existential indifference. In this way, the insistence or existence of pattern can be understood as the wavefunction collapse of eternity. This is hard to grasp since eternity is the opposite of instantaneous, so that the ‘collapse’ is occurring in some sense across all time, weaving through it as a mysterious thread that pulls every participant forward into their own knowledge and delusion. On the Absolute scale, every lifetime is a single moment that echoes forever, and the echo of the forever-now into nested subroutines of smaller and smaller ‘nows’.
On the super-personal level (super-private/transpersonal/collective), when coincidence seems to become something more (synchronicity, precognition, or destiny), the collapse can be understood as a collapse on multiple nested frames at once. “Then it all made sense”, Eureka!, I hit bottom. etc. The multiplicity of conflicting possibilities can, for a moment, pop into a single focus that will resonate for a lifetime.
On the quantum level, probability is used in a particular way to explain behaviors of phenomena to which we attribute no intentional choice. Einstein’s famous objection ‘God does not play dice’ perhaps echoes a deep intuition that people have always had about the way that nature reflects a partially hidden order. This expectation is perhaps the common thread of all three epistemological branches – the theological, the philosophical, and the scientific. The value of prediction is particularly powerful for both scientific and theocratic authority as evidence of positive connection with either natural law or divine will. Science demands theories predict successfully, while religion demands prophetic promise. Under the Superposition of the Absolute, the ultimate natural law can be seen to become more flexible and porous, and the localization of divine will can be seen to have limitations and natural constraints. If PIP is to make a prediction itself, it would be to suggest that all wavefunctions share the identical, nested, non-well-founded superposition, one which can be understood as sense or perceptual relativity itself.



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