Topography of Eigenmorphism Part II
Another visual metaphor:
Eigenmorphism visualization part II
This diagram shows how elemental phenomena (bottom image) appear to us to have very little going on inside. Their public properties are not very body-like and their behaviors are imagined not to be very experiential. Eigenmorphism is the idea that as phenomena progress to richer experiential qualities, their interior and exterior nature expands in opposite directions. In biological organisms, the public and private view not only differ by perspective, but the interior perspective can increasingly elaborate itself (spiral grows) without the exterior perspective (square shadow) revealing any change.
It should be noted that this is a metaphor, not a diagram of matter or quantum. What the yellow wall refers to is actually shapeless, as it is the appreciation of and participation in experiences. The increasing elaboration of the shape stands for increasingly rich and varied modalities of sensitivity. MSR suggests that the three dimensional figure in the center is not real at all, and a better diagram would show the shadow from the blue wall and the shadow from the yellow wall gradually morphing into each other in stages.
The difference between the high and low ends of the eigenmorphic spectrum are not only in the degree to which their interior qualities differ from their exterior properties, or in the kinds of qualities which higher experiences contain, but also in ubiquity vs uniqueness. The generic nature of low level phenomena make them comparatively interchangeable and universal, so that physical and mathematical laws have a universal reach. The highest level phenomena can be esoteric to the point of near-solipsism, with meanings that are so multiplexed and poetic that they apply only to a single moment or perspective.
Emergent properties can only exist within conscious experience.
…
Neither matter nor information can ‘seem to be’ anything. They are what they are.
It makes more sense that existence itself is an irreducibly sensory-motive phenomenon – an aesthetic presentation with scale-dependent anesthetic appearances rather than a mass-energetic structure or information processing function. Instead of consciousness (c) arising as an unexplained addition to an unconscious, non-experienced universe (u) of matter and information (mi), material and informative appearances arise as from the spatiotemporal nesting (dt) of conscious experiences that make up the universe.
Materialism: c = u(mdt) + c
Computationalism: c = u(idt) + c
Multisense Realism: u(midt) = c(c)/~!c.
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